Just reproducing the press release the GBO sent me, since it says everything that needs to be said in the best way possible:
The German Book Office is excited to announce that Kurt Beals has won its first ever translation competition.
Beals, a PhD Candidate in German Literature and Culture at the University of California, Berkeley, will receive a $600 commission to translate the first fifteen pages of Nora Bossong’s novel Gesellschaft mit beschraenkter Haftung into English. Translator Elizabeth Janik, meanwhile, has been named runner-up, and both translators will be added to the Goethe-Institut & German Book Office translator database.
“As a reader and a student of German literature, every so often I come across a work that’s brilliant, unexpected, and untranslated,” said Beals. “And as a translator, that’s the kind of problem that I like to solve. But I think that the more fundamental reason to translate, for me, is that there’s no better way to engage thoroughly with a work of literature, to think about each word, why it’s there and how it fits into the work as a whole.”
The competition, which aimed to bring aspiring German language translators into contact with US editors, asked contestants to translate a seven-hundred word excerpt from Gesellschaft mit beschraenkter Haftung. Submissions were limited to translators who had no more than one translated book published in English and are US based.
The first round of judging featured a panel of American editors – comprised of Jenna Johnson from Houghton Mifflin Harcourt, John Siciliano from Penguin, and Random House’s Lexy Bloom – who narrowed down the nearly sixty submissions to a shortlist of nine.
A panel of three accomplished translators – Susan Bernofsky, Burton Pike and Ross Benjamin – then chose from that shortlist the winner and runner up.
The announcement was made last night at a reception and awards ceremony at the Goethe-Institut New York.
“I’m pleased that the German Book Office has offered translators at an early stage in their careers an opportunity to test their skills and receive recognition for their efforts,” added Beals. “This is a great way to encourage the next generation of translators!”
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .
Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .