{"id":266256,"date":"2008-11-21T15:02:05","date_gmt":"2008-11-21T15:02:05","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2008\/11\/21\/two-more-taker-reviews\/"},"modified":"2018-04-16T17:27:35","modified_gmt":"2018-04-16T17:27:35","slug":"two-more-taker-reviews","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2008\/11\/21\/two-more-taker-reviews\/","title":{"rendered":"Two More Taker Reviews"},"content":{"rendered":"

Rubem Fonseca’s The Taker and Other Stories<\/em> continues to get some really good coverage, including two recent reviews at The Front Table<\/em> and The National.<\/em><\/p>\n

The Front Table<\/em><\/a> is Seminary Co-op’s online newsletter\/review magazine. It’s been around in one form or another for almost two decades, and the current variation is really impressive, with great reviews of interesting books and a Editors Speak<\/a> section that’s really interesting. Oh, and a great review<\/a> by Stan Izen of The Taker<\/em>:<\/p>\n

\n

I am a good Hyde Park liberal: I argue vigorously on the side of equality for all and I donate monthly to Doctors Without Borders. Still, I really have no idea of the depth of despair suffered by the abandoned lonely, the poorly cared for elderly, and those bereft of hope and opportunity. Reading Rubem Fonseca\u2019s new collection, The Taker and Other Stories,<\/em> is a short walk through these foreign neighborhoods. Fonseca\u2019s writing is rough; many of his characters are angry and disaffected, and they assuage their rage, not by brooding in their rooms and writing poetry, but by brutally murdering those they see as having everything they don\u2019t. The reading is often upsetting but it is also revelatory, and that is the thrill of reading these stories. [. . .]<\/p>\n<\/blockquote>\n

\n

I used to read to find myself, now I read to get out of myself. Fonseca\u2019s shocking, funny, thoughtful, fanciful stories electrify the emotions and disturb the reader. Kafka is correct, as usual, when he says: A book must be an ice-axe to break the seas frozen inside our soul. Fonseca\u2019s writing does exactly that, in spades.<\/p>\n<\/blockquote>\n

I want to give it a bit more time before getting too excited, but I have hopes that the Arts Section of Abu Dhabi’s The National<\/em><\/a> could be the new New York Sun.<\/em> I mean hell, they have Ben Lytal writing for them:<\/a><\/p>\n

\n

The Brazilian author Rubem Fonseca writes with a violence that his peers \u2013 writers of postmodern crime fiction \u2013 eschew. Think of Haruki Murakami, who has used noir plot devices to give structure and grit to adolescent dream narratives. Or Michael Chabon, who has reimagined Jewish-American history through the lens of detective fiction. Or Fonseca\u2019s co-linguist, Jose Saramago, who in some of his recent novels has been writing like Paul Auster, making the mystery novel a vehicle for philosophical thought experiments.<\/p>\n<\/blockquote>\n

\n

None of these other authors goes to crime fiction for blood. Though some maintain an interest in evil, the consistent trend in highbrow crime fiction has been away from the dark alley and into the cerebral stratosphere. Fonseca couldn\u2019t differ more. Vital to his stories is the troubling moment when the slashing crimes of his characters become too palpable and, to the engrossed reader, almost participatory.<\/p>\n<\/blockquote>\n

It’s a very detailed, very enthusiastic review . . . But beyond the nice attention for one of our books, I’m just thrilled that Ben Lytal is back reviewing! <\/p>\n

\n<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Rubem Fonseca’s The Taker and Other Stories continues to get some really good coverage, including two recent reviews at The Front Table and The National. The Front Table is Seminary Co-op’s online newsletter\/review magazine. It’s been around in one form or another for almost two decades, and the current variation is really impressive, with great […]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67486],"tags":[846,1836,14866,16856,1646,14746,14846,16866,14736],"class_list":["post-266256","post","type-post","status-publish","format-standard","hentry","category-articles","tag-ben-lytal","tag-cwp","tag-front-table","tag-national","tag-review","tag-rubem-fonseca","tag-seminary-co-op","tag-stan-izen","tag-taker-and-other-stories"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/266256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=266256"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/266256\/revisions"}],"predecessor-version":[{"id":313806,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/266256\/revisions\/313806"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=266256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=266256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=266256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}