{"id":264336,"date":"2008-09-03T13:11:53","date_gmt":"2008-09-03T13:11:53","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2008\/09\/03\/quarterly-conversation-issue-13\/"},"modified":"2018-04-16T17:29:53","modified_gmt":"2018-04-16T17:29:53","slug":"quarterly-conversation-issue-13","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2008\/09\/03\/quarterly-conversation-issue-13\/","title":{"rendered":"Quarterly Conversation: Issue 13"},"content":{"rendered":"

The new issue of Quarterly Conversation<\/i><\/a> is now online, and, as can be expected, filled with great stuff.<\/p>\n

One of the lead pieces is Scott Esposito’s article about the similarities in the writings of Adolfo Bioy Casares and Franz Kafka:<\/a><\/p>\n

\n

In his Prologue [to The Invention of Morel<\/em>, Borges calls on writers of the 20th century to prove that \u201cif [the literature of] this century has any ascendancy over the preceding ones it lies in the quality of its plots.\u201d Kafka and Bioy are two writers who responded to, and perhaps proved, Borges\u2019s declaration. For all the differences in their lives, contexts, and ways of meeting Borges\u2019s challenge, their fictions exhibit remarkable convergences. So clear are the similarities that one might follow William H. Gass, who once declared \u201cthat Schopenhauer has read Borges and reflects him, just as Borges reflects both Bioy and Borges.\u201d If Schopenhauer can read Borges, then Kafka has clearly read Bioy, and the two reflect each other like two mirrors, except what\u2019s multiplied in their midst isn\u2019t a person but a world: our very own, skewed as images caught between mirrors tend to be, but seemingly contained in both at once and, as the reproductions trail off to infinity, slightly but clearly bending in the same direction.<\/p>\n<\/blockquote>\n

There are also a number of reviews of interesting titles, including pieces on All One Horse<\/em><\/a> by Breyten Breytenbach, on Boxwood<\/em><\/a> by Camilo Jose Cela, and The Post-Office Girl<\/em><\/a> by Stefan Zweig, which has a great opening paragraph:<\/p>\n

\n

Reading The Post-Office Girl<\/em> is like trying to hit a slow-breaking curveball. You know the break is coming\u2014you can intuit that the seemingly conventional story is going to drop on you in some way\u2014but it hangs high for so long that by the time it does break, you\u2019ve already swung blindly, thinking you knew how to read the book.<\/p>\n<\/blockquote>\n

There are also reviews of Senselessness<\/em><\/a> by Horacio Castellanos Moya—one of my favorite books of 2008, which Scott Bryan Wilson also praises:<\/p>\n

\n

ike a lot of the great Central American novelists, Moya started out with aspirations of becoming a poet, and though Senselessness<\/em> is full of really miserable, gruesome stuff, it\u2019s exactly the ugliness, as well as Moya\u2019s sense of language, compassion, and his healthy dose of pessimism), that make Senselessness a phenomenal read and an incredibly important work.<\/p>\n<\/blockquote>\n

And finally, there’s an interesting review of Basrayatha: Portrait of a City<\/em><\/a> by Muhammad Khudayyir:<\/p>\n

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Muhammad Khudayyir\u2019s Basrayatha<\/em> has no need for maps. Although the book is tagged as a travel memoir, it has little to offer the would-be (if-it-were-possible) tourist to Iraq. The narrative doesn\u2019t pause to orient the reader\u2014to remove our blindfolds and point us in a particular direction\u2014and most of its landmarks are erased and rebuilt, renamed, and then erased and rebuilt again. The book\u2019s only visual guides are not maps but slightly blurred, century-old photographs. These uncaptioned photos, like the images of a W. G. Sebald novel, obscure as much as they illuminate.<\/p>\n<\/blockquote>\n

\n

But just as Khudayyir does not present us with the pseudo-clarity of a CNN<\/span> report, neither does he bring us a fuzzy, pre-invasion paradise. Basrayatha is nearer kin to Calvino\u2019s Invisible Cities<\/em> and Sebald\u2019s Rings of Saturn.<\/em> Khudayyir takes us into a story-reflecting-a-city, a series of memories and mirrors that point us toward what the book\u2019s narrator calls \u201cactual, defective reality.\u201d This is not because Khudayyir has fled the land of his birth and must construct things, board by board, from faded recollections. He names himself a permanent citizen of Basra, and says that he has rarely left the city in forty-some years, his age when the book was published in Arabic in 1996.<\/p>\n<\/blockquote>\n

In addition to all of these great articles, there are also interviews with Horacio Castellanos Moya<\/a> and Jean-Philippe Toussaint.<\/a><\/p>\n

Overall, a great issue.<\/p>\n","protected":false},"excerpt":{"rendered":"

The new issue of Quarterly Conversation is now online, and, as can be expected, filled with great stuff. One of the lead pieces is Scott Esposito’s article about the similarities in the writings of Adolfo Bioy Casares and Franz Kafka: In his Prologue [to The Invention of Morel, Borges calls on writers of the 20th […]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67486],"tags":[9996,1836,12836,8536,1646,416],"class_list":["post-264336","post","type-post","status-publish","format-standard","hentry","category-articles","tag-adolfo-bioy-casares","tag-cwp","tag-horacio-castellanos-moya","tag-quarterly-conversation","tag-review","tag-scott-esposito"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/264336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=264336"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/264336\/revisions"}],"predecessor-version":[{"id":325626,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/264336\/revisions\/325626"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=264336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=264336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=264336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}