I could take a year off of work just to read, and at the end of that year, my “to read” bookshelves would still be overflowing and I’d still feel like I didn’t get to all the things that I wanted.
I only mention this because my copy of Marías’s The Infatuations arrived yesterday and made me want to set aside everything else. (Except for the fact that that “everything else” is editing Juan José Saer’s La Grande, which may very well be the best book I’ve read since reading Saer’s Scars.) But, I also still have the Marías trilogy to get to. And a stack of 12-14 books that I want to review for Three Percent. And I now have cable and all of the La Liga, Premiere League, Serie A, and Ligue 1 games to watch. And.
Anyway, Jeremy Garber — who is a used book buyer for a large independent bookstore and has written for The Oregonian, the Oregon Historical Quarterly, and on Powells.com—wrote this fantastic review of The Infatuations. Jeremy’s reviews are always really fantastic, and I love his technique of inserting a ton of quotes from the book itself.
Here’s the opening:
“What happened is the least of it. It’s a novel, and once you’ve finished a novel, what happened in it is of little importance and soon forgotten. What matters are the possibilities and ideas that the novel’s imaginary plot communicates to us and infuses us with, a plot that we recall far more vividly than real events and to which we pay far more attention.”
Being that there are so many ways in which one might consider a book’s overall effect (to say nothing of how certain elements may appeal to one reader over another), it can be rather arduous to convey what it is about a particular work that makes it resonate as it does. To some, prose is paramount. to others, believable characters and their development, with whom a reader can identify or at least empathize. Faithful dialogue, compelling plot, philosophical asides, broad scope, cross-cultural relevance, clever construction, unique narrative stylings, memorable voice, a timeless quality—all these and more are reasons often given when discussing what it is about a work of fiction that makes it so distinguished or outstanding. The one commonality shared by all the world’s great novels, however, be they past or present, is their remarkable ability to stay with us long after we’ve set the story aside. So it is with Javier Marías’s latest novel, The Infatuations (Los enamoramientos).
Published to wide acclaim in his native spain in 2011, the disputed king of Redonda’s most recent offering is a murder mystery par excellence. no mere formulaic thriller, Marías’s tale is one of perception, memory, grief, love, death, complicity, circumstance, doubt, chance, delusion, the multiplicity of motivation, and, of course, the nature of infatuation. Set within the capital city of Madrid and using a violent (and seemingly senseless) murder as its catalyst, the story follows María Dolz, a publishing house employee who entangles herself, however inadvertently at the onset, in the heinous crime’s aftermath.
Click here to read the entire review.
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .