{"id":297426,"date":"2014-04-07T18:50:43","date_gmt":"2014-04-07T18:50:43","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2014\/04\/07\/sandalwood-death-by-mo-yan-trans-by-howard-goldblatt-why-this-book-should-win-the-btba\/"},"modified":"2018-05-04T15:12:34","modified_gmt":"2018-05-04T15:12:34","slug":"sandalwood-death-by-mo-yan-trans-by-howard-goldblatt-why-this-book-should-win-the-btba","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2014\/04\/07\/sandalwood-death-by-mo-yan-trans-by-howard-goldblatt-why-this-book-should-win-the-btba\/","title":{"rendered":"&#8220;Sandalwood Death&#8221; by Mo Yan, Trans. by Howard Goldblatt [Why This Book Should Win the BTBA]"},"content":{"rendered":"<p><em>Today\u2019s entry in the \u201c<a href=\"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/tag\/why-this-book-should-win\/\">Why This Book Should Win<\/a>\u201d series is from Jonathan Stalling, an Associate Professor of English at Oklahoma University specializing in Modern-Contemporary American and East-West Poetics, Comparative Literature, and Translation Studies. He is also the co-founder and deputy editor-in-chief of <a href=\"http:\/\/www.ou.edu\/clt\"><em>Chinese Literature Today<\/em><\/a> magazine and book series.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Howard Goldblatt\u2019s translation of <em>Sandalwood Death<\/em> by Mo Yan is nothing short of astonishing. With over three dozen volumes of Chinese fiction in translation to his credit, Howard Goldblatt is widely considered one of the most prolific and influential translators of our time. Authors he has translated include a wide range of twentieth-century novelists and major figures of the post-Mao era. In 1999, his translation of <em>Notes of a Desolate Man<\/em> (with Sylvia Lin) by Chu Tien-wen was selected as Translation of the Year by the American Literary Translators Association. Three of his recent translations\u2014<i>Wolf Totem<\/i> (Jiang Rong), <em>The Boat to Redemption<\/em> (Su Tong), and <em>Three Sisters<\/em> (Bi Feiyu, also with Sylvia Lin)\u2014have won the Man Asian Literary Prize. He has received two translation grants from the National Endowment for the Arts and, in 2009, a Guggenheim Fellowship. He is the only English-language translator of Mo Yan, who won the 2012 Nobel Prize in Literature. Yet <em>Sandalwood Death<\/em> marks a new level of accomplishment for Goldblatt because of its complex aural formalism and this is why it deserves to win this prize. <em>Sandalwood Death<\/em> was written in the form of an opera and has long been considered one of Mo Yan\u2019s most ambitious work\u2014the famously speedy and prolific writer took over five years to complete the book. Set in turn-of-the-century China at the dawn of the boxer Rebellion, Sandalwood Death explores the violent intersection of unstoppable global forces on the scale of vulnerable, individual lives. The novel\u2014part thriller, part love story\u2014weaves together several strands of a single family: Sun Meiniang is the daughter of Sun bing, a well-known folk opera star and a leader of the boxer Rebellion in Gaomi County in Shandong, Mo Yan\u2019s ancestral home. Sun Meiniang\u2019s father-in-law, Zhao Jia, is the Empire\u2019s most accomplished state executioner, a master of the killing arts (he claims to have cut off more than 1,000 heads) who is called to perform a ritualized execution of Sun bing so viscerally precise and grisly it must be read to be believed. As an allegory of the dismemberment of the Qing Dynasty body politic itself, Mo Yan\u2019s tour-de-force exploration of the public spectacle of executions is carried out on the most intimate level, deeply affecting characters that readers can both identify with and feel a great deal for.<\/p>\n<p>While reviews of <em>Sandalwood Death<\/em> have marveled at the novel\u2019s powerful narrative, few have explored how Mo Yan\u2019s novel skillfully assumes the form of a Shandong folk opera. Most chapters open with formal arias with metered and rhymed language which Goldblatt translates faithfully capturing both the aural and semantic sinews that anchor each chapter into the operatic whole. In the chapter \u201cDivine Altar,\u201d the narrator\u2019s voice weaves in and out of the protagonist\u2019s plaintive and wrathful singing. In this climatic chapter, we find Sun bing, a famous Cat Opera performer, in shock after having witnessed the gruesome murder of his wife and most of his children at the hands of German soldiers. Climbing down from a tree on the far side of a river, he takes up a club and plunges into a fierce opera virtuoso rendered masterfully by translator Howard Goldblatt, who follows the original Chinese operatic form with such care that the chapter could be performed out loud. Just as in the Chinese original, Mo Yan\u2019s narration continues in the standard font while Sun bing\u2019s fierce Sprechgesang (a form of intonation between speaking and singing) is rendered in italics: \u201cHe struck out with his club, pointing east and striking west, pointing south and hitting north, shattering bark. Willows wept. You German devils! You, you, you cruelly murdered my wife and butchered my children~~this is a blood debt that will be avenged\u2014bong bong bong bong bong\u2014Clang cuh-lang clang Only revenge makes me a man. \u5fb7\u56fd\u9b3c\u5b50\u554a! \u4f60\u4f60\u4f60\u6740\u59bb\u706d\u5b50\/\u597d\u51f6\u6b8b~~\u8fd9\u8840\u6d77\u6df1\u4ec7\/\u4e00\u5b9a\u8981\u62a5\u2014\u2014\u54a3\u54a3\u54a3\u54a3\u54a3\u2014\u2014\u91cc\u683c\u5499\u683c\/\u91cc\u683c\u5499\u2014\u2014\u5499\u8981\u62a5\u2014\/\u975e\u513f\u7537.\u201d From the meaningless vocables (indicating folk opera instrumentation) to the rhythm and rhyme, the English carries the vitality of the original. In short, this is a stunning translation of a historic novel.<\/p>\n<p>Most translators of Chinese poetry shy away from the challenge of replicating such formal elements, but Goldblatt does so consistently through this 500 page novel which marks it as not only one of the great translations from the Chinese in recent times, but one of the great translations of our time.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today\u2019s entry in the \u201cWhy This Book Should Win\u201d series is from Jonathan Stalling, an Associate Professor of English at Oklahoma University specializing in Modern-Contemporary American and East-West Poetics, Comparative Literature, and Translation Studies. He is also the co-founder and deputy editor-in-chief of Chinese Literature Today magazine and book series. &nbsp; Howard Goldblatt\u2019s translation of [&hellip;]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67476],"tags":[35996,7456,8016,47476,29926,1646,49456,37876],"class_list":["post-297426","post","type-post","status-publish","format-standard","hentry","category-best-translated-book-awards","tag-btba","tag-chinese-literature","tag-howard-goldblatt","tag-jonathan-stalling","tag-mo-yan","tag-review","tag-sandalwood-death","tag-why-this-book-should-win"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/297426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=297426"}],"version-history":[{"count":2,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/297426\/revisions"}],"predecessor-version":[{"id":397272,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/297426\/revisions\/397272"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=297426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=297426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=297426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}