13 May 11 | Chad W. Post

Following on yesterday’s podcast (after the posting of which, the Cardinals pounded the Cubs 9-1), the latest addition to our Reviews Section is a piece by Jeremy Garber on the forthcoming Enrique Vila-Matas novel, Never Any End to Paris, which New Directions is bringing out later this month in Anne McLean’s wonderful translation.

(BTW, as Anne—and Jeremy—have since pointed out, Vila-Matas did write a book called The Lettered Assassin. Which Anne said isn’t as bad as it sounds in Never Any End to Paris . . .)

Jeremy Garber is a used book buyer for a large independent bookstore. (And a GoodReads friend, which is where I first came across his reviews.) His work has appeared in The Oregonian, the Oregon Historical Quarterly and on Powells.com. And continuing our baseball theme, it’s worth noting that Jeremy is an avid Philadelphia Phillies fan. (BTW, next week’s podcast has a strong baseball element as well . . . mre to come.)

Here’ the opening of Jeremy’s review:

Never Any End to Paris (París no se acaba nunca) is a fictionalized autobiographical work by the great spanish novelist, Enrique Vila-Matas. Only the third of his nearly two dozen books to be translated into english, this one recounts the author’s youthful days in paris during the mid 1970s. It was during this time, while renting an attic room from French writer and director Marguerite Duras, that Vila-Matas set about working on his second novel, La asesina ilustrada (never translated into english, yet appearing in this work as The Lettered Assassin).

In Never Any End to Paris, the narrator (always striving to bear an ever closer resemblance to Ernest Hemingway) recalls his formative days in the French capital over the course of a three-day lecture. Taking as its title a derivation on the name of the last chapter of Hemingway’s A Moveable Feast, Never Any End to Paris is set some half a century after Papa himself sauntered around the City of Light. Vila-Matas delves as much into the hardships he (or rather, his fictionalized narrator/lecturer) endured as an undisciplined and unsure writer seeking literary immortality as he does into the milieu of 1970s paris. With an overarching metafictional theme, an abundance of name-dropping, an obvious respect for the art of literature, and the blurring of the line between autobiography and fiction, Vila-Matas’s book brings to mind the works of his close friend and fellow (adopted) countryman, Roberto Bolaño.

Click here to read the full piece.


Comments are disabled for this article.
....
Berlin
Berlin by Aleš Šteger
Reviewed by Vincent Francone

Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .

Read More >

The Gun
The Gun by Fuminori Nakamura
Reviewed by Will Eells

Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .

Read More >

This Place Holds No Fear
This Place Holds No Fear by Monika Held
Reviewed by Lori Feathers

Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .

Read More >

The Room
The Room by Jonas Karlsson
Reviewed by Peter Biello

If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .

Read More >

Thérèse and Isabelle
Thérèse and Isabelle by Violette Leduc
Reviewed by Kaija Straumanis

I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .

Read More >

On the Edge
On the Edge by Rafael Chirbes
Reviewed by Jeremy Garber

Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .

Read More >

Rambling Jack
Rambling Jack by Micheál Ó Conghaile
Reviewed by Vincent Francone

“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“50 pages?”
“Including illustrations.”
“And this—what. . .

Read More >

The Things We Don't Do
The Things We Don't Do by Andrés Neuman
Reviewed by Tiffany Nichols

Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .

Read More >

Private Life
Private Life by Josep Maria de Sagarra
Reviewed by Christopher Iacono

In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:

When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .

Read More >

Dinner
Dinner by César Aira
Reviewed by Lori Feathers

César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >