{"id":295656,"date":"2013-11-25T16:55:54","date_gmt":"2013-11-25T16:55:54","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2013\/11\/25\/the-first-buenos-aires-review-quarterly-issue\/"},"modified":"2018-04-16T14:09:42","modified_gmt":"2018-04-16T14:09:42","slug":"the-first-buenos-aires-review-quarterly-issue","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2013\/11\/25\/the-first-buenos-aires-review-quarterly-issue\/","title":{"rendered":"The First Buenos Aires Review Quarterly Issue"},"content":{"rendered":"

The Buenos Aires Review<\/em>,<\/a> which, over the past few months, has been posting really interesting works of fiction<\/a> and poetry,<\/a> info about kick-ass bookstores,<\/a> interviews,<\/a> translator’s notes,<\/a> and more, has just released its first quarterly issue<\/a> entitled “Tongue Ties”:<\/p>\n

\n

This first quarterly issue of the Buenos Aires Review boasts new literary works from a variety of tongues\u2014French, Galician, German, Portuguese, Russian, and a touch of Hungarian accompany the Spanish and English of always\u2014and locales ranging from Rio de Janeiro, M\u00e9xico, London, Paris, A Coru\u00f1a, and S\u00e3o Paulo, to Moscow, Los Angeles, Costa Rica, Mar del Plata and New York.<\/p>\n<\/blockquote>\n

\n

Fiction.<\/strong> We unravel the mystery of Bola Negra, the shapeshifting piece by Mario Bellatin<\/a> that led to a film and an opera, tap the spirit(s) of Mad Men<\/em> with James Warner,<\/a> and winter with Rosario Bl\u00e9fari<\/a> on the Argentine coast, while Juan \u00c1lvarez<\/a> gets tangled up with hitmen and supermodels in Colombia and Sacha Sperling<\/a> \u2014 France\u2019s latest enfant terrible \u2014 takes on literary glam & doom.<\/p>\n<\/blockquote>\n

\n

Poetry.<\/strong> We cut a path through Yolanda Casta\u00f1o\u2019s<\/a> sensual urban pastorals and Vincent Toro\u2019s<\/a> lyric maps to wrangle Hoag Holmgren\u2019s<\/a> paleocreatures and rappel from the precipices of Daniela Lima\u2019s<\/a> eyes.<\/p>\n<\/blockquote>\n

\n

Time Regained.<\/strong> We revisit the sublime and fantastic world of Paul Karl Wilhem Scheerbart<\/a> (1863-1915) through the translations of Mariana Dim\u00f3pulos and Joel Morris.<\/p>\n<\/blockquote>\n

\n

Conversations: on Conceptualisms.<\/strong> We listen in as Latin America\u2019s first and foremost conceptual artist Roberto Jacoby<\/a> sits down with Reinaldo Laddaga, Ubuweb founder and Uncreative Writer Kenneth Goldsmith<\/a> binds past and present with Michael Romano, and American poet David Shook talks poetry drones with Pola Oloixarac.<\/p>\n<\/blockquote>\n

\n

Art.<\/strong> We join Ben Merriman<\/a> in the factory that became Costa Rica\u2019s best museum.<\/p>\n<\/blockquote>\n

\n

Bookstores we \u2764.<\/b> We visit indie bookstores in Moscow<\/a> and S\u00e3o Paulo<\/a> with Marfa Nekrasova and Juli\u00e1n Fuks.<\/p>\n<\/blockquote>\n

\n

Translator\u2019s Note.<\/strong> Fulbright scholar Adam Z. Levy<\/a> takes a heady swig of Hungarian and Yiddish.<\/p>\n<\/blockquote>\n

\n

Besos!
\nThe editors<\/p>\n<\/blockquote>\n

Definitely worth checking out.<\/p>\n","protected":false},"excerpt":{"rendered":"

The Buenos Aires Review, which, over the past few months, has been posting really interesting works of fiction and poetry, info about kick-ass bookstores, interviews, translator’s notes, and more, has just released its first quarterly issue entitled “Tongue Ties”: This first quarterly issue of the Buenos Aires Review boasts new literary works from a variety […]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67456],"tags":[51456,1646],"class_list":["post-295656","post","type-post","status-publish","format-standard","hentry","category-book-review","tag-buenos-aires-review","tag-review"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/295656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=295656"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/295656\/revisions"}],"predecessor-version":[{"id":310336,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/295656\/revisions\/310336"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=295656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=295656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=295656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}