{"id":291476,"date":"2012-08-14T17:00:00","date_gmt":"2012-08-14T17:00:00","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2012\/08\/14\/latest-review-dona-barbara-by-romulo-gallegos\/"},"modified":"2018-04-16T14:09:48","modified_gmt":"2018-04-16T14:09:48","slug":"latest-review-dona-barbara-by-romulo-gallegos","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2012\/08\/14\/latest-review-dona-barbara-by-romulo-gallegos\/","title":{"rendered":"Latest Review: "Do\u00f1a Barbara" by R\u00f3mulo Gallegos"},"content":{"rendered":"

The latest addition<\/a> to our Reviews Section<\/a> is a piece by Pierce Alquist<\/a> on R\u00f3mulo Gallegos’s Do\u00f1a Barbara<\/em>, which is translated from the Spanish by Robert Malloy and is available from The University of Chicago Press Books<\/a>.<\/p>\n

\n

Any author who has been both nominated for a Nobel Prize in literature and exiled from his country because of the strength of his criticisms against the nation\u2019s longstanding dictatorship deserves to be taken note of. R\u00f3mulo Gallegos in his acclaimed novel, Do\u00f1a Barbara<\/i>, hailed as a classic of Latin American literature, is one such author, almost forgotten by English speaking readers since his initial popularity in the 1930\u2019s. In the University of Chicago\u2019s recent reprint, Gallegos receives the credit due to him as a Nobel Prize nominee, the first democratically elected President of Venezuela, and forerunner of magical realism, with Larry McMurty writing in his foreword to the novel, \u201cThere are echoes of Gallegos in Garc\u00eda M\u00e1rquez, Vargas Llosa, and Fuentes.\u201d In Do\u00f1a Barbara, Gallegos weaves together the story of the Venezuelan llano<\/i>, or prairie, and the lives of the plainsmen, the ranchers and cowboys, thieves and villains, that all operate around Do\u00f1a Barbara, the witch. <\/p>\n<\/blockquote>\n

\n

The novel revolves around the llano<\/i>, and its significance to two feuding cousins with vast ranching estates. Do\u00f1a Barbara, a treacherously beautiful rancher has steadily expanded her estate over the years through her calculating manipulation and seduction of men, furthering her reputation as a witch with her nightly conversations with her \u201cPartner,\u201d the devil. These corrupt dealings committed by Barbara and the mismanagement of land, wealth, and justice by government officials in the novel represent many of Gallegos\u2019 criticisms against the Venezuelan dictatorship. When her cousin, Santos Luzardo, returns from his many years in the city to reclaim his land and ranch, a struggle ensues that jeopardizes the fate of the llano<\/i>. The struggle is one of violence and seduction, as McMurty perfectly describes it, Gallegos\u2019 llano<\/i> is \u201csteamy, tumescent, lust driven.\u201d Furthermore, the llano<\/i> is spilling over with all sorts of unimaginable occupants characteristic of early magical realism, like the prehistoric one-eyed alligator and various villains like the Turk and his harem, the Toad, the Wizard, and a cowboy assassin…<\/p>\n<\/blockquote>\n

Click here<\/a> to read the entire review.<\/p>\n","protected":false},"excerpt":{"rendered":"

The latest addition to our Reviews Section is a piece by Pierce Alquist on R\u00f3mulo Gallegos’s Do\u00f1a Barbara, which is translated from the Spanish by Robert Malloy and is available from The University of Chicago Press Books. Any author who has been both nominated for a Nobel Prize in literature and exiled from his country […]<\/p>\n","protected":false},"author":146,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67456],"tags":[47246,3356,48176,1646,48276,47256,7136,48206,48286,29916],"class_list":["post-291476","post","type-post","status-publish","format-standard","hentry","category-book-review","tag-dona-barbara","tag-magical-realism","tag-pierce-alquist","tag-review","tag-robert-malloy","tag-romulo-gallegos","tag-south-american-literature","tag-spanish-language-literature","tag-the-university-of-chicago-press-books","tag-venezuelan-literature"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/291476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/146"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=291476"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/291476\/revisions"}],"predecessor-version":[{"id":311106,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/291476\/revisions\/311106"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=291476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=291476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=291476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}