This week’s podcast is the first one Tom and I have recorded in almost a month. So after a bit of catching up, we talked about David Bellos’s new translation of Simenon’s Pietr the Latvian, the difficulties of translating “I love you” and all the swears into Japanese, and this list of “The 20 Best Books in Translation You’ve Never Read.” As necessary, we also talked about the baseball playoffs and this cute flowchart.
Since Tom can’t post here, I just want to have the final word on our discussion of the list of translations that Stephen Sparks and I put together. First off, we didn’t give it this bombastic of a title, but whatever. We did put some time into coming up with twenty books that we love and that readers of international literature may not have heard of. As readers of heaploads of translated books, we had hundreds of titles to choose from. Every list is incomplete and flawed, but Tom’s accusation that this is “intentionally esoteric” is totally off-point. It is a symptom of today’s culture though, where if someone knows more about some topic that someone else, they are dismissed. Not to get all J-Franz about the kids these days and their Twitterversing, but there’s a reason why stupid websites like Flavorwire are popular—they replace genuine knowledge with listicles that make the common reader feel good about themselves. “Hey, I’ve read 20 of the 25 lists on the “Greatest List of Lists Created by Flavorwire” list! I’m gonna tweet this.” Sorry, Tom and whomever, for trying to share a bit of the lifelong research I’ve done on international literature. Next time someone wants to know about translated books, I’ll just search the “translationsIreadinHighSchool” hashtag and call it a day.
This week’s music is Rolling Waves by The Naked and Famous.
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in _Morse, My Deaf Friend_— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .