{"id":270916,"date":"2009-05-11T14:31:23","date_gmt":"2009-05-11T14:31:23","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2009\/05\/11\/the-year-of-jakov-lind\/"},"modified":"2018-04-16T17:19:59","modified_gmt":"2018-04-16T17:19:59","slug":"the-year-of-jakov-lind","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2009\/05\/11\/the-year-of-jakov-lind\/","title":{"rendered":"The Year of Jakov Lind"},"content":{"rendered":"<p>Although the fiction buyer at Barnes &amp; Noble had her doubts about 2009 being the &#8220;Year of Jakov Lind,&#8221; this year really does represent the best chance this overlooked, peculiar Austrian writer has of being rediscovered. Over the course of the next few months, three Lind titles will be reissued: <em>Landscape in Concrete<\/em> (available now), <em>Ergo<\/em> (also from Open Letter), and <em>Soul of Wood<\/em> (from <span class=\"caps\">NYRB<\/span>).<\/p>\n<p>We&#8217;ve been joking around the office for some time about creating a &#8220;Peculiar Dudes&#8221; t-shirt, since we seem to have so many of them on our list&#8212;Macedonio Fernandez, Ilf &amp; Petrov, Ricardas Gavelis . . . But Lind&#8217;s biography might be the most bizarre of them all. <\/p>\n<p>He was born Heinz Jakov Landwirth in Vienna in 1927 and was sent to Holland as part of the <em>Kindertransport<\/em> in 1939. To survive <span class=\"caps\">WWII<\/span>, he assumed a pseudonym, pretended to be a Dutch merchant, and spent the war in Nazi Germany, working on barges and transporting messages . . . Post-War, he assumed the name &#8220;Jakov Lind&#8221; and started writing novels&#8212;strange, compelling, unique novels, such as <em>Landscape in Concrete<\/em>. <\/p>\n<p>We just sent our Fall\/Winter catalog to the printer, and I&#8217;ll preview <em>Ergo<\/em> and the other forthcoming titles over the next few weeks, but the main impetus for this post is the wonderful review by Karen Vanuska that <a href=\"http:\/\/openlettersmonthly.com\/issue\/book-review-landscape-concrete-jakov-lind\/\"><em>Open Letters Monthly<\/em><\/a> ran of <em>Landscape<\/em> in their new issue:<\/p>\n<blockquote>\n<p>While Gunter Grass and Ursula Hegi chose dwarfs to tell their stories of Germany during World War II, Lind chose a giant for <em>Landscape in Concrete<\/em> \u2013 this is six-foot-two, three hundred pound Gauthier Bachmann. And in fate\u2019s typical twist (or perhaps it\u2019s just a case of Lind channeling that inner trickster of his), Bachmann is a giant with a miniature mind.<\/p>\n<\/blockquote>\n<blockquote>\n<p>Bachmann is much more eloquent than other enfeebled narrators like Faulkner\u2019s oft-cited Benjy; he\u2019s not mentally retarded, though he shares the naivet\u00e9 of the brain damaged. He is instead a victim of Post Traumatic Stress Disorder; his brain is trying to protect him by keeping at bay the human degradation and mutilation he\u2019s witnessed as a sergeant in the German army. The battle at Voroshenko, where Bachmann\u2019s entire unit literally drowned in mud, especially haunts him [. . .]<\/p>\n<\/blockquote>\n<blockquote>\n<p>Twisted humor is the engine that drives this plot. Additionally, Lind\u2019s portrayal of Bachman is so accomplished that the reader does not feel tempted to laugh at Bachmann, only the crazy and sad things his does. Instead of throwing the characters into Voroshenko-type battles, as you\u2019d expect in World War II novels, Lind makes the violence quite personal. Everyone has axes to grind that have little to do with the politics of wartime Germany and everything to do with vendettas. [. . .]<\/p>\n<\/blockquote>\n<blockquote>\n<p>Yet a strain of raucous humor runs through <em>Landscape in Concrete<\/em>, sparing readers from drowning in the muck of war, affected by the story, but not consumed by it \u2013 an excellent vantage to ponder and reflect.<\/p>\n<\/blockquote>\n<p>The whole review is worth checking out&#8212;as is the intro to our edition, <a href=\"http:\/\/www.openletterbooks.org\/excerpts\/landscape_excerpt.pdf\">this pdf excerpt,<\/a> <a href=\"http:\/\/www.nextbook.org\/cultural\/feature.html?id=783\">this overview piece by Sasha Weiss,<\/a> and his forthcoming two titles.<\/p>\n<div class=\"ad_banner\">\n<a href=\"http:\/\/catalog.openletterbooks.org\/authors\/10-lind#landscape\"><img decoding=\"async\" src=\"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/images\/253.jpg\"  \/><\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Although the fiction buyer at Barnes &amp; Noble had her doubts about 2009 being the &#8220;Year of Jakov Lind,&#8221; this year really does represent the best chance this overlooked, peculiar Austrian writer has of being rediscovered. Over the course of the next few months, three Lind titles will be reissued: Landscape in Concrete (available now), [&hellip;]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67486],"tags":[1836,23316,16786,19676,16796,21826,1646,23326],"class_list":["post-270916","post","type-post","status-publish","format-standard","hentry","category-articles","tag-cwp","tag-ergo","tag-jakov-lind","tag-karen-vanuska","tag-landscape-in-concrete","tag-open-letters-monthly","tag-review","tag-soul-of-wood"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/270916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=270916"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/270916\/revisions"}],"predecessor-version":[{"id":323976,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/270916\/revisions\/323976"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=270916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=270916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=270916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}