The wait is over. Listed below are the twenty-five titles on this year’s Best Translated Book Award Fiction Longlist. <\/p>\n
Over the next few weeks, we’ll be highlighting each and every one of these as part of the annual “Why This Book Should Win the BTBA<\/span>” series. It’s a fun way of learning about all of these diverse titles, and hopefully finding a handful that you personally want to read. <\/p>\n Speaking of diverse, I want to use this post to point out a couple of interesting facts about this year’s list:<\/p>\n That’s a pretty solid spread. Not to mention the vast differences between these books: On the one hand there’s Nobel Prize-winner Elfriede Jelinek’s Her Not All Her<\/em>, a slim, exquisitely crafted Cahier; on the other, there’s Antonio Mu\u00f1oz Molina’s gigantic In the Night of Time<\/em>. There’s the two-volume slipcased A True Novel<\/em> by Minae Mizumura and Stig Dagerman’s short story collection, Sleet.<\/em> There’s a very unconventional Arabic work from the nineteenth century just now being translated for the first time, and there’s a novel about an execution from Mo Yan, the other Nobel Prize winner on the list. <\/p>\n Overall, it’s an excellent list, one that will be really tough to pare down . . . But that’s the job for this year’s brilliant judges: George Carroll, West Coast sales rep; Monica Carter, Salonica; Scott Esposito, Conversational Reading and Center for the Art of Translation; Sarah Gerard, Bomb Magazine<\/em>; Elizabeth Harris, translator; Daniel Medin, American University of Paris, Cahiers Series, Quarterly Conversation, and the White Review; Michael Orthofer, Complete Review; Stephen Sparks, Green Apple Books; and, Jenn Witte, Skylight Books. I want to personally thank them all for their hard work. <\/p>\n But this is just the beginning—on April 15th we’ll announce the finalists for both fiction and poetry, and in the meantime, stay tuned to read about each and every one of the following “best translated books” of 2013. <\/p>\n Also, a special thanks has to go out to Amazon’s giving program,<\/a> for once again making $20,000 of prize money available for the winning authors and translators. <\/p>\n I’ll post information about any and all celebrations for the BTBA<\/span> 2014 here as soon as things are arranged. In the meantime, here we go . . . <\/p>\n Horses of God<\/em> by Mahi Binebine,<\/a> translated from the French by Lulu Norman (Morocco; Tin House)<\/p>\n Blinding<\/em> by Mircea C\u0103rt\u0103rescu,<\/a> translated from the Romanian by Sean Cotter (Romania; Archipelago Books)<\/p>\n Textile<\/em> by Orly Castel-Bloom,<\/a> translated from the Hebrew by Dalya Bilu (Israel; Feminist Press)<\/p>\n Sleet<\/em> by Stig Dagerman,<\/a> translated from the Swedish by Steven Hartman (Sweden; David R. Godine)<\/p>\n The Story of a New Name<\/em> by Elena Ferrante,<\/a> translated from the Italian by Ann Goldstein (Italy; Europa Editions)<\/p>\n Tirza<\/em> by Arnon Grunberg,<\/a> translated from the Dutch by Sam Garrett (Netherlands; Open Letter Books)<\/p>\n Her Not All Her<\/em> by Elfriede Jelinek,<\/a> translated from the German by Damion Searls (Austria; Sylph Editions)<\/p>\n My Struggle: Book Two<\/em> by Karl Ove Knausgaard,<\/a> translated from the Norwegian by Don Bartlett (Norway; Archipelago Books)<\/p>\n Seiobo There Below<\/em> by L\u00e1szl\u00f3 Krasznahorkai,<\/a> translated from the Hungarian by Ottilie Mulzet (Hungary; New Directions) <\/p>\n Autobiography of a Corpse<\/em> by Sigizmund Krzhizhanovsky,<\/a> translated from the Russian by Joanne Turnbull (Ukraine; NYRB<\/span>)<\/p>\n The Missing Year of Juan Salvatierra<\/em> by Pedro Mairal,<\/a> translated from the Spanish by Nick Caistor (Argentina; New Vessel Press)<\/p>\n The Infatuations<\/em> by Javier Mar\u00edas,<\/a> translated from the Spanish by Margaret Jull Costa (Spain; Knopf)<\/p>\n A True Novel<\/em> by Minae Mizumura,<\/a> translated from the Japanese by Juliet Winters (Japan; Other Press)<\/p>\n In the Night of Time<\/em> by Antonio Mu\u00f1oz Molina,<\/a> translated from the Spanish by Edith Grossman (Spain; Houghton Mifflin Harcourt)<\/p>\n The African Shore<\/em> by Rodrigo Rey Rosa,<\/a> translated from the Spanish by Jeffrey Gray (Guatemala; Yale University Press)<\/p>\n Through the Night<\/em> by Stig S\u00e6terbakken,<\/a> translated from the Norwegian by Se\u00e1n Kinsella (Norway; Dalkey Archive)<\/p>\n Commentary<\/em> by Marcelle Sauvageot,<\/a> translated from the French by Christine Schwartz Hartley & Anna Moschovakis (France; Ugly Duckling Presse)<\/p>\n Leg Over Leg Vol. 1<\/em> by Ahmad Faris al-Shidyaq,<\/a> translated from the Arabic by Humphrey Davies (Lebanon; New York University Press)<\/p>\n The Whispering Muse<\/em> by Sj\u00f3n,<\/a> translated from the Icelandic by Victoria Cribb (Iceland; FSG<\/span>)<\/p>\n The Forbidden Kingdom<\/em> by Jan Jacob Slauerhoff,<\/a> translated from the Dutch by Paul Vincent (Netherlands; Pushkin Press)<\/p>\n The Devil’s Workshop<\/em> by J\u00e1chym Topol,<\/a> translated from the Czech by Alex Zucker (Czech Republic; Portobello Books)<\/p>\n The End of Love<\/em> by Marcos Giralt Torrente,<\/a> translated from the Spanish by Katherine Silver (Spain; McSweeney’s)<\/p>\n Red Grass<\/em> by Boris Vian,<\/a> translated from the French by Paul Knobloch (France; Tam Tam Books)<\/p>\n\n
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