So, a couple months back, I posted a long look at Riffle, the new “Pinterest for Books.”
The other day, after blowing up on Bookish I went back into Riffle and played around a bit, adding some books I’ve read in recent months, and making a few lists—all with the goal of increasing my “Influence” score.
Yes, that IS how lame I am. But an Influence Score of 6 just seemed damn pathetic. I’ve since gotten it up to 16, mainly by creating lists of books—those I want to read (based on last week’s podcast), and books that I use in the “World Tour” section of my class.1
There’s no way this will replace GoodReads for me, but it can be fun to play with. (And the site is pretty slick looking. Much nicer than that Bookish disaster, the aesthetics of which are designed to appeal to exactly no one.) Although, to be honest, I’m using these in two different ways—I track everything I’ve read and want to read on GoodReads, and am using Riffle to make fun lists of books. (Although Kaija Straumanis’s lists are much more interesting. Especially that “Open Letter Books” one.)
Anyway, I just got a message from Gina Rodriguez, the World Literature editor at Riffle, with a special invitation for readers of Three Percent. Riffle is still in Beta mode, so you need an invite to join. I have a few personal ones that I’ve sent to people, but Gina sent me this link
which will allow 100 people to join.
So if you’re interested in checking this out, click there, then follow me and check out my lists. That way my Influence Score will go up, and I won’t have to cry myself to sleep at night. (At least not every night.)
1 There are three sections to my class: a section about the craft of translation (where we read Clifford Landers’s Literary Translation: An Introduction and David Bellos’s Is That a Fish in Your Ear?, among others), a World Tour in which students read excerpts from influential authors from around the world and present on them, and discussion of six contemporary translations resulting in the class deeming one of them “The Best Translated Book of LTS206/406” (the sexiest title I could come up with). The World Tour usually blows their mind, since today’s college students are exposed to just a sliver of a fraction of a culture’s literature, and very few are well-read in literature from more than one country in the world. They might know a lot about Shakespeare and Latin America, but have never read anything from Scandinavia. So this “World Tour” helps expose them to all the varied greatness that is out there, and helps to build a bit of a mental map of what authors have influenced others, etc., so that they can see that “world” literature constitutes a field not a series of individual authors or literatures bound by language.
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .