16 November 12 | Chad W. Post

This week’s podcast is focused on crime and detective books—both fiction and nonfiction. First off, we talk I monologue about Errol Morris’s A Wilderness of Error: The Trials of Jeffrey MacDonald and my recent Twitter fight with Joe McGinniss about this case, then we move on to talking about Wolf Haas’s Brenner and God and what makes this book (and detective books in general) fun to read.

I do apologize for the long diatribe about Joe McGinniss and Blind Vision, but after reading A Wilderness of Error and then coming across this article about the new trial, I was am a bit enraged at the smarmy way McGinniss is using this situation to his own benefit. As I explain in the podcast, McGinniss seems incapable of acknowledging that his book is part of the dominant discourse about this case, and that Morris’s much more comprehensive investigation illustrates the way in which we tend to interpret ambiguous facts (or ignore totally them) to fit the discourse/narrative we’ve decided to believe in. I think that Morris’s book makes it very clear that regardless of innocence or guilt, MacDonald did not receive a fair trial and that this is a travesty of justice. For McGinniss to use this situation to try and shill his book is really gross. Not just because of the fact he refers to MacDonald’s 40+ year imprisonment following the murder of his wife and two daughters as the “#FatalVision hearing,” but because it seems like he’s much more concerned with being “the truth” about MacDonald’s case rather than acknowledging that the man deserves a fair trial in one of the most compelling and strange mysteries of the past half-century . . .

/rant
/no more drunken tweeting

Anyway, this week’s music is In a Big City by Titus Andronicus—the best song from their new album.

As always you can subscribe to the podcast in iTunes by clicking here. To subscribe with other podcast downloading software, such as Google’s Listen, copy the following link.


Comments are disabled for this article.
....
Berlin
Berlin by Aleš Šteger
Reviewed by Vincent Francone

Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .

Read More >

The Gun
The Gun by Fuminori Nakamura
Reviewed by Will Eells

Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .

Read More >

This Place Holds No Fear
This Place Holds No Fear by Monika Held
Reviewed by Lori Feathers

Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .

Read More >

The Room
The Room by Jonas Karlsson
Reviewed by Peter Biello

If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .

Read More >

Thérèse and Isabelle
Thérèse and Isabelle by Violette Leduc
Reviewed by Kaija Straumanis

I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .

Read More >

On the Edge
On the Edge by Rafael Chirbes
Reviewed by Jeremy Garber

Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .

Read More >

Rambling Jack
Rambling Jack by Micheál Ó Conghaile
Reviewed by Vincent Francone

“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“50 pages?”
“Including illustrations.”
“And this—what. . .

Read More >

The Things We Don't Do
The Things We Don't Do by Andrés Neuman
Reviewed by Tiffany Nichols

Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .

Read More >

Private Life
Private Life by Josep Maria de Sagarra
Reviewed by Christopher Iacono

In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:

When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .

Read More >

Dinner
Dinner by César Aira
Reviewed by Lori Feathers

César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >