In the Sun, Ben Lytal provides a brief overview to the new translation of Kafka’s stories by Michael Hofmann. It certainly sounds like it’s worth picking up, as are the Shocken translations he mentions, if you don’t have them already.
Now a new volume, “Metamorphosis and Other Stories” (Penguin, 320 pages, $14), also translated by Mr. Hofmann, rounds out this generation of major Kafka translations. By positioning this volume as a collection of everything that Kafka published in his lifetime, Mr. Hofmann pokes another hole in the old image of Kafka as “someone we are encouraged to think of as a publication-averse recluse.” Many of the stories collected here, especially the title story, are extremely well-known. But by packaging “The Metamorphosis” — which has lost the definite article in this translation — with 42 other stories and prose sketches in a Penguin Classics Deluxe Edition, the publishers make a bid to change the way new readers are introduced to Kafka.
Like many recent Penguin Classics Deluxe Editions, the cover of “Metamorphosis” has been illustrated by a well-known graphic artist (“Candide” got Chris Ware, “Metamorphosis” gets Sammy Harkham). The stark, modernist faces of yesterday’s Kafka paperbacks are gone. One of Harkham’s drawings, for instance, shows a messy bourgeois scene: Three men sit grumpily at dinner, while a young woman plays a violin and an older man snores in his armchair. A preponderance of detail — armchair, side whiskers, grandfather clock — combines to give the illustration a 19th-century, rather than modern, ambience. And over the whole image looms what seems at first to be a giant willow tree, massing in wavy black bunches that somehow droop, dividing into tendrils, over the bourgeois furniture — until we realize that the black bunches are no tree but, quite sensibly, hordes of little black beetles.
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
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We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
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It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
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Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .