{"id":295216,"date":"2013-09-24T15:01:29","date_gmt":"2013-09-24T15:01:29","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2013\/09\/24\/sarah-gerards-three-longlist-contenders\/"},"modified":"2018-04-16T15:56:33","modified_gmt":"2018-04-16T15:56:33","slug":"sarah-gerards-three-longlist-contenders","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2013\/09\/24\/sarah-gerards-three-longlist-contenders\/","title":{"rendered":"Sarah Gerard's Three Longlist Contenders"},"content":{"rendered":"

Sarah Gerard is a writer and a bookseller at McNally Jackson Books<\/a>. Her work has appeared in the New York Times<\/a>, New York Magazine<\/a>, Bookforum<\/a>, the Paris Review Daily<\/a>, the Los Angeles Review of Books<\/a>, Slice Magazine<\/a>, and other publications. She holds an MFA<\/span> from The New School and lives in Brooklyn.<\/i><\/p>\n

I\u2019m only going to talk about one book in this first BTBA<\/span> blog post. Okay, maybe two. Okay, maybe three. But first, the one: Christa Wolf\u2019s City of Angels<\/i><\/a> (FSG<\/span>). Oh my God (as it were). This book. This book, you guys.<\/p>\n

Not that I\u2019m surprised. Admittedly, I\u2019ve only read one of Wolf\u2019s other books, Cassandra<\/i>, a retelling of the Fall of Troy in the first-person from the point of view of Cassandra, the cursed soothsayer. It\u2019s completely devastating and oh-so-complex, grappling with issues of patriarchy and violence, and language and\u2026well, anyway. Highly recommended, but that should go without saying because Wolf, I\u2019ve come to realize, is (was, R.I.P.) a complete genius.<\/p>\n

I\u2019ve read a lot of great books this year, but City of Angels<\/i> is by far the most rewarding. I\u2019m halfway through and the marginal notes are getting a bit out of hand. Wolf\u2019s ability to create layers of meaning in a peripatetic structure across three, sometimes four, different time periods is astounding. Set in Los Angeles around the time of Clinton\u2019s first election, she manages weave in the Holocaust, the fall of the Berlin Wall, the LA. riots, architectural and anatomic metaphors, particle physics, Communism, Capitalism, Buddhism, Greek mythology and so much more in order to investigate the further themes of loss, grief, surveillance, secrecy, self-examination and identity, translation, documentation, etc. I could go on. I really could. And she does this with utmost grace and fluidity. <\/p>\n

Speaking of translation, Damion Searls has done a knockout job here. The prose is lovely but invisible in the reading, which is exactly what it should be. Wolf often hints at subtle connections between events by ordering them back-to-back, but never (never, this would be a sin to her, I think) states the connections overtly. Searls knows, though. He\u2019s on it, and he\u2019s done his job deftly. Systems of meaning rise to the surface like bubbles in a glass. So refreshing. <\/p>\n

My favorite part of this book so far is the connection Wolf draws between political bureaucracy and architecture, using anatomical language to describe states of sickness or health as they occur in a population living under a functional or dysfunctional government, and the way architecture changes under those systems, directing bodies. The Berlin Wall is probably the biggest example of this. Again, Searls has handled this beautifully.<\/p>\n

Wolf\u2019s use of pronouns (I & you, most particularly) is also absolutely brilliant and I applaud Searls\u2019s very elegant handling of them, but I would need a lot more room if I were going to talk about that in-depth. One blog post is not enough. I suggest you just go out and buy the book already.<\/p>\n

But hey, there are other books, right? Firefly<\/i><\/a> by Severo Sarduy \u2013 this is definitely another longlist contender for me. The book is a bildungsroman following the namesake young man through a series of sad and hilarious encounters with quasi-fabulist doctors and officials, the owner of an orphanage, and a young woman whose fate is bittersweet to say the least. Sarduy\u2019s language is colorful and shapely, and his ability to frame tragedy in a humorous context is definitely one of his many strengths. Likewise, Mark Fried\u2019s ability to relate Sarduy\u2019s complex meanings in a way that remains childlike and playful is very impressive, and makes reading Firefly<\/i> at once a fun and intellectually stimulating experience. <\/p>\n

The last book I\u2019ll mention is maybe not (or maybe is, we\u2019ll see) a longlist contender for me, but I really think it merits attention because its story is so interesting and because (who knew?) Ursula K. Le Guin translated it. Squaring the Circle<\/i><\/a> by Gheorghe S\u0103s\u0103rman (Aqueduct Press) is \u201ca book of brief descriptions of imaginary cities.\u201d Sound familiar? It\u2019s basically the Romanian Invisible Cities<\/i>, and was published roughly around the same time, although the introduction to this edition suggests that Calvino and S\u0103s\u0103rman were unaware of each others\u2019 work. Calvino\u2019s enjoyed greater success largely because S\u0103s\u0103rman\u2019s book was banned while Calvino\u2019s had wide distribution. If I can speak honestly here, I actually have no preference for one over the other \u2013 I was completely enraptured by Squaring the Circle<\/i> and would only, maybe, not suggest it for the longlist because I have mixed feelings about the translation. Maybe I\u2019ll write more about this in a later post. In the meantime, I must say that, in spite of these mixed feelings, I really loved this book and think you should, too.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sarah Gerard is a writer and a bookseller at McNally Jackson Books. Her work has appeared in the New York Times, New York Magazine, Bookforum, the Paris Review Daily, the Los Angeles Review of Books, Slice Magazine, and other publications. She holds an MFA from The New School and lives in Brooklyn. I\u2019m only going […]<\/p>\n","protected":false},"author":186,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67486],"tags":[1646],"class_list":["post-295216","post","type-post","status-publish","format-standard","hentry","category-articles","tag-review"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/295216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/186"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=295216"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/295216\/revisions"}],"predecessor-version":[{"id":318076,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/295216\/revisions\/318076"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=295216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=295216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=295216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}