{"id":273096,"date":"2009-08-12T15:04:15","date_gmt":"2009-08-12T15:04:15","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2009\/08\/12\/the-year-of-jakov-lind-2\/"},"modified":"2018-04-16T17:15:31","modified_gmt":"2018-04-16T17:15:31","slug":"the-year-of-jakov-lind-2","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2009\/08\/12\/the-year-of-jakov-lind-2\/","title":{"rendered":"The Year of Jakov Lind"},"content":{"rendered":"

In just under a year, three Jakov Lind books will be reissued (the Open Letter edition of Landscape in Concrete<\/em><\/a> is available now, with NYRB<\/span>’s edition of Soul of Wood<\/em><\/a> coming out later this fall and our reprint of Ergo<\/em><\/a> releasing in January), and to celebrate this rediscovery, Jeff Waxman wrote an interesting piece for the Quarterly Conversation:<\/a><\/p>\n

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Lind is not only a major post-Holocaust writer; he is also a modernist of extraordinary talent and vision. His writing shows an intriguing, Beckettian dissolution of reason, and it owes a clear debt to the absurdists, whose themes of obsession and the perversion of reality closely resemble Lind\u2019s work. Born in Vienna a decade before the Anschluss, Lind also owes something also to the Austro-Jewish literary tradition exemplified by Stefan Zweig\u2014there\u2019s a humanist regard that colors his work and tinges his cynicism with a smirking regret. This sort of weeping giddiness characterizes all of Lind\u2019s writing, from his excellent dramatic efforts like The Silver Foxes Are Dead<\/em> to his short stories and his extraordinary dark novels. [. . .]<\/p>\n<\/blockquote>\n

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Reading Lind, it becomes clear that he\u2014like so many of his fellow Jews\u2014never recovered from the Shoah that he somehow missed; his books are stuffed with the madness of that time, of hiding in plain sight, of those dark circumstances. Somewhere in life\u2019s meaninglessness, through LSD<\/span> and hashish and stunningly good humor, Lind tried to find some structure, something beneath the insanity to cling to and make real. He found logic, because logic exists even divorced from reason. It\u2019s from this bizarre worldview, from this confusion of ideas, that Lind wrote some of his best work. [. . .]<\/p>\n<\/blockquote>\n

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In a time when G\u00fcnter Grass\u2019s The Tin Drum<\/em><\/a> is seeing a revival in an inspired new translation by Breon Mitchell, and when other lost post-Holocaust literature is reemerging (for example, the recently published, gorgeous Every Man Dies Alone<\/em><\/a> by Hans Fallada), there is no better time for the reading public to reengage with this scarred, deeply alone survivor of tumultuous times. A writer who blended the deranged freedom of the 1960s and the death of reason in the 1940s into an extraordinary understanding of humanity in all its hopeful and idealistic depravity, Jakov Lind wrote the kind of books that are not to be missed.<\/p>\n<\/blockquote>\n

\n<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

In just under a year, three Jakov Lind books will be reissued (the Open Letter edition of Landscape in Concrete is available now, with NYRB’s edition of Soul of Wood coming out later this fall and our reprint of Ergo releasing in January), and to celebrate this rediscovery, Jeff Waxman wrote an interesting piece for […]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67486],"tags":[23316,16786,16796,1796,8536,23326],"class_list":["post-273096","post","type-post","status-publish","format-standard","hentry","category-articles","tag-ergo","tag-jakov-lind","tag-landscape-in-concrete","tag-new-york-review-books","tag-quarterly-conversation","tag-soul-of-wood"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/273096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=273096"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/273096\/revisions"}],"predecessor-version":[{"id":351486,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/273096\/revisions\/351486"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=273096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=273096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=273096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}