8 August 13 | Kaija Straumanis

The latest addition to our Reviews Section is by Hannah Vose on A True Novel by Minae Mizumura, from Other Press.

To go against the grain of prologues and intros (more on that from This Hannah in a bit), here’s the beginning of her review:

If you’re one of those people who habitually skim the prologue to a book, Minae Mizumura’s _A True Novel_—her third novel and the winner of the Yomiuri Literature Prize in Japan in 2002—might not appear to be for you. That is to say, the prologue takes up at least a third of the first volume of the book, and it’s pretty important for understanding the circumstances in which the story that makes up this “true novel” takes place, in addition to sorting out what, exactly, a “true novel” is. Luckily for you, O prologue skippers of the world, there is nothing dry or uninteresting about the first 165 pages of this book, which introduces the protagonist, Taro Azuma, as Mizumura knew him when she lived in America during her teens. In fact, if you were somehow unaware of the name of the author when you came into the reading the book, you might not realize that the entire thing wasn’t a fictional account from an outsider to establish what happened during the gaps in the main story. I actually forgot a couple of times that I was reading a prologue at all.

The main function of the prologue here is to both set up the circumstances which led to this novel being written, and to sort out for the reader what exactly a “true novel” is. On the outside, it seems like it might be an oxymoron: because a novel is fictional, it surely can’t be “true,” right? Or maybe the title refers more to the fact that the novel is an example of the “true” form that a novel should take. It turns out that in this case, “true” is a combination of the story’s basis in reality and its following in the pattern of Western classics: authentic, “true” novels. Mizumura takes a few pages to explain the history of the “true” and “I-novels” and it makes no sense fragmented, so all I’m going to say is read the damn prologue, or else flounder in confusion. Your choice.

Like that little prologue? For the rest of the review, go here

Comments are disabled for this article.
I Remember Nightfall
I Remember Nightfall by Marosa di Giorgio
Reviewed by Talia Franks

I Remember Nightfall by Marosa di Giorgio (trans. From the Spanish by Jeannine Marie Pitas) is a bilingual poetry volume in four parts, consisting of the poems “The History of Violets,” “Magnolia,” “The War of the Orchards,” and “The Native. . .

Read More >

Joyce y las gallinas
Joyce y las gallinas by Anna Ballbona
Reviewed by Brendan Riley

This review was originally published as a report on the book at New Spanish Books, and has been reprinted here with permission of the reviewer. The book was originally published in the Catalan by Anagrama as Joyce i les. . .

Read More >

Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World
Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World by Ella Frances Sanders
Reviewed by Kaija Straumanis

Hello and greetings in the 2017 holiday season!

For those of you still looking for something to gift a friend or family member this winter season, or if you’re on the lookout for something to gift in the. . .

Read More >

The Size of the World
The Size of the World by Branko Anđić
Reviewed by Jaimie Lau

Three generations of men—a storyteller, his father and his son—encompass this book’s world. . . . it is a world of historical confusion, illusion, and hope of three generations of Belgraders.

The first and last sentences of the first. . .

Read More >

Island of Point Nemo
Island of Point Nemo by Jean-Marie Blas de Roblès
Reviewed by Katherine Rucker

The Island of Point Nemo is a novel tour by plane, train, automobile, blimp, horse, and submarine through a world that I can only hope is what Jean-Marie Blas de Roblès’s psyche looks like, giant squids and all.

What. . .

Read More >

The Truce
The Truce by Mario Benedetti
Reviewed by Adrianne Aron

Mario Benedetti (1920-2009), Uruguay’s most beloved writer, was a man who loved to bend the rules. He gave his haikus as many syllables as fit his mood, and wrote a play divided into sections instead of acts. In his country,. . .

Read More >

I Am a Season That Does Not Exist in the World
I Am a Season That Does Not Exist in the World by Kim Kyung Ju
Reviewed by Jacob Rogers

Kim Kyung Ju’s I Am a Season That Does Not Exist in the World, translated from the Korean by Jake Levine, is a wonderful absurdist poetry collection. It’s a mix of verse and prose poems, or even poems in the. . .

Read More >

Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

A Simple Story: The Last Malambo
A Simple Story: The Last Malambo by Leila Guerriero
Reviewed by Emilee Brecht

Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >