Hip Hop’s hope as infrastructure for black political
power
Bakari
Kitwana ('90, M.A.T.), a former music reviewer for National
Public Radio's All Things considered, a nationally known
cultural critic, and author of the 1994 book The Rap
on Gangsta Rap, spoke at the River Campus on February
28. His lecture was sponsored by the Black Students'
Union and the Office of College Advancement. Kitwana
characterizes the key crises he believes face African
Americans today: The "inferiorization" of
black children through the primary use of standardized
tests to gauge learning progress, unemployment, disproportionately
high rates in incarcerating black men, the "War
of the Sexes" economic competition between black
men and women, and an intergenerational gap in cultural
understanding.
"Hip Hop [he uses the term as synonymous
with the culture of rap music] . . . provides the infrastructure
a major political movement needs," says Kitwana.
While corporate media moguls have defined it as the
language of a violent urban subculture, Kitwana sees
the culture as, more accurately, a strong grassroots
movement. "Rap is a $3 to $4 billion per year industry
that has changed the (power) equation for black youth."
The culture has an active, widespread local base, he
further notes. The medium has also brought more African-American
youth to international attention than any other.
The Hip Hop movement, he says, can be
used to construct a national organization like the Student
Nonviolent Coordinating Committee (SNCC) of the 1960s
and to move toward a national political convention.
"White kids," he also exhorts, "have
a greater responsibility than to just be 'cultural bandits.'
" While he thinks Hip Hop should encourage the
older generation's involvement, he warns that elders
need to help, not control, the agenda. Kitwana urged
his mainly-student audience to move beyond local political
issues and to recreate an environment of student activism.
"You are our black intellectuals now, whether you
accept that or not."
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