25 April 13 | Chad W. Post

Over the course of this week, we will be highlighting all 6 BTBA Poetry Finalists one by one, building up to next Friday’s announcement of the winners. All of these are written by the BTBA poetry judges under the rubric of “Why This Book Should Win.” You can find the whole series by clicking here. Stay tuned for more information about the May 3rd ceremony.

Almost 1 Book / Almost 1 Life by Elfriede Czurda, translated from the German by Rosmarie Waldrop, and published by Burning Deck.

Erica Mena is a poet, translator, and editor, not necessarily in that order. Her original poetry has appeared in Vanitas, the Dos Passos Review, Pressed Wafer, and Arrowsmith Press. Her translations have appeared in Two Lines, Asymptote, PEN America, and Words without Borders, among others. She is the founding editor of Anomalous Press.

Most of us have probably never heard of Elfriede Czurda. That’s because this translation is her first publication in English. More interestingly, it’s a translation of (almost all of) her first book to appear in her native German, as well as the entirety of her second book. It’s unusual for poets’ first books to be translated into English, in part because of most publishers’ self-fulfilling expectations that unknown poets are hard to sell, and even harder in translation. But translator, and extraordinary poet herself, Rosmarie Waldrop has an advantage in this sense: she and her husband co-edit this book’s publishing house, Burning Deck, and so can take risks on new work they feel deserving of an English readership. (Burning Deck, I want to point out, brought out the phenomenal BTBA finalist engulf — enkindle by Anja Utler, translated by Kurt Beals that I reviewed last year for Three Percent.)

Which is not to say that Elfriede Czurda is unknown in German. She’s won numerous awards for her work which includes poetry, plays, and criticism, and has published three books in the past five years. But introducing new, living, experimental authors to an English poetry readership already resistant to works of literary translation is a daring move, one that we’re fortunate independent houses like Burning Deck continue to take. And that brings me to why, I think, Almost 1 Book / Almost 1 Life should actually win the Best Translated Book Award this year. It’s utterly daring.

The book is divided into two sections, “Almost 1 Book” and “Almost 1 Life.” The first part of the work is definitively hybrid: it includes lineated verse; long, meandering lines that spill across the page; blocks of prose; images; diagrams; and text-images reminiscent of the world-wide mid-century concrete poetry experiments. Take one page spread of the book as an example, the one that is the most varied:

The verso is the second and page of a section of a long poem called “Mutilation with Intent,” this section titled “manifesto of the stitchomantic cat.” I can’t imagine what the word “stitchomantic” was in the original German, my German being literary nonexistent. What I do know is that it’s evocative, inventive, and fascinating in English. It resonates with schizophrenic. It makes me think of an automated sewing machine, and a particular kind of invented advertising language that might say “stitch-o-matic.” The “-mantic” also could be “manic,” especially given that it’s a cat and all cats are of course neurotic. The recto is a narrative-poem-rhebus of sorts. This sets my mind spinning, thinking about translation of image-reliant poetry; how the images sound in English versus how they sound in German, the meanings that can be read into and out of them shifting based on context (of the poem, and of the culture). Images are percieved to be universal, but of course are far from that.

It’s not all flashy typographics. One of my favorite poems in the first section is a obsessively comprehensive microscopic description of a landscape that shifts into the poets body, and the body of an unknown you:

by the rain-puddled wheel-rutted road on the mossy ground rank
dandelion ribwort plantain clover milkwort grass
on either side of the road pear- apple- and plum-trees galore
a beetle with a black carapace and an orange dot in the lower third
of it climbs up a blade of grass and tries belly-up head-first to reach
the next blade belly and legs pale pink like shrimp shells

The excessive detail, the attempt at wholeness of description, the violence done to the landscape and the body in this attempt, is exquisite.

The second section of the book, “Almost 1 Life,” is a poem composed of seventeen sections with three “editorial digressions” and is part satire, part “(almost) true-life-novel,” and begins with discussion of the work at hand in relation to its reader:

i put the reader off with promises: all our famous animosities will
become characters in this (almost) true-life-novel
the reader’s reaction is not what i expected (he wants to wait and see)

And readers who do wait and see, who are willing to take the risk that Czurda and Waldrop have taken, each in their own language, are richly rewarded. The reward of a work like this is directly proportional to how challenging it is to read. The playfulness of the language belies a serious challenge to readerly poetic expectations, it gives with one hand and takes twice as much with the other. It entrances and disturbs, and stays, like good poetry should, lodged under your skin like a bullet.


Comments are disabled for this article.
....
Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

A Simple Story: The Last Malambo
A Simple Story: The Last Malambo by Leila Guerriero
Reviewed by Emilee Brecht

Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .

Read More >

The Little Buddhist Monk & The Proof
The Little Buddhist Monk & The Proof by Cesar Aira
Reviewed by Will Eells

Aira continues to surprise and delight in his latest release from New Directions, which collects two novellas: the first, The Little Buddhist Monk, a fairly recent work from 2005, and The Proof, an earlier work from 1989. There are a. . .

Read More >

Agnes
Agnes by Peter Stamm
Reviewed by Dorian Stuber

The narrator of Peter Stamm’s first novel, Agnes, originally published in 1998 and now available in the U.S. in an able translation by Michael Hofmann, is a young Swiss writer who has come to Chicago to research a book on. . .

Read More >

Class
Class by Francesco Pacifico
Reviewed by Vincent Francone

The thing about Class is that I don’t know what the hell to think about it, yet I can’t stop thinking about it. I’ll begin by dispensing with the usual info that one may want to know when considering adding. . .

Read More >

The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

Read More >

A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

Two Lost Souls: on "Revulsion" and "Cabo De Gata"
Two Lost Souls: on "Revulsion" and "Cabo De Gata" by Horacio Castellanos Moya; Eugen Ruge
Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

Read More >

Melancholy
Melancholy by László Földényi
Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

Read More >