{"id":288396,"date":"2011-12-08T23:00:00","date_gmt":"2011-12-08T23:00:00","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2011\/12\/08\/three-messages-and-a-warning-read-this-next\/"},"modified":"2018-04-16T16:11:49","modified_gmt":"2018-04-16T16:11:49","slug":"three-messages-and-a-warning-read-this-next","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2011\/12\/08\/three-messages-and-a-warning-read-this-next\/","title":{"rendered":"Three Messages and a Warning [Read This Next]"},"content":{"rendered":"

This week’s Read This Next<\/a> title is Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic<\/em>, edited by Eduardo Jimenez Mayo and Chris N. Brown, with an introduction from Bruce Sterling. This will be officially available from Small Beer Press is bringing this out in late-January, but it can be preordered here.<\/a><\/p>\n

Here’s the description from Small Beer’s website:<\/p>\n

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This huge anthology of more than thirty all-original Mexican science fiction and fantasy features ghost stories, supernatural folktales, alien incursions, and apocalyptic narratives, as well as science-based chronicles of highly unusual mental states in which the borders of fantasy and reality reach unprecedented levels of ambiguity. Stereotypes of Mexican identity are explored and transcended by the thoroughly cosmopolitan consciousnesses underlying these works. It is a landmark of contemporary North American fiction that deserves a wide readership.<\/p>\n<\/blockquote>\n

And we actually ran a review of this by Sara Cohen<\/a> back near Halloween. (Too fitting, no?) Here’s what she had to say about the two stories that you can read here.<\/a><\/p>\n

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\u201cPhotophobia,\u201d by Mauricio Monteil Figueiras.<\/p>\n<\/blockquote>\n

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You can tell from the start that \u201cPhotophobia\u201d is more sophisticated than most stories in this collection\u2014the vocabulary is complex, the concept unquestionably cerebral. An apocalyptic narrative is told through stream-of-consciousness storytelling that cleverly distracts from the story\u2019s premise until the ending begins to shed some light on the narrator\u2019s purpose and motives. The tale stands out in this populist collection of stories like a sore thumb, but I\u2019m glad it was included. Here is a typical (and excellent) sentence:<\/p>\n<\/blockquote>\n

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“Eternity, he thought, pocket apocalypses: man has not learned the lessons of history, he is still the ignorant student who recorded his confusion in the caves of Altamira\u2014it\u2019s just that the caves have become tabloids.”<\/p>\n<\/blockquote>\n

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\u201cThe Drop\u201d by Claudia Guill\u00e9n.<\/p>\n<\/blockquote>\n

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In \u201cThe Drop,\u201d a depressed young woman refuses to leave her room, watching drops of water fall to the floor. Her mother (the stated villain of the piece) claims that if the dripping stops, her child will die. A visiting doctor learns about himself as he studies the girl. That\u2019s it, the entire premise. But the story is well-told, the ending surprising, and it\u2019s the kind of eerie tale that sticks with you.<\/p>\n<\/blockquote>\n

Again, click here<\/a> for the complete preview, and click here<\/a> for Sara’s review. And then, if you like what you read, buy the book via Small Beer’s website.<\/a><\/p>\n

All of the past RTN<\/span> featured titles can be found here.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

This week’s Read This Next title is Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic, edited by Eduardo Jimenez Mayo and Chris N. Brown, with an introduction from Bruce Sterling. This will be officially available from Small Beer Press is bringing this out in late-January, but it can be preordered here. […]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67486],"tags":[42196,42186,2756,40786,1646,41376,29556,42176],"class_list":["post-288396","post","type-post","status-publish","format-standard","hentry","category-articles","tag-chris-brown","tag-eduardo-jimenez-mayo","tag-mexican-literature","tag-read-this-next","tag-review","tag-sara-cohen","tag-small-beer-press","tag-three-messages-and-a-warning"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/288396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=288396"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/288396\/revisions"}],"predecessor-version":[{"id":319696,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/288396\/revisions\/319696"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=288396"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=288396"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=288396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}