{"id":298946,"date":"2014-08-11T16:00:00","date_gmt":"2014-08-11T16:00:00","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2014\/08\/11\/buenos-aires-review-2\/"},"modified":"2018-04-16T14:09:37","modified_gmt":"2018-04-16T14:09:37","slug":"buenos-aires-review-2","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2014\/08\/11\/buenos-aires-review-2\/","title":{"rendered":"Buenos Aires Review #2"},"content":{"rendered":"

The new issue of the Buenos Aires Review<\/em><\/a> is now online, and features the following:<\/p>\n

\n

BAR<\/span>#2 features new fiction by Liliana Colanzi<\/a> (Bolivia) and Thibault de Montaigu<\/a> (France), as well as poetry by PEN<\/span>\/Joyce Osterweil Award-winning Ishion Hutchinson<\/a> (Jamaica). Reviews and essays by Sam Rutter,<\/a> Ernesto Hern\u00e1ndez Busto<\/a> and Stanley Bill<\/a> and a walk through the Biblioth\u00e8que nationale de France with Victoria Liendo.<\/a><\/p>\n<\/blockquote>\n

The piece from this that jumped out at me is Samuel Rutter’s The Internet as Novel,<\/a> which is about Open Letter author Carlos Labbe’s latest novel, Piezas secretas contra el mundo<\/em>.<\/p>\n

\n

A recent interview in El Pa\u00eds identified Carlos Labb\u00e9 (Santiago de Chile, 1977) as a writer at the forefront of a generation returning to the complex relationship between avant-garde literature and political engagement. In keeping with this characterization, Labb\u00e9\u2019s latest novel, Piezas secretas contra el mundo, published in March by Editorial Perif\u00e9rica is an ambitious declaration of principles for a new understanding of the novel in the twenty-first century.<\/p>\n<\/blockquote>\n

\n

Those familiar with Labb\u00e9\u2019s growing and challenging body of work, beginning with the hypertext novel Pentagonal<\/em>, will recognise in this latest novel some of the tropes the author continues to address. There is a particularly textual nature to the worlds Labb\u00e9 creates, where the acts of reading and writing form an essential part of the fabric of reality in which his protagonists exist. The increasingly political edge to the author\u2019s prose manifests itself in this novel through its ecological themes, which have come to include the status of indigenous cultures in Chile. Labb\u00e9\u2019s prose, full of surprisingly juxtaposed registers and genres, matches its form to its content and embroils the reader in the fusion of these competing elements in order to construct a meaningful, overarching narrative.<\/p>\n<\/blockquote>\n

\n

Presented in the form of a \u201cchoose your own adventure\u201d novel, it is the reader and not the author who actively constructs the narrative of Piezas secretas.<\/em> There are obvious affinities here with Cort\u00e1zar\u2019s Rayuela<\/em>, which celebrates its fiftieth anniversary this year, but while Cort\u00e1zar gave the reader a roadmap and left the ludic structure of his novel outside the narrative, Labb\u00e9\u2019s work begins with a gnomic prologue that immediately involves the reader and layers the metafictional instructions inside the story, often providing the reader with several options for movement within its pages. As such, the experience of reading Piezas secretas<\/em> is disruptive and alluring at the same time \u2013 as the reader constantly moves back and forth through the pages, it is impossible to know exactly how deep into the narrative one is at any given point. Considering the mechanics of Labb\u00e9\u2019s prose is like pulling the case off a desktop computer and watching it tick\u2014there is a constant hum of activity, with bulbs blinking in the darkness and a mass of plugs and wires leading in all directions, and just like the virtual memory of a computer, Labb\u00e9 manages to give his narrative more scope than appears possible in a conventional 220 page novel.<\/p>\n<\/blockquote>\n

Yes. Yes and more yes. <\/p>\n

For those who can’t read Spanish, you should check out Labbe’s Navidad & Matanza<\/em><\/a> And we’ll be bringing out another of his novels, Loquela<\/em>, next fall. <\/p>\n","protected":false},"excerpt":{"rendered":"

The new issue of the Buenos Aires Review is now online, and features the following: BAR#2 features new fiction by Liliana Colanzi (Bolivia) and Thibault de Montaigu (France), as well as poetry by PEN\/Joyce Osterweil Award-winning Ishion Hutchinson (Jamaica). Reviews and essays by Sam Rutter, Ernesto Hern\u00e1ndez Busto and Stanley Bill and a walk through […]<\/p>\n","protected":false},"author":292,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67456],"tags":[51456,35586,1646],"class_list":["post-298946","post","type-post","status-publish","format-standard","hentry","category-book-review","tag-buenos-aires-review","tag-carlos-labbe","tag-review"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/298946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/292"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=298946"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/298946\/revisions"}],"predecessor-version":[{"id":309726,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/298946\/revisions\/309726"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=298946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=298946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=298946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}