{"id":293206,"date":"2013-03-02T19:30:00","date_gmt":"2013-03-02T19:30:00","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2013\/03\/02\/2013-independent-foreign-fiction-prize-longlist\/"},"modified":"2018-04-16T15:56:41","modified_gmt":"2018-04-16T15:56:41","slug":"2013-independent-foreign-fiction-prize-longlist","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2013\/03\/02\/2013-independent-foreign-fiction-prize-longlist\/","title":{"rendered":"2013 Independent Foreign Fiction Prize Longlist"},"content":{"rendered":"<p>The <a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/books\/features\/boyd-tonkin-from-syria-to-colombia-and-albanian-to-afrikaans-enjoy-a-global-feast-8515245.html\"><em>Independent<\/em> Foreign Fiction Prize longlist<\/a> was announced this morning, and is pretty spectacular. As you&#8217;ll find out on Tuesday, four of the books on the <span class=\"caps\">IFFP<\/span> longlist are also on the <span class=\"caps\">BTBA<\/span> longlist. (Which may seem small, but a number of these&#8212;<i>The Detour<\/i>, <i>The Sound of Things Falling<\/i>&#8212;have yet to be published\/distributed in America, and thus aren&#8217;t yet <span class=\"caps\">BTBA<\/span> eligible.) <\/p>\n<p>Anyway, here&#8217;s a chunk of Boyd Tonkin&#8217;s great write-up on this year&#8217;s list:<\/p>\n<blockquote>\n<p>Every year, the balance of the books that reach this antepenultimate round shifts. This time, central and eastern Europe shines: Pawel Huelle&#8217;s wryly delightful Polish stories; Ismail Kadare&#8217;s commanding Albanian history-cum-fable; Laszlo Krasznahorkai&#8217;s black-comic dystopia from rural Hungary; Dasa Drndic&#8217;s tragic family drama in north-eastern Italy, and the camps further east, under German rule.<\/p>\n<\/blockquote>\n<blockquote>\n<p>We also showcase two different faces of Africa: the no-man&#8217;s-land between South Africa and Mozambique depicted in Chris Barnard&#8217;s ideas-rich adventure; and the remembered Congo that haunts the jesting barflies in Alain Mabanckou&#8217;s Paris. A trio of major contenders from past years re-appear: Turkey&#8217;s Orhan Pamuk, Italy&#8217;s Diego Marani, and Colombia&#8217;s Juan Gabriel V\u00e1squez. We visit the Assads&#8217; tyrannous Syria, (Khaled Khalifa), investigate a Danish killing (Pia Juul), and learn dark Norwegian family secrets (Karl Ove Knausgaard).<\/p>\n<\/blockquote>\n<blockquote>\n<p>Our long-listed authors also travel far and wide. Andr\u00e9s Neuman, Argentinian-born, creates a Romantic-era town in Germany; Dutch Gerbrand Bakker despatches a heroine to rural Wales; in France, Laurent Binet re-imagines Nazi Prague; Enrique Vila-Matas sends a Barcelona publisher to literary Dublin. The Republic of Letters has no border controls. So join this mind-expanding tour &#8211; and bon voyage.<\/p>\n<\/blockquote>\n<p>This year&#8217;s judging panel is as impressive as ever. Joining Boyd in this nearly impossible task is Frank Wynne, Elif Shafak, Gabriel Josipovici, and Jean Boase-Beier. Good luck&#8212;it&#8217;s going to be tough to pick a winner from this list. <\/p>\n<p>To get on with it, here&#8217;s the complete 15-title longlist:<\/p>\n<p>Gerbrand Bakker: <em>The Detour<\/em> (translated by David Colmer from the Dutch), and published by Harvill Secker<\/p>\n<p>Chris Barnard: <em>Bundu<\/em> (Michiel Heyns; Afrikaans), Alma Books<\/p>\n<p>Laurent Binet: <em>HHhH<\/em> (Sam Taylor; French), Harvill Secker<\/p>\n<p>Dasa Drndic: <em>Trieste<\/em> (Ellen Elias-Bursac; Croatian), MacLehose Press<\/p>\n<p>Pawel Huelle: <em>Cold Sea Stories<\/em> (Antonia Lloyd-Jones; Polish), Comma Press<\/p>\n<p>Pia Juul: <em>The Murder of Halland<\/em> (Martin Aitken; Danish), Peirene Press<\/p>\n<p>Ismail Kadare: <em>The Fall of the Stone City<\/em> (John Hodgson; Albanian), Canongate<\/p>\n<p>Khaled Khalifa: <em>In Praise of Hatred<\/em> (Leri Price; Arabic), Doubleday<\/p>\n<p>Karl Ove Knausgaard: <em>A Death in the Family<\/em> (Don Bartlett; Norwegian), Harvill Secker<\/p>\n<p>Laszlo Krasznahorkai: <em>Satantango<\/em> (George Szirtes; Hungarian), Tuskar Rock<\/p>\n<p>Alain Mabanckou: <em>Black Bazaar<\/em> (Sarah Ardizzone; French), Serpent&#8217;s Tail<\/p>\n<p>Diego Marani: <em>The Last of the Vostyachs<\/em> (Judith Landry; Italian), Dedalus<\/p>\n<p>Andr\u00e9s Neuman: <em>Traveller of the Century<\/em> (Nick Caistor &amp; Lorenza Garcia; Spanish), Pushkin Press<\/p>\n<p>Orhan Pamuk: <em>Silent House<\/em> (Robert Finn; Turkish), Faber<\/p>\n<p>Juan Gabriel V\u00e1squez: <em>The Sound of Things Falling<\/em> (Anne McLean; Spanish), Bloomsbury<\/p>\n<p>Enrique Vila-Matas: <em>Dublinesque<\/em> (Rosalind Harvey &amp; Anne McLean; Spanish), Harvill Secker<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Independent Foreign Fiction Prize longlist was announced this morning, and is pretty spectacular. As you&#8217;ll find out on Tuesday, four of the books on the IFFP longlist are also on the BTBA longlist. (Which may seem small, but a number of these&#8212;The Detour, The Sound of Things Falling&#8212;have yet to be published\/distributed in America, [&hellip;]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67486],"tags":[9756,9746],"class_list":["post-293206","post","type-post","status-publish","format-standard","hentry","category-articles","tag-boyd-tonkin","tag-independent-foreign-fiction-prize"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/293206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=293206"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/293206\/revisions"}],"predecessor-version":[{"id":340046,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/293206\/revisions\/340046"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=293206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=293206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=293206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}