{"id":268276,"date":"2009-02-04T14:07:48","date_gmt":"2009-02-04T14:07:48","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2009\/02\/04\/recent-reviews-of-the-pets\/"},"modified":"2018-04-16T17:24:24","modified_gmt":"2018-04-16T17:24:24","slug":"recent-reviews-of-the-pets","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2009\/02\/04\/recent-reviews-of-the-pets\/","title":{"rendered":"Recent Reviews of The Pets"},"content":{"rendered":"

Bragi Olafsson’s The Pets<\/em> came out a few months ago, but with Iceland and its overturned government in the news these days, it’s a pretty good time for reviews to be appearing . . . Just this week two new reviews came out, the first being Lara Tupper’s piece in The Believer<\/em>,<\/a> which puts Olafsson’s novel about a man stuck hiding under a bed in some nice artistic company:<\/p>\n

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In a few ways, The Pets parallels Paul Auster\u2019s City of Glass<\/em>, which \u00d3lafsson translated into Icelandic. Both focus on chance meetings; both feature a linguist. Auster\u2019s interest in possessions, or loss of possessions, seems influential as well: the duty-free liquor in The Pets<\/em> is a source of comedy and a partial cause of Emil\u2019s extended entrapment\u2014that and his inability to face the messy entanglements in his living room. Emil, frozen by embarrassment, unwilling to emerge, instead worries about the mishandling of his CD collection.<\/p>\n<\/blockquote>\n

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\u00d3lafsson, who cites David Lynch as an influence, enjoys comic \u201cscenes that are very shallow and profound at the same time.\u201d The bed premise affords exactly this sort of comedy. <\/p>\n<\/blockquote>\n

The other is from Bill Marx at PRI’s The World,<\/a> which focuses more on reading this novel in light of Iceland’s financial implosion:<\/p>\n

\n

Let economics professors conjecture about how and why Iceland flat-lined; fiction probably furnishes more understanding of the self-destructive reasons behind the country\u2019s financial breakdown. Creative writers often deal with accounts due, moral, financial, and otherwise; they can also train a prophetically comic and\/or philosophical eye on the national collective unconscious, in this case a blend of cowardice, blindness, and greed.<\/p>\n<\/blockquote>\n

\n

I suspect that is not what novelist Bragi \u00d3lafsson set out to do in this breezily acidic short novel (first published in 2001), but as a study of radical denial, a small scale vision of blindfolded lemmings marching toward the cliff, The Pets<\/em> works as a raffishly amusing allegory of utter irresponsibility. It blows a warning whistle that sounds far outside of the Arctic Circle.<\/p>\n<\/blockquote>\n

\n

Ironically, \u00d3lafsson himself was once a lucrative Icelandic export; he played bass in The Sugarcubes, Bj\u00f6rk\u2019s first band. The Pets<\/em>, the first of his four novels to be translated into English, received critical acclaim in Iceland, as have his other books. Judging by this tale, \u00d3lafsson specializes in a kind of impish deadpan, wry studies in what happens when the links between real estate and the psyche break.<\/p>\n<\/blockquote>\n

The book (which we did in a beautiful—and cheap<\/b>—paper-over-board edition is available at bookstores everywhere, on our website.<\/a><\/p>\n

\n<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Bragi Olafsson’s The Pets came out a few months ago, but with Iceland and its overturned government in the news these days, it’s a pretty good time for reviews to be appearing . . . Just this week two new reviews came out, the first being Lara Tupper’s piece in The Believer, which puts Olafsson’s […]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67486],"tags":[12916,12996,1836,19556,14156,1646,19546,13006],"class_list":["post-268276","post","type-post","status-publish","format-standard","hentry","category-articles","tag-bill-marx","tag-bragi-olafsson","tag-cwp","tag-lara-tupper","tag-pris-the-world","tag-review","tag-the-believer","tag-the-pets"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/268276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=268276"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/268276\/revisions"}],"predecessor-version":[{"id":313696,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/268276\/revisions\/313696"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=268276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=268276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=268276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}