Just got a press release about new funding available for the translation of academic German books into English.
With Geisteswissenschaften International: Translation Funding for Humanities and Social Sciences from Germany, the German Publishers & Booksellers Association (Börsenverein des Deutschen Buchhandels), the Fritz Thyssen Foundation and the German Federal Foreign Office will now reward innovative academic works on humanities and social sciences written in German by providing funding for the translation of such works into English.
The aim is to support a wider international dissemination of academic research results from Germany and at the same time, to uphold German as an academic language and the language of first publications of works on humanities and social sciences. Geisteswissenschaften International aims to strengthen Germany as an educational and academic base. “Cultural and intellectual understanding within worldwide academic society is the aim of many translations at this time. With Geisteswissenschaften International, we hope to strengthen the participation of German-language academic works in international academic discourse,” said Dr. Gottfried Honnefelder, president of the Börsenverein des Deutschen Buchhandels, foreign minister Dr. Frank-Walter Steinmeier, and chairman of the Fritz Thyssen Foundation committee, Dr. Manfred Schneider, as they welcomed the undertaking.
Applications will be accepted from publishing companies with academic publications in the fields of humanities and social sciences. They should submit their own selection of titles for which rights option agreement is already in place, and provide a brief summary of the reasons for their selection. The amount of funding will depend on each individual case and the actual translation costs.
Application deadline for this round is June 1st. And more info is available here.
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .