8 January 14 | Chad W. Post

The new issue of World Literature Today is now available, and filled with great stuff (an interview with Anne Carson, feature on Naomi Shihab Nye, profile of 2014 Neustadt International Prize for Literature winner Mia Couto, a feature on Arabic books for teens), but in addition to the magazine, WLT has an outstanding blog and just today ran a feature on Open Letter author Inga Ābele:

Inga Ābele, born in 1972 in Riga, has written plays and screenplays, collections of poetry, stories and novels. Her play Dark Deer was staged in Latvia, at the Stuttgart State Theatre, the Bonner Biennale, and in Greece, being made a feature film in 2006. Iron Weed was staged in Latvia, Denmark, and Finland; Jasmine premiered in Latvia and was staged in Lucerne. Her poetry collections include Night Pragmatist and a collection of prose poems, The Horses of Atgazene Station. Her 2001 novel, Fire Will Not Wake You, was published in Lithuanian in 2007. Her story collection Notes During the Time of Snow won the Annual Award for Literature in 2004, and another collection, Still Life with Pomegranate, was published in French translation in 2005. Ābele’s 2008 novel High Tide was published in in Swedish translation in 2009 and in English translation in 2013.

I’m going to interrupt here to remind you that Open Letter was the press that published High Tide, and it was translated by our editor, Kaija Straumanis.

In other words: You should really buy this book. (You can even get the ebook directly from our site for a mere $9.99.)

This interview is as much about Inga’s life out in the country as it is about Lativan literature, but, and I’m sure Kaija can back this up, Inga’s living arrangement sounds pretty ideal:

Seven years ago Ābele left Riga to live in deep in the forest near Sigulde, site of an ancient castle, with her hot-air balloonist partner, Gunars Dukste. [. . .] They live on a smallholding that belonged to a baron in the 1800s: wild boars come at night to dig up the lush grass with their snouts and eat it. A tower is set up for a neighboring hunter who hasn’t had any luck yet. They’ve built a perfect, snug house on the foundations of what was once the cattle shed, with the weathered old outbuildings still standing about, a great stack of wood ready for winter. Gunars takes haunting photos of the countryside of Latvia while floating over it.

Another interruption: Gunars’s book of hot air balloon photos will be available in English in the not-too-distant future. (Kaija also translated this.) More info on that in a future post.

And finally, about Inga’s forthcoming books:

She is finishing up a novel titled The Wicker Monk, which has been three years in the writing. The “wicker” in the title comes from the way in Latgale, where the protagonist lives a life of celibacy, everything is woven together for strength, large families hold together. After that she has a contract to write a historical novel about collectivism in the 1950s in Latvia, due to be finished in 2015.

Maybe Open Letter will bring out one-both of these in the future . . . But for now—check out High Tide: it’s a stunning book that combines lush, provocative prose with a gripping plot about a love triangle and a killing. (Although this plot is told in semi-reverse chronological order . . . so the killing only makes sense at the end of the book. It’s like an anti-mystery novel, I suppose.)

Comments are disabled for this article.
Rambling Jack
Rambling Jack by Micheál Ó Conghaile
Reviewed by Vincent Francone

“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“50 pages?”
“Including illustrations.”
“And this—what. . .

Read More >

The Things We Don't Do
The Things We Don't Do by Andrés Neuman
Reviewed by Tiffany Nichols

Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .

Read More >

Private Life
Private Life by Josep Maria de Sagarra
Reviewed by Christopher Iacono

In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:

When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .

Read More >

Dinner by César Aira
Reviewed by Lori Feathers

César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .

Read More >

We're Not Here to Disappear
We're Not Here to Disappear by Olivia Rosenthal
Reviewed by Megan C. Ferguson

Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .

Read More >

The Queen's Caprice
The Queen's Caprice by Jean Echenoz
Reviewed by Christopher Iacono

Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .

Read More >

French Concession
French Concession by Xiao Bai
Reviewed by Emily Goedde

Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .

Read More >

Anna Karenina
Anna Karenina by Leo Tolstoy
Reviewed by Christopher Iacono

For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .

Read More >

The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

Read More >

This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >