21 January 14 | Kaija Straumanis

The latest addition to our Reviews Section is a piece by Grant Barber on Alfonso D’Aquino’s fungus skull eye wing, translated by Forrest Gander and out from Copper Canyon Press.

One cool factoid and product from the process of this bilingual volume of poetry coming to be, as Grant points out, is that D’Aquino and Gander spent loads of time together translating each others’ poems. That’s an intense form of tandem work that not everyone has the opportunity to experience, and I can only imagine the value such an experience could give to both authors-translators.

Here’s a bit of Grant’s review:

When I pick up a book of poems labelled “nature poetry” I expect images of autumn leaves, sunrises and sunsets, flowers in various stages from spring through the end of summer, tracking a first person reflection on life’s challenges. Roethke, Ammons, and contemporary poets such as Patti Anne Rogers craft authentic metaphorical images from nature, but for the most part nature poems can seem tired or forced. D’Aquino’s poems are deeply informed by the natural world, but his images are fresh, the reach of his poetry is into a fusion of the natural world with human experience that does not privilege one over the other.

Gander is one of the English-speaking world’s foremost translators of contemporary, living poets from Latin America. In his introduction Gander explains that D’Aquino lives a life apart from the central poetic world found in Mexico City, which Gander terms as combative. Instead D’Aquino has lived on the outskirts of Cuernavaca, in jungle-like vegetation where the poet has learned the names and uses of plants, and is an expert on the fauna. Gander and D’Aquino had significant face-to-face time, together translating each other’s works into their respective native languages—so fitting for a poet who translates between the human and natural, as if this is the node in which D’Aquino dwells. The poems are presented with the original Spanish facing the English translation.

For the rest of it, go here.


Comments are disabled for this article.
....
This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

A Dilemma
A Dilemma by Joris-Karl Hyusmans
Reviewed by Christopher Iacono

In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .

Read More >

Walker on Water
Walker on Water by Kristiina Ehin
Reviewed by P. T. Smith

There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .

Read More >

The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

Read More >

Pavane for a Dead Princess
Pavane for a Dead Princess by Park Min-Gyu
Reviewed by Christopher Iacono

In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .

Read More >

Tram 83
Tram 83 by Fiston Mwanza Mujila
Reviewed by Caitlin Thomas

Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .

Read More >

Twenty-One Days of a Neurasthenic
Twenty-One Days of a Neurasthenic by Octave Mirbeau
Reviewed by Lori Feathers

Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .

Read More >

Sphinx
Sphinx by Anne Garréta
Reviewed by Monica Carter

Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .

Read More >

Morse, My Deaf Friend
Morse, My Deaf Friend by Miloš Djurdjević
Reviewed by Vincent Francone

There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .

Read More >

The Crimson Thread of Abandon
The Crimson Thread of Abandon by Terayama Shūji
Reviewed by Robert Anthony Siegel

The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >