Thomas Dunn is a Lighting Designer and Video Artist. His theater and dance credits include: Notes On Less Than Zero (Danspace), My Cheese Is Sweating (Dance Theater Workshop), Noir 2004 (Whitney Biennial), Man Is Man (West End Theater), The Laramie Project (Auburn University), Coming Out Of The Night With Names (P.S.122), 1984 (Connelly Theater), Virgin Mary, Make Mine A Double (The Belt), Gone Missing (The Gate Theater and The Belt), Rip Cord & Mouthful/Score (Williamsburg Arts NeXus), Cats Talk Back (Kraine Theater), Vibrascope (Construction Company), Paris Commune (Mazer Theater), The Secretaries (Bard College), Gone Missing (Galapagos Performance Space), Phoenician Women (Ohio Theater), Spring Awakening (Clemente Soto Velez Cultural Center), Empty Island (Soho Repertory Theater), Silence (Ohio Theater), Attempts On Her Life (Soho Repertory Theater), Brer Rabbit (Henry Street Settlement), Bloody Poetry (Connelly Theater), Resurface (Williamsburg Arts NeXus), The Maids (Bard College), Much Ado About Nothing (Bard College), The Love Of Don Perlimplin For Belissa In The Garden (Yale Cabaret), Curse Of The Starving Class (Yale Repertory Theater), Y2KXmas (Yale Cabaret), All's Well That Ends Well (Yale Experimental Theater), 1711 Naomi (Yale Studio Theater), Romeo and Juliet (Yale Cabaret), Is (Yale Studio Theater), The Winters Tale (Yale Experimental Theater), The Dumb Waiter (Yale Cabaret), Great Men of Science, No’s. 21 & 22 (Yale University Theater), The Blind (Yale University Theater). Previous UR International Theatre Program credits include Killer Joe, by Tracy Letts (dir. Ian Belton), and Gorki's The Lower Depths, Shakespeare's King Lear, and Andy Bragen's The Hairy Dutchman (all dir. Nigel Maister).