27 October 08 | Chad W. Post

I completely agree with Scott Esposito, Lionel Shriver’s diatribe against writers who don’t use quotation marks is certifiably batty:

Literature is not very popular these days, to put it mildly. According to the National Endowment for the Arts, nearly half of Americans do not read books at all, and those who do average a mere six a year. You’d think literary writers would be bending over backwards to ingratiate themselves to readers — to make their work maximally accessible, straightforward and inviting. But no.

Perhaps no single emblem better epitomizes the perversity of my colleagues than the lowly quotation mark. Some rogue must have issued a memo, “Psst! Cool writers don’t use quotes in dialogue anymore” to authors as disparate as Junot Díaz, James Frey, Evan S. Connell, J.M. Coetzee, Ward Just, Kent Haruf, Nadine Gordimer, José Saramago, Dale Peck, James Salter, Louis Begley and William Vollmann. To the degree that this device contributes to the broader popular perception that “literature” is pretentious, faddish, vague, eventless, effortful, and suffocatingly interior, quotation marks may not be quite as tiny as they appear on the page.

By putting the onus on the reader to determine which lines are spoken and which not, the quoteless fad feeds the widespread conviction that popular fiction is fun while literature is arduous. Surely what should distinguish literature isn’t that it’s hard but that it’s good. The text should be as easy to process as possible, saving the readers’ effort for exercising imagination and keeping track of the plot.

Like with Franzen’s attack on “experimental” writers from a few years back, I simply can’t fathom what motivates people to write things like this.


Comments are disabled for this article.
....
Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World
Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World by Ella Frances Sanders
Reviewed by Kaija Straumanis

Hello and greetings in the 2017 holiday season!

For those of you still looking for something to gift a friend or family member this winter season, or if you’re on the lookout for something to gift in the. . .

Read More >

The Size of the World
The Size of the World by Branko Anđić
Reviewed by Jaimie Lau

Three generations of men—a storyteller, his father and his son—encompass this book’s world. . . . it is a world of historical confusion, illusion, and hope of three generations of Belgraders.

The first and last sentences of the first. . .

Read More >

Island of Point Nemo
Island of Point Nemo by Jean-Marie Blas de Roblès
Reviewed by Katherine Rucker

The Island of Point Nemo is a novel tour by plane, train, automobile, blimp, horse, and submarine through a world that I can only hope is what Jean-Marie Blas de Roblès’s psyche looks like, giant squids and all.

What. . .

Read More >

The Truce
The Truce by Mario Benedetti
Reviewed by Adrianne Aron

Mario Benedetti (1920-2009), Uruguay’s most beloved writer, was a man who loved to bend the rules. He gave his haikus as many syllables as fit his mood, and wrote a play divided into sections instead of acts. In his country,. . .

Read More >

I Am a Season That Does Not Exist in the World
I Am a Season That Does Not Exist in the World by Kim Kyung Ju
Reviewed by Jacob Rogers

Kim Kyung Ju’s I Am a Season That Does Not Exist in the World, translated from the Korean by Jake Levine, is a wonderful absurdist poetry collection. It’s a mix of verse and prose poems, or even poems in the. . .

Read More >

Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

A Simple Story: The Last Malambo
A Simple Story: The Last Malambo by Leila Guerriero
Reviewed by Emilee Brecht

Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .

Read More >

The Little Buddhist Monk & The Proof
The Little Buddhist Monk & The Proof by Cesar Aira
Reviewed by Will Eells

Aira continues to surprise and delight in his latest release from New Directions, which collects two novellas: the first, The Little Buddhist Monk, a fairly recent work from 2005, and The Proof, an earlier work from 1989. There are a. . .

Read More >

Agnes
Agnes by Peter Stamm
Reviewed by Dorian Stuber

The narrator of Peter Stamm’s first novel, Agnes, originally published in 1998 and now available in the U.S. in an able translation by Michael Hofmann, is a young Swiss writer who has come to Chicago to research a book on. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >