Newsletter

Party at Sotheran's

John Windle (he of Antiquarian Bookseller fame) invites all Blake lovers who will be in London on 3 June to a reception at Sotheran's, 2 Sackville Street, Piccadilly, from 6 to 8 pm to celebrate the opening of the Blake show, which will have items from both Windle's and Sotheran's stock. The speaker will be the novelist Tracy Chevalier. If you plan to attend the reception, please notify Chris Saunders, and if you're interested in a catalogue of the works on offer, contact John Windle.

Wings of Fire: The Illuminated Books of William Blake

Grant Scott and the students in his senior seminar on Blake at Muhlenberg College organized and installed a multimedia exhibition at the Martin Art Gallery from 19 March to 19 April. There were six original Blake works on display, as well as Muir and Trianon facsimiles, and dance and musical performances were scheduled.
Photos are courtesy of Grant Scott, the Martin Art Gallery, and Paul Pearson Photography.

 

Project Blake

Matthew Couper, the director of Project Blake, which celebrates Blake's life in Lambeth, has kindly provided the following details of the project's initiatives:
A visual art and sound installation in Centaur Street, near where Blake lived in Lambeth.  This will include large scale mosaics of Blake's work and recordings of his poetry;
A community and education program;
The inaugural William Blake Festival at the Southbank Centre;
A theatre production based on the life of Blake.

Blake's Poetry and Designs (2nd ed.)

Mary Lynn Johnson posted to the NASSR email list in late November the preface from the new second edition of Blake's Poetry and Designs, which we reproduce below.

Preface to the Second Edition

True to its title, this new edition of Blake's Poetry and Designs follows its predecessor (1979) in emphasizing visual as well as verbal aspects of Blake's self-published body of work in illuminated printing. This expanded edition, designed to be used in tandem with the magnificent William Blake Archive (www.blakearchive.org) and other online resources, presents newly annotated full texts of the illuminated writings, including the epic-length Jerusalem; a rich sampling of images, sixteen in color and eighty-six in black and white; and a generous selection of Blake's most arresting poetry and prose in conventional printing and manuscript. Appearing for the first time in any edition is a letter rediscovered in 1997, now in the collection of Robert N. Essick. The chronology, bibliography, and other editorial materials have been reworked in light of scholarly discoveries of the past quarter century, and the "Criticism" section includes assessments of Blake's work from 1809 to 2003.
As explained in "Textual Technicalities," the thoroughly reedited—and now more lightly punctuated—reading texts are based both on our own study of original sources and on two distinguished editions that have won awards from the Modern Language Association's Committee on Scholarly Editions, one in print, one on the Internet. Texts of the illuminated writings are drawn from transcriptions in the William Blake Archive (1996- ), edited by Morris Eaves, Robert N. Essick, and Joseph Viscomi; texts of other writings derive from David V. Erdman's The Complete Poetry and Prose of William Blake (1988). Large numbers set in boxes in the right margins of the reading texts refer to Blake's plate or page numbers, following a standardized system discussed in "Textual Technicalities" (p. 600). Rewritten headnotes provide brief thematic and factual introductions; revised footnotes—including those from the first edition that have been cited in subsequent scholarship—have been purged of interpretive material that is not strictly explanatory, in conformity with current practice in the Norton Critical Editions series.
We appreciate the opportunity, in this edition, to correct long-rankling 1979 glitches (which each of us secretly blames on the other) such as scrambled biblical citations (n. 9, p. 100) and anachronistic "internal combustion engines" (n. 9, p. 238).
Mary Lynn Johnson (Grant)
John E. Grant

ImageTexT

The online journal ImageTexT: Interdisciplinary Comics Studies has a special issue devoted to Blake.

Blake Discovery

Eight newly discovered prints by Blake are on display at a Tate exhibition, William Blake: "I still go on / Till the Heavens and Earth are gone." For more on the prints, see here.

Janet Warner Travel Award

The Janet Warner Travel Award to students at York University (Toronto) has been established in the name of the Blake scholar Janet Warner (1931-2006). Donations may be made by check or credit card (see here for details); please be sure to specify that you wish your gift to be allocated to the award. (Thanks to G. E. Bentley, Jr., for this information.)

Upcoming Reviews

Books, CDs, and exhibitions slated for review in the journal:

Craig Atwood. Community of the Cross: Moravian Piety in Colonial Bethlehem. Pennsylvania State UP, 2004.

David Bindman, with Darryl Pinckney. Mind-Forg'd Manacles: William Blake and Slavery. Hayward Gallery Publishing, 2007.

Blake's Shadow. Exhibition at the Whitworth Art Gallery, Manchester, January to April 2008.

Luisa Calè. Fuseli's Milton Gallery: "Turning Readers into Spectators." Clarendon P, 2006.

Steve Clark and David Worrall, eds. Blake, Nation and Empire. Palgrave Macmillan, 2006.

Steve Clark and Masashi Suzuki, eds. The Reception of Blake in the Orient. Continuum, 2006.

Glen Robert Gill. Northrop Frye and the Phenomenology of Myth. U of Toronto P, 2006.

Matthew J. A. Green. Visionary Materialism in the Early Works of William Blake: The Intersection of Enthusiasm and Empiricism. Palgrave, 2005.

Kevin Hutchings. Songs of William Blake. (CD) 2007.

Saree Makdisi. Blake and the Impossible History of the 1790s. U of Chicago P, 2003.

Martin Myrone. The Blake Book. Tate Publishing, 2007.

Hatsuko Niimi. Blake's Dialogic Texts. Keio UP, 2006.

William Pressly. The Artist as Original Genius: Shakespeare's "Fine Frenzy" in Late Eighteenth-Century British Art. U of Delaware P, 2008.

Robert Rix. William Blake and the Cultures of Radical Christianity. Ashgate, 2007.

Christopher Rowland. "Wheels within Wheels": William Blake and the Ezekiel's Merkabah in Text and Image. Marquette UP, 2007.

Sheila Spector. "Glorious incomprehensible": The Development of Blake's Kabbalistic Language. Bucknell UP, 2001.

W. H. Stevenson, ed. Blake: The Complete Poems. 3rd ed. Pearson/Longman, 2007.

Jason Whittaker and David Worrall, eds. Blake, Modernity and Popular Culture. Palgrave Macmillan, 2007.

William Blake: "I still go on / Till the Heavens and Earth are gone." Exhibition at Tate Britain, November 2007 to June 2008.

Nicholas M. Williams, ed. William Blake Studies. Palgrave Macmillan, 2006.

Julia Wright. Blake, Nationalism, and the Politics of Alienation. Ohio UP, 2004.


If you would like to submit a Blake-related item for inclusion in this section, please contact Sarah Jones (sjns@mail.rochester.edu).

Last modified: Wednesday, 07-May-2008 08:35:35 EDT