MAG symposium draws noted scholars

The installation, About Face: Copley's Portrait of a Colonial Silversmith, explores the lives and careers of John Singleton Copley, the most famous portrait painter in Colonial America, and Nathaniel Hurd, a distinguished silversmith and engraver. Copley's portrait of Hurd, which was left unfinished, is among MAG's permanent collection and is joined by a finished version as part of the installation.

In addition to Copley's artwork, the installation includes a selection of silver objects bearing Hurd's mark, plus bookplates and engravings he designed and printed.

These form the backdrop for the symposium, which will feature six noted scholars in the field of Colonial American art. Among them are the curator of the Metropolitan Museum of Art's exhibition John Singleton Copley in America and the editor of what is considered to be the most comprehensive book yet published on Colonial American silversmiths. Other participants include Marjorie Searl, MAG's assistant director for curatorial affairs, whose topic will be "I Think It Was Hurd the Engraver ...," and Professor of History Joan Shelley Rubin, who will speak on "Silver Linings: The World of Johnny Tremain."

The day begins with registration and welcoming remarks by MAG Director Grant Holcomb, includes a buffet lunch catered by Cutler's Restaurant, and concludes with a Boston Tea Party reception and a private viewing of the exhibit Maxfield Parrish, 1870-1966.

Reservations are required to attend the symposium. For more information call MAG, x5-3081, ext. 3072.

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