

|
Author
|
Title
|
Volume
|
#
|
Page
|
| La Belle, Jenijoy | Blake and Morland: The First State of "The Industrious Cottager" |
12
|
4 | 258 |
| Blake's Bald Nudes |
24
|
2 | 52 | |
| Blake's Insanity: An Unrecorded Early Reference |
15
|
2 | 100 | |
| Michelangelo's Sistine Frescoes and Blake's 1795 Color-Printed Drawings: A Study in Structural Relationships |
14
|
2 | 66 | |
| A Pencil Sketch for Blake's Dante Illustrations |
19
|
3 | 73 | |
| A Reprinting of Blake's Portrait of Thomas Alphonso Hayley |
25
|
3 | 136 | |
| Lange, Thomas V. | Blake in American Almanacs |
14
|
2 | 94 |
| Blake's [that is, An] Engraving of Wollstonecraft after Opie |
13
|
1 | 36 | |
| A Rediscovered Colored Copy of Young's Night Thoughts |
15
|
3 | 134 | |
| Two Forged Plates in America Copy B |
16
|
4 | 212 | |
| see Essick, Robert N., with Thomas V. Lange | ||||
| Larrissy, Edward | Blake and the Hutchinsonians |
20
|
2 | 44 |
| Latham, Jacqueline E. M. | The Arlington Court Picture |
29
|
1 | 24 |
| Lefebvre, Mark S. | A Note on the Structural Necessity of Night VIIB |
12
|
2 | 134 |
| Levine,
George R. see Connolly, Thomas E., and George R. Levine |
||||
| Lincoln, Andrew | The Four Zoas: The Text of Pages 5, 6, & 7, Night the First |
12
|
2 | 91 |
| The Revision of the Seventh and Eighth Nights of The Four Zoas |
12
|
2 | 115 | |
| To the Editors [corrections to his edn. of the Songs] |
27
|
2 | 45 | |
| Vala's Garden |
21
|
2 | 77 | |
| Lindsay, David W., and M. A. L. Locherbie-Cameron | "Malden" in Blake's Jerusalem |
22
|
4 | 136 |
| Linkin, Harriet Kramer | Revisioning Blake's Oothoon |
23
|
4 | 184 |
| Lister, Raymond | Blake's Appearance in a Textbook on Insanity |
9
|
4 | 120 |
| Calvert's "Lady and the Rooks" and Cornish Scenes |
10
|
1 | 34 | |
| A Fragmentary Copy of Songs of Innocence and of Experience |
6
|
1 | 19 | |
| A Letter from Benjamin Disraeli to Anne Gilchrist |
14
|
2 | 99 | |
| The National Gallery and Blake's Spiritual Form of Pitt Guiding Behemoth |
17
|
3 | 105 | |
| Two Blake Drawings and a Letter from Samuel Palmer |
6
|
2 | 53 | |
| William Muir |
20
|
2 | 49 | |
| Locherbie-Cameron,
M. A. L. see Lindsay, David W., and M. A. L. Locherbie-Cameron |
||||
| Lyle, Janice | Handlist of the Essick Blake Collection |
11
|
4 | 216 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Macmillan, Malcolm Kingsley | Dialogue Between Blake and Wordsworth |
8
|
1/2 | 38 |
| Magno, Cettina | The Four Zoas for Italy |
12
|
2 | 140 |
| Maheux, Anne | An Analysis of the Watercolor Technique and Materials of William Blake |
17
|
4 | 124 |
| Malmqvist, Göran | The Dean of Morocco = George Cumberland? |
13
|
2 | 109 |
| Malmqvist, N. G. D. | Blake in China |
13
|
1 | 24 |
| Mann, Paul | The Final State of The Four Zoas |
18
|
4 | 204 |
| Finishing Blake |
22
|
4 | 139 | |
| Mazzeo, Tilar Jenon | Verbal Echoes of Cumberland's Thoughts on Outline, Sculpture, and the System that Guided the Ancients (1796) in Jerusalem |
35
|
1 | 24 |
| McCollister, Deborah | The Seduction of Self-Abnegation in The Book of Thel |
30
|
3 | 90 |
| McCord, James | An Unrecorded Colored Copy of Young's Night Thoughts |
18
|
2 | 116 |
| McGann, Jerome J. | Staging The Marriage of Heaven and Hell |
5
|
3 | 182 |
| McNally, Paul see Bouwer, Izak, and Paul McNally |
||||
| McQuail, Josephine | An Unpublished Poem by S. Foster Damon |
19
|
2 | 72 |
| Mellor, Anne K. | Blake's Portrayal of Women |
16
|
3 | 148 |
| Mercier, Vivian | Blake Echoes in Victorian Dublin |
11
|
1 | 32 |
| Mertz, J. B. | An Unrecorded Copy of Blake's 1809 Chaucer Prospectus |
32
|
3 | 73 |
| Metcalf, Francis Wood | Reason and "Urizen": The Pronunciation of Blakean Names |
6
|
1 | 17 |
| Tiriel: Two Corrected First Readings |
9
|
2 | 40 | |
| Toward a More Accurate Description of the Tiriel Manuscript |
4
|
1 | 10 | |
| Minnick, Thomas L. | Blake and "Cowper's Tame Hares" |
4
|
1 | 11 |
| Blake Items in the Library of Isaac Reed |
3
|
4 | 89 | |
| A Checklist of Recent Blake Scholarship |
10
|
2 | 59 | |
| A New Rosetti Letter |
5
|
3 | 181 | |
| see Gibson, William A., and Thomas L. Minnick | ||||
| Minnick, Thomas L., and Detlef W. Dörrbecker | Blake and His Circle: A Checklist of Recent Publications |
17
|
2 | 62 |
| Blake and His Circle: A Checklist of Recent Publications |
18
|
3 | 100 | |
| Blake and His Circle: A Checklist of Recent Scholarship |
15
|
2 | 83 | |
| Blake and His Circle: A Checklist of Recent Scholarship |
16
|
2 | 111 | |
| Minnick, Thomas L., with the assistance of Detlef W. Dörrbecker | A Checklist of Recent Blake Scholarship |
12
|
2 | 142 |
| Minnick, Thomas L., Detlef W. Dörrbecker, and Kazumitsu Watarai | Blake & His Circle: A Checklist of Recent Scholarship |
13
|
2 | 91 |
| Blake & His Circle: A Checklist of Recent Scholarship |
14
|
2 | 85 | |
| Minot, Walter S. | Blake's Infant Joy : An Explanation of Age |
25
|
2 | 78 |
| Mitchell, W. J. T. | Reply to John Grant |
18
|
3 | 181 |
| Möhring, Hans-Ulrich | Whose Head? |
34
|
1 | 24 |
| Morkan, Joel | Blake's Ancient Forests of Europe |
6
|
4 | 93 |
| Milton's Eikonoklastes and Blake's Mythic Geography: A Parallel |
7
|
4 | 87 | |
| Moss, W. E. | Two Coloured Copies of Blake's "Night Thoughts" |
2
|
2 | 19 |
| Mulhallen, Karen | The Crying of Lot 318; or, Young's Night Thoughts Colored Once More |
19
|
2 | 71 |
| Murray, E. B. | Bound Back-to Back in Bromion's Cave |
8
|
3 | 94 |
| 1974 Blake Seminar |
9
|
4 | 120 | |
| A Suggested Redating of a Blake Letter to Thomas Butts |
13
|
3 | 148 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Napora, Joe | His Own Poetry |
12
|
1 | 39 |
| Nelson, J. Walter | Blake Anthologies |
10
|
1 | 32 |
| Niimi, Hatsuko | The Book of Ahania: A Metatext |
34
|
2 | 46 |
| Noon, Patrick | Paul Mellon 1908-1999 (obituary) |
32
|
4 | 152 |
| Nurmi, Martin K. see Bentley, G. E., Jr., and Martin K. Nurmi |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Ober, Warren U. | "Poor robin" and Blake's "The Blossom" |
9
|
2 | 42 |
| Okada, Kazuya | Orc under a Veil Revealed: Family Relationships and their Symbols in Europe and The Book of Urizen |
34
|
2 | 36 |
| Orr, Chris | The Life of W. Blake |
28
|
1 | 35 |
| Ostriker, Alicia | Desire Gratified and Ungratified: William Blake and Sexuality |
16
|
3 | 156 |
| Reply to Hagstrum |
18
|
4 | 238 | |
| Ott, Judith | The Bird-Man of Blake's Jerusalem |
10
|
2 | 49 |
| Iris & Morpheus: Investigating Visual Sources for Jerusalem |
17
|
4 | 149 | |
| Otto, Peter | Final States, Finished Forms, and The Four Zoas |
20
|
4 | 144 |
| Is There a Poem in This Manuscript? |
22
|
4 | 142 | |
| A Pompous High Priest: Urizen's Ancient Phallic Religion in The Four Zoas |
35
|
1 | 4 | |
| Reply to De Luca's Review of Constructive Vision and Visionary Deconstruction |
27
|
1 | 29 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Paice, Rosamund A. | Encyclopaedic Resistance: Blake, Rees's Cyclopædia, and the Laocoön Separate Plate | 37 |
2 | 44 |
| see Essick, Robert N., and Rosamund A. Paice | ||||
| Paley, Morton D. | Blake and Thomas Burnet's Sacred Theory of the Earth |
25
|
2 | 75 |
| Blake's Headgear: The Seventh Head of the Beast in Night Thoughts 345 |
24
|
4 | 142 | |
| Corrections to the Blake Trust Jerusalem |
26
|
1 | 34 | |
| The Critical Reception of A Critical Essay |
8
|
1/2 | 32 | |
| "Folly is the Cloke of knavery" |
21
|
4 | 173 | |
| Further Thoughts on Night Thoughts |
18
|
3 | 183 | |
| Handlist of Four Blake Collections |
11
|
4 | 260 | |
| John Trivett Nettleship and his "Blake Drawings" |
14
|
4 | 185 | |
| Mr. Blake's Spectacles, at the Fitzwilliam Museum (poetry) |
12
|
1 | 39 | |
| "A New Heaven is Begun": William Blake and Swedenborgianism |
13
|
2 | 64 | |
| A Note on the Reproductions in the Review of Easson and Easson, eds. |
13
|
1 | 40 | |
| Notes on Europe iii:13 |
1
|
3 | 16 | |
| Thomas Jones, "Ancient Guardian of Wales" |
2
|
4 | 65 | |
| "To Defend the Bible in This Year 1798 Would Cost a Man His Life" |
32
|
2 | 32 | |
| A Victorian Blake Facsimile |
15
|
1 | 24 | |
| William Blake, Jacob Ilive, and the Book of Jasher |
30
|
2 | 51 | |
| see Essick, Robert N., and Morton D. Paley | ||||
| Paley, Morton D., and Deirdre Toomey | Two Pictorial Sources of Jerusalem 25 |
5
|
3 | 185 |
| Palmer, Samuel | An Address to the Electors of West Kent, 1832 |
19
|
2 | 60 |
| Parisi, Frank M. see Ferguson, James B., Frank M. Parisi, and Michael Phillips |
||||
| Pearcy, Roy J. | Blake's Tyger and Richard Crenshaw's Paraphrase of Thomas of Celano's Dies Irae |
7
|
4 | 80 |
| Peattie, R. W. | William Rosetti's Aldine Edition of Blake |
12
|
1 | 4 |
| Pedley, Colin | Blake's Tiger and the Discourse of Natural History |
24
|
1 | 22 |
| Perkins, David | Animal Rights and "Auguries of Innocence" |
33
|
1 | 4 |
| Peter, Agnes | The Reception of Blake in Hungary |
34
|
3 | 68 |
| Peterfreund, Stuart | Reply to Stewart Crehan |
20
|
3 | 108 |
| Phillips, Michael | Color-Printing Songs of Experience and Blake's Method of Registration: A Correction |
36
|
2 | 44 |
| An Island in the Moon |
22 |
3 | 110 | |
| William Blake and the Sophocles Manuscript Notebook |
31
|
2 | 44 | |
| William Blake The Creation of the
Songs From Manuscript to Illuminated Printing Corrigenda and a Note on the Publication of Gilbert Imlay's A Topographical Description of the Western Territory of North America |
35
|
1 | 30 | |
| see Ferguson, James B., Frank M. Parisi, and Michael Phillips | ||||
| Pierce, John B. | Bunyan at the Gates of Paradise |
23
|
4 | 198 |
| The Shifting Characterization of Tharmas and Enion in Pages 3-7 of Blake's Vala or The Four Zoas |
22
|
3 | 93 | |
| Pignard, Simone, trans. | Blake in French: An Interview with Pierre Leyris |
9
|
4 | 115 |
| Punter, David | Blake/Hegel/Derrida: A Response to Nelson Hilton's Review of Blake, Hegel and Dialetic |
18
|
1 | 58 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Raine, Kathleen | Blake and Tradition |
3
|
4 | 89 |
| Notes on the Crested Cock |
1
|
3 | 10 | |
| Read, Dennis | George Frederick Cooke: Another Grave Subscriber Heard From |
11
|
1 | 37 |
| Read, Dennis M. | A New Blake Engraving: Gilchrist and the Cromek Connection |
14
|
2 | 60 |
| Reed, Mark L. | Blake, Wordsworth, Lamb, Etc.: Further Information from Henry Crabb Robinson |
3
|
4 | 76 |
| Reiman, Donald H. | A Significant Early Review of Blake |
6
|
4 | 94 |
| A Significant New Blakean Fragment |
9
|
2 | 44 | |
| Reiman, Donald H., and Christina Shuttleworth Kraus | The Derivation and Meaning of Ololon |
16
|
2 | 82 |
| Reisner, Mary Ellen | Folcroft Facsimile of the Songs |
10
|
4 | 130 |
| The Locations of Copy U of Songs of Innocence and Copy d of Songs of Innocence and of Experience |
5
|
3 | 214 | |
| Songs of Innocence Copy U |
6
|
4 | 96 | |
| Riehl, Joe | Bernard Barton's Contribution to Cunningham's "Life of Blake": A New Letter |
33
|
1 | 16 |
| Ripley, Wayne C. | Erdman's Pagination of The Four Zoas | 36 |
4 | 140 |
| Rix, Robert W. | Blake, Bacon and "The Devils Arse" | 37 |
4 | 137 |
| Robson, Lane, and Joseph Viscomi | Blake's Death |
30
|
2 | 36 |
| Roeske, Paulette | Mrs. Blake Requests Her Portrait (poetry) |
24
|
4 | 157 |
| Rose, E. J. | The Meaning of Los |
1
|
3 | 10 |
| Rosenfeld, Alvin H. | A Lot He Knew |
1
|
3 | 3 |
| A Yiddish Poem on Blake |
2
|
1 | 9 | |
| Roti, Grant C., and Donald L. Kent | The Last Stanza of Blake's London |
11
|
1 | 19 |
| Rubinstein, Chris | William Blake: A Man without Marx . . . ? [reply to Vice's rev. essay] |
27
|
3 | 75 |
| Ryan, Robert M. | "Poisonous Blue" |
7
|
4 | 87 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Salemi, Joseph S. | Emblematic Tradition in Blake's The Gates of Paradise |
15
|
3 | 108 |
| Sanzo, Eileen | Blake's Beulah and Beulah Hill, Surrey |
9
|
2 | 46 |
| Schiff, Gert | The Night of Enitharmon's Joy (catalogue entry) | 36 |
1 | 38 |
| Schotz, Myra Glazer | On the Frontispiece of The Four Zoas |
10
|
4 | 126 |
| Schroyer, Richard J. [cf. s.v. Shroyer] | The 1788 Publication Date of Lavater's Aphorisms on Man |
11
|
1 | 23 |
| Schuchard, Marsha Keith | Blake's Healing Trio: Magnetism, Medicine, and Mania |
23
|
1 | 20 |
| The Secret Masonic History of Blake's Swedenborg Society |
26
|
2 | 40 | |
| Scrivener, Michael | A Swedenborgian Visionary and The Marriage of Heaven and Hell |
21
|
3 | 102 |
| Shroyer, R. J. [cf. s.v. Schroyer] | Blake's Copy of Lavater's Aphorisms on Man: A Correction of G. E. Bentley, Jr., Blake Books |
13
|
2 | 108 |
| Shroyer, R. J. | Mr. Jacko "Knows What Riding Is" in 1785: Dating Blake's Island in the Moon |
12
|
4 | 250 |
| Simpson, David | Blake's Pastoral: A Genesis for "The Ecchoing Green" |
13
|
3 | 116 |
| Singer, Ian | Blake Books, for G. E. Bentley, Jr. (poem) |
32
|
4 | 150 |
| Singh, Charu Sheel | Reply to Mary V. Jackson |
21
|
1 | 14 |
| Skretowicz, Victor, Jr. | J. Deffett Francis: The Swansea Blakes |
3
|
3 | 52 |
| Slowiková, Marta see Dörrbecker, Detlef W., and Marta Slowiková |
||||
| Spector, Sheila | Kabbalistic Sources--Blake and His Critics |
17
|
3 | 84 |
| Spector, Sheila A. | Blake's Graphic Use of Hebrew | 37 |
2 | 63 |
| The Reasons for "Urizen" |
21 |
4 | 147 | |
| Sources and Etymologies of Blake's "Tirzah" |
23
|
4 | 176 | |
| Srigley, Michael | The Sickness of Blake's Rose |
26
|
1 | 4 |
| Stallworthy, Jon | In Memory of Geoffrey Keynes, Kt., late of Lammas House, 1887-1982 (poetry) |
17
|
2 | 61 |
| Stauffer, Andrew M. | Blake's Poison Trees |
35
|
2 | 36 |
| Stemmler, Joan K. | Cennino, Cumberland, Blake and Early Painting Techniques |
17
|
4 | 145 |
| "Undisturbed above once in a Lustre": Francis Douce, George Cumberland and William Blake at the Bodleian Library and Ashmolean Museum |
26
|
1 | 9 | |
| Stevenson, W. H. | The Sound of "Holy Thursday" |
36
|
4 |
137 |
| Two Problems in The Four Zoas Continued |
1 1 |
3 4 |
13 6 |
|
| Stevenson, Warren | Bifocal (poem) |
13
|
1 | 39 |
| Blake at the Winter Solstice (poem) |
32
|
4 | 149 | |
| Discussion [David Simpson on Paolozzi's Newton] |
29
|
1 | 24 | |
| The Image of Canada in Blake's America: a Prophecy |
27
|
3 | 72 | |
| LOCK/LUCK (poem) |
22
|
4 | 145 | |
| On Blake's Painting of Jesus and the Woman Taken in Adultery (poem) |
19
|
4 | 150 | |
| Storch, Margaret | Blake and Women: A Reply to Nelson Hilton |
26
|
4 | 161 |
| Strickland, Edward | John Dennis and Blake's Guinea Sun |
14
|
2 | 36 |
| Sturrock, June | "What have I to do with thee?" |
28
|
3 | 89 |
| Summerfield, H. | Blake and The Names Divine |
15
|
1 | 14 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Tayler, Edward, and Everett Frost | The Source of "Bring out number, weight & measure in a year of dearth" |
5
|
3 | 213 |
| Tayler, Irene | Blake's Laocoön |
10
|
3 | 72 |
| Taylor, Dena | A Note on William Blake and the Druids of Primrose Hill |
17
|
3 | 104 |
| Taylor, Dena Bain | The Deterioration of the 1951 Blake Trust Jerusalem |
23
|
2 | 75 |
| The Visual Context of "Joseph of Arimathea among the Rocks of Albion" |
20
|
2 | 47 | |
| Taylor, Peter Alan | Blake's Text for the Enoch Drawings |
7
|
4 | 82 |
| Tener, Robert H. | The Authorship of the Spectator Review of Gilchrist |
13
|
1 | 33 |
| Thompson, Raymond E. | The "Double" of the Double Portrait of Blake: A Description of Tatham's Relica Portrait |
13
|
1 | 29 |
| Thompson, Shawn | Thanks Newton (poem) |
13
|
2 | 105 |
| Todd, Ruthven | "Poisonous Blues" and Other Pigments |
14
|
1 | 31 |
| A Recollection of George Richmond by His Grandson |
6
|
1 | 24 | |
| The Rev. Dr. John Trusler |
6
|
3 | 71 | |
| A Tentative Note on the Economics of The Canterbury Pilgrims |
11
|
1 | 29 | |
| Two Blake Prints and Two Fuseli Drawings--with some possibly pertinent speculations |
5
|
3 | 173 | |
| Tolley, Michael J. | The Auckland Fuselis |
3
|
3 | 51 |
| Blake's Debt to Pope |
2
|
4 | 62 | |
| Hilton under the Hill: Other Dreamers |
23
|
4 | 201 | |
| Jerusalem 12: 25-29--Some Questions Answered |
4
|
1 | 3 | |
| John Todhunter: A Written Debt to Blake |
8
|
1/2 | 15 | |
| Remarks on "The Tyger," with response by Morton D. Paley |
1
|
2 | 10 | |
| Three Bibliographical Additions |
2
|
1 | 10 | |
| Tolley, Michael, and Michael Ferber | "Thel's Motto": Likely and Unlikely Sources |
10
|
1 | 35 |
| Toomey, Deirdre | The States of Plate 25 of Jerusalem |
6
|
2 | 46 |
| see Paley, Morton D., and Deirdre Toomey | ||||
| Trawick, Leonard | Nature and Art in Milton: Afterthoughts on the 1973 MLA Seminar |
7
|
3 | 67 |
| Tyson, G. P. | An Early Allusion to Blake |
9
|
2 | 43 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Viscomi, Joseph | Blake in the Marketplace 1852: Thomas Butts, Jr. and Other Unknown Nineteenth-Century Blake Collectors |
29
|
2 | 40 |
| A Breach in a City the Morning after the Battle: Lost or Found? |
28
|
2 | 44 | |
| Facsimile or Forgery? An Examination of America, Plates 4 and 9, Copy B |
16
|
4 | 219 | |
| A "Green House" for Butts? New Information on Thomas Butts, His Residences, and Family |
30
|
1 | 4 | |
| The Myth of Commissioned Illuminated Books: George Romney, Isaac D'Israeli, and "ONE HUNDRED AND SIXTY designs . . . of Blake's" |
23
|
2 | 48 | |
| Recreating Blake's Illuminated Prints: The Facsimiles of the Manchester Etching Workshop |
19
|
1 | 4 | |
| William Blake's "The Phoenix / to Mrs Butts" Redux |
29
|
1 | 12 | |
| see Essick, Robert N., and Joseph Viscomi | ||||
| see Robson, Lane, and Joseph Viscomi | ||||
| Vultee, Denise | Apollonian Elephant? |
30
|
1 | 22 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Ward, Aileen |
Canterbury Revisited: The Blake-Cromek
Controversy
|
22
|
3 | 80 |
| Who Was Robert Blake? |
28
|
3 | 84 | |
| Ward, Marney | Copy N of the Songs |
5
|
3 | 214 |
| Wardle, Judith | The Influence of Wynne's Emblems on Blake |
9
|
2 |
46
|
| Warner, Janet | Blake and English Printed Textiles |
6
|
4 | 84 |
| A Contemporary Reference to Bale |
9
|
4 | 122 | |
| Warner, Nicholas O. | Blake's Moon-Ark Symbolism |
14
|
2 | 44 |
| Tolstoy and Blake's Russian Reputation |
17
|
3 | 102 | |
| Visual Analogues to Blake's "The Dog" |
18
|
3 | 140 | |
| Watarai, Kazumitsu | A Bibliography of William Blake in Japan 1969-1977 |
12
|
3 | 198 |
| see Minnick, Thomas L., Detlef W. Dörrbecker, and Kazumitsu Watarai | ||||
| Weber, Dwight E. | William Blake's Visions of the Daughters of Albion: A Poem based on Doubt |
12
|
3 | 203 |
| Weinglass, D. H. | Henry Fuseli's Letter of Enquiry to Paris on Behalf of Mary Wollstonecraft's Sister, Everina |
21
|
4 | 144 |
| Welch, Dennis M. | America and Atlantis: Blake's Ambivalent Millenialism |
6
|
2 | 50 |
| Blake's Response to Wollstonecraft's Original Stories |
13
|
1 | 4 | |
| Wellens, Oskar | A Dutch Bibliophile Edition of The Marriage of Heaven and Hell (1928) | 37 |
3 | 104 |
| White, Harry | Blake and the Mills of Induction |
10
|
4 | 109 |
| Wilkie, Brian see Johnson, Mary Lynn, and Brian Wilkie |
||||
| Wills, James T. | An Additional Drawing for Blake's Bunyan Series |
6
|
3 | 63 |
| Wilton, Andrew | A Fan Design by Blake |
7
|
3 | 60 |
| Wittreich, Joseph A., Jr. | A Bibliographical Note |
2
|
1 | 13 |
| A Note on Blake and Fuseli |
3
|
1 | 3 | |
| A Note on Blake and Milton |
2
|
2 | 17 | |
| Further Observations on William Rosetti's Annotations/etc./ |
3
|
3 | 48 | |
| Wood, Marcus | A Caricature Source for One of Blake's Illustrations to Hayley's Ballads |
24
|
1 | 31 |
| Worrall, David | Blake's Derbyshire: A Visionary Locale in Jerusalem |
11
|
1 | 34 |
| William Bryan, Another Anti-Swedenborgian Visionary Engraver of 1789 |
34
|
1 | 14 | |
| Wright, John | Blake's Relief Etching Method |
9
|
4 | 94 |
| Toward Recovering Blake's Relief Etching Process |
7
|
2 | 32 | |
| Wright, Julia M. | "Empire is no More": Odin and Orc in America |
26
|
1 | 26 |
| Wright, Warren Keith | The Scholars & A Grain of Sand |
16
|
4 | 225 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Yoder, R. Paul | Not from Troy, But Jerusalem: Blake's Canon Revision |
31
|
1 | 17 |