First off, I want to point out that our new GoodReads Giveaway is now live. Between now and December 15th, you can enter to win one of fifteen copies of 18% Gray by Zachary Karabashliev that we’re going to be giving away. By now, you probably know the drill, but if you’re a GoodReads member (and if not, why not?) just click on the button below. [Note: This giveaway is for U.S. GoodReads members only. Sorry.]
That said, since !8% Gray makes such a great gift for the holidays—especially for people interested in road novels or Bulgaria, as well as your easily confused friend/relative who is way into all the “Gray” titles involving a bit of the sex—and since we already have our copies back from the printer, we’ll ship these books out ASAP to anyone who orders from us directly.
18% Gray was co-winner of the Contemporary Bulgarian Writers award, and was chosen by Bulgarian readers as one of the top 100 “most loved books” as part of the BBC’s The Big Read. It’s funny, touching, sexy, and is currently being made into a movie. At it’s core, it’s a really moving road novel about loss that also involves a huge bag of marijuana.
On a separate GoodReads note, the 2012 GoodReads Choice Awards were announced today.
Now, as much as I love GoodReads, and as much as I love the idea of polling actual readers about the books they love, it has to be pointed out that the downfall of crowdsourcing an award is that you end up with J. K. Rowling’s The Casual Vacancy winning the fiction award.
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .