{"id":282856,"date":"2011-03-25T16:00:00","date_gmt":"2011-03-25T16:00:00","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2011\/03\/25\/latest-review-remote-control-by-kotaro-isaka\/"},"modified":"2018-04-16T14:09:59","modified_gmt":"2018-04-16T14:09:59","slug":"latest-review-remote-control-by-kotaro-isaka","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2011\/03\/25\/latest-review-remote-control-by-kotaro-isaka\/","title":{"rendered":"Latest Review: &#34;Remote Control&#34; by Kotaro Isaka"},"content":{"rendered":"<p>The <a href=\"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/index.php?id=3170\">latest addition<\/a> to our <a href=\"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/index.php?s=reviews\">Reviews Section<\/a> is a piece by Will Eells on Kotaro Isaka&#8217;s <em>Remote Control<\/em>, translated from the Japanese and published by Kodansha International. <\/p>\n<p>(Quick side-note: the <a href=\"http:\/\/www.publishersweekly.com\/pw\/by-topic\/industry-news\/publisher-news\/article\/46411-kodansha-international-to-close.html\">closing of Kodansha International<\/a> sucks. That&#8217;s all I have to say about that. I&#8217;m out of witty attacks for today.)<\/p>\n<p>Will Eells is: a University of Rochester student getting a certificate in Literary Translation Studies, a promising young Japanese translator, one of our contributing reviewers (thanks <span class=\"caps\">NYSCA<\/span> for the funding to make this possible), and a very enthusiastic reader of international fiction.<\/p>\n<p>Kotaro Isaka has written a number of novels, but I believe this is the only one to be published in English translation. In Japan though, his novels have received quite a bit of praise and attention, starting with the wonderfully named <em>Foreign Duck, Native Duck Coin-locker<\/em>, which won the Eiji Yoshikawa Newcomer\u2019s Prize for Literature. He has also been nominated on four occasions for the Naoki Prize, which is given to &#8220;the best work of popular literature in any format by a new, rising, or (reasonably young) established author.&#8221; According to Wikipedia, &#8220;the winner receives a watch and one million yen.&#8221; The four nominated titles are: <em>Gravity Clown, Children and Grasshopper, Accuracy of Death,<\/em> and <em>Desert.<\/em> He won the Honya Taisho in 2008 for <em>Golden Slumber<\/em> (aka <em>Remote Control<\/em>).<\/p>\n<p>Here&#8217;s the opening of Will&#8217;s review:<\/p>\n<blockquote>\n<p>I\u2019m just going to fess up right now: I\u2019m a bit of a culture snob. I can\u2019t help it. I don\u2019t know what happened in my upbringing that led me to be this way \u2013 that I can\u2019t check out a summer blockbuster without reading the reviews first, that I prefer listening to the local college or independent radio station to <span class=\"caps\">KISS<\/span> (at least when I don\u2019t have my iPod and car adaptor on me) \u2013 but at this point all I can do is play with the hand I was dealt. With books, this means that my elitism extends to the point that I can\u2019t even look at any sort of mystery, crime novel, or thriller without a hefty dose of cynicism and distance. I don\u2019t even really know why that is; maybe we should call it the &#8220;James Patterson exhaustion&#8221; effect. But I\u2019m pretty sure that in the history of my book-reading life, I can only recall maybe three books that I\u2019ve read that fall under this category: Agatha Christie\u2019s <em>And Then There Were None<\/em>, Natsuo Kirino\u2019s <em>Out<\/em>, and (I guess if you consider it a psychological thriller) Ryu Murakami\u2019s <em>Piercing<\/em>. I was pretty lukewarm about all of these.<\/p>\n<\/blockquote>\n<blockquote>\n<p>In my defense, I realize this is an annoying and extremely close-minded way to experience the world, and I couldn\u2019t possibly proclaim that everything I\u2019ve ever enjoyed was of the highest cultural value. But I say all of this to preface my review of Kotaro Isaka\u2019s conspiracy thriller <em>Remote Control<\/em>, and admit that its target audience was probably not me.<\/p>\n<\/blockquote>\n<blockquote>\n<p>But lo and behold! It was actually pretty good.<\/p>\n<\/blockquote>\n<blockquote>\n<p><em>Remote Control<\/em> takes place in a possibly now, possibly near-future Japan, where the city of Sendai has been outfitted with \u201cSecurity Pods\u201d in all public areas that can capture 24-hour surveillance in all directions, and can record and track nearby cell phone activity. It is here that the newly elected Prime Minister is assassinated during a parade by a bomb flown in by remote control helicopter. All evidence points to former deliveryman and accidental-actress-rescuing media darling Masaharu Aoyagi as the culprit in the assassination. But is he really the criminal everyone thinks he is?<\/p>\n<\/blockquote>\n<p>Click <a href=\"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/index.php?id=3170\">here<\/a> to read the full piece.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The latest addition to our Reviews Section is a piece by Will Eells on Kotaro Isaka&#8217;s Remote Control, translated from the Japanese and published by Kodansha International. (Quick side-note: the closing of Kodansha International sucks. That&#8217;s all I have to say about that. I&#8217;m out of witty attacks for today.) Will Eells is: a University [&hellip;]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67456],"tags":[1286,34856,39076,39066,1646,9946,28316],"class_list":["post-282856","post","type-post","status-publish","format-standard","hentry","category-book-review","tag-japanese-literature","tag-kodansha-international","tag-kotaro-isaka","tag-remote-control","tag-review","tag-stephen-snyder","tag-will-eells"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/282856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=282856"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/282856\/revisions"}],"predecessor-version":[{"id":312336,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/282856\/revisions\/312336"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=282856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=282856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=282856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}