Jens Andermann. The Optic of the State: Visuality and Power in Argentina and Brazil. University of Pittsburgh Press, 2007.

Yvette Biro. The Rhythmic Design: Turbulence and Flow in Film. Translated from Hungarian by Paula Salamon. Indiana University Press, 2008.

Paul Brown, Charlie Gere, Nicholas Lambert and Catherine Mason, eds. White Heat, Cold Logic: British Computer Art, 1960-1980. MIT Press, 2009.

Alexander Garcia Duttman. Visconti: Insights into Flesh and Blood. Translated from German by Robert Savage. Stanford University Press, 2009.

Cristina Grasseni. Developing Skill, Developing Vision: Practices of Locality at the Foot of the Alps. Berghan Books, 2009.

Amy Lyford. Surrealist Masculinities: Gender Anxiety and the Aesthetics of Post-World War I Reconstruction in France. University of Califronia Press, 2007.

Jonathan Massey. Crystal and Arabesque: Claude Bragdon, Ornament, and Modern Architecture. University of Pittsburgh Press, 2009.

Jason McGrath. Postsocialist Modernity: Chinese Cinema, Literature, and Criticism in the Market Age. Stanford University Press, 2008.

Mark Rawlinson. American Visual Culture. Berg, 2009.

Bruce R. Smith.The Key of Green: Passion and Perception in Renaissance Culture. University of Chicago Press, 2009.

Keyan G. Tomaselli and David Scott, eds. Cultural Icons. Left Coast Press, 2009.

Donna Torlasco. The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film. Stanford University Press, 2008.