{"id":276896,"date":"2010-03-02T15:00:56","date_gmt":"2010-03-02T15:00:56","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2010\/03\/02\/if-i-were-another-by-mahmoud-darwish-btba-2010-poetry-finalists\/"},"modified":"2018-04-16T14:39:38","modified_gmt":"2018-04-16T14:39:38","slug":"if-i-were-another-by-mahmoud-darwish-btba-2010-poetry-finalists","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2010\/03\/02\/if-i-were-another-by-mahmoud-darwish-btba-2010-poetry-finalists\/","title":{"rendered":""If I Were Another" by Mahmoud Darwish [BTBA 2010 Poetry Finalists]"},"content":{"rendered":"

Over the next four days, we’ll be featuring each of the ten titles from this year’s Best Translated Book Award poetry shortlist.<\/a> Click here<\/a> for all past write-ups.<\/em><\/p>\n

<\/div>\n

If I Were Another<\/em> by Mahmoud Darwish. Translated from the Arabic by Fady Joudah (Palestine, FSG<\/span>)<\/b><\/p>\n

This guest post is by Brandon Holmquest—poet, translator, and editor of CALQUE<\/span>. Brandon is devoted to the reception and promotion of international poetry, so I’m really glad he was able to serve on the panel this year. And write up a couple books!<\/i><\/p>\n

Translation has a lot of unintended consequences, like most human endeavor. Obviously it brings a given work, or the work of a given writer, to a new audience. At times, in doing so, it carries with it a literally \u201cforeign\u201d concept of poetry itself or, in the case of Mahmoud Darwish, of the poet as a social institution. It\u2019s all well and good to say Darwish was \u201cthe national poet of Palestine,\u201d but even a cursory examination of that statement reveals complications. For one, Palestine is not technically a nation at all, so how does that work, exactly? And so on.<\/p>\n

Questions of this kind are germane to Darwish\u2019s work, especially the late work. He was well aware of his role in Palestinian culture, as a representative, spokesman, voice, etc. He took that role and its responsibilities very seriously. Over time, this had a marked effect on his work, for example in his serious attempt to speak for and to all levels of Palestinian society, the doctors as well as the refugees, which lead him away from opacity and towards story-telling, parables, and other such devices.<\/p>\n

This same phenomenon can be seen in the work of other poets who shared Darwish\u2019s circumstances, writing to and for a people undergoing a difficult history. Zbigniew Herbert in Communist Poland, Nicanor Parra in Pinochet\u2019s Chile. In such cases, what it means to simply be a poet is very different from anything we\u2019ve experienced in this country in a very long time, perhaps since Whitman.<\/p>\n

An American poet picking up Fady Joudah\u2019s translations encounters this very quickly. Translation foregrounds the content of such work. All of these poems might well have been written in one or another complicated form. In Arabic, they may be in quantitative verse and rhyme like the devil himself. In English, they read like so:<\/p>\n

\n

If I were another on the road, I would not have looked
\nback, I would have said what one traveler said
\nto another: Stranger! awaken
\nthe guitar more! Delay our tomorrow so our road
\nmay extend and space may widen for us, and we may get rescued
\nfrom our story together: you are so much yourself . . . and I am
\nso much other than myself right here before you!<\/p>\n<\/blockquote>\n

Well constructed, somewhat conservative free verse, which is pretty vanilla stuff in contemporary English-language poetics. The kind of poems people can \u201cunderstand.\u201d<\/p>\n

And our hypothetical American poet either writes Darwish off, which would be stupid, or s\/he takes a deep breath and starts to rethink some things, and maybe as a result that poet\u2019s idea of the possible, the valid and the poetic expands. <\/p>\n

Because, really, fifty million Elvis fans just can\u2019t be wrong. And once that happens, things get very interesting very quickly. Once one accepts Darwish\u2019s self-evident validity as a poet who says things, the next thing is to wrestle with what it is he\u2019s saying.<\/p>\n

It is here that If I Were Another<\/em> becomes very valuable. It is a collection of Darwish\u2019s very late work, very well and elegantly translated. As such, it contains some of his most intellectually and emotionally nuanced work. Poems you meditate over, argue with, or simply contemplate; poems that make statements in compact, associative and\/or Aesopish way impossible for prose. Poems that, even in Joudah\u2019s English, sound like pure Darwish. <\/p>\n

\n<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Over the next four days, we’ll be featuring each of the ten titles from this year’s Best Translated Book Award poetry shortlist. Click here for all past write-ups. If I Were Another by Mahmoud Darwish. Translated from the Arabic by Fady Joudah (Palestine, FSG) This guest post is by Brandon Holmquest—poet, translator, and editor of […]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67476],"tags":[31206,20436,29976,31216,1976,31186,14256,31196],"class_list":["post-276896","post","type-post","status-publish","format-standard","hentry","category-best-translated-book-awards","tag-arabic-poetry","tag-brandon-holmquest","tag-btba-2010","tag-fady-joudah","tag-fsg","tag-if-i-were-another","tag-mahmoud-darwish","tag-palestine-literature"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/276896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=276896"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/276896\/revisions"}],"predecessor-version":[{"id":334596,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/276896\/revisions\/334596"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=276896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=276896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=276896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}