{"id":299676,"date":"2014-10-10T09:51:16","date_gmt":"2014-10-10T09:51:16","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2014\/10\/10\/part-two-of-btba-judge-jeremy-garbers-faves-for-2015\/"},"modified":"2018-04-16T14:39:24","modified_gmt":"2018-04-16T14:39:24","slug":"part-two-of-btba-judge-jeremy-garbers-faves-for-2015","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2014\/10\/10\/part-two-of-btba-judge-jeremy-garbers-faves-for-2015\/","title":{"rendered":"Part Two of BTBA Judge Jeremy Garber's Faves for 2015"},"content":{"rendered":"

Jeremy Garber is the events coordinator for Powell\u2019s Books<\/a> and also a freelance reviewer.<\/em><\/p>\n

Valeria Luiselli ~ Faces in the Crowd<\/i><\/a><\/p>\n

<\/p>\n

As sinuous and singular a novel as Valeria Luiselli’s Faces in the Crowd<\/i> (los ingr\u00e1vidos) is (translated from the Spanish by Christina MacSweeney), it is all the more remarkable on account of it being a debut \u2013 and a most assured one at that. The Mexican novelist and essayist’s first fiction entwines multiple narratives and perspectives, shifting between them with the ease and gracefulness of a writer far beyond her years (Faces in the Crowd<\/i> was published when Luiselli was 28).<\/p>\n

The metafictional scaffolding of Faces in the Crowd<\/i> is seamlessly constructed and its bibliocentric fa\u00e7ade entrenches it within a rich tradition of referential Latin American literature. Mexican poet Gilberto Owen figures prominently into the multi-threaded plot that concerns a literary translator-cum-novelist. Owen himself narrates a great deal of Luiselli’s story, encountering along the way the likes of Ezra Pound, Garc\u00eda Lorca, William Carlos Williams, Nella Larsen, and Duke Ellington. Though separated by more than a half-century, the characters’ lives appear to embrace as Luiselli plays with notions of temporal fidelity.<\/p>\n

Faces in the Crowd<\/i>, beyond its gorgeous writing and superb composition, is modest yet striking, measured yet salient. Luiselli is quite clearly a gifted writer and with the concurrent publication of her essay collection, Sidewalks, she ought to be garnering some much-deserved attention. Given the evident range of her myriad literary talents, it will be most interesting to see what comes next.<\/p>\n

*Earlier last week, the National Book Foundation named Luiselli one of 2014’s 5 Under 35<\/a> (as selected by Karen Tei Yamashita).<\/p>\n

**The Story of My Teeth<\/i>, Luiselli’s second novel will be published by Granta<\/a> in 2015.<\/p>\n

Bohumil Hrabal ~ Harlequin\u2019s Millions<\/i><\/a> <\/p>\n

<\/p>\n

Set in a “little town where time stood still,” Bohumil Hrabal’s Harlequin’s Millions<\/em> (translated from the Czech by Stacey Knecht) is an elegantly written work of reminiscence and remembrance. Full of exquisite, expressive prose, the late Czech writer’s novel features an aged female protagonist\/narrator reflecting on years past and moments elapsed. Hrabal’s rhythmic sentences and chapter-length paragraphs reveal the nameless lead’s life story (personally, politically, and professionally) \u2013 as well as those of her husband, Francin, and his older brother, Pepin. Their dalliances as residents in a local castle-cum-retirement home alternate between the wistful and the jubilant.<\/p>\n

While touched by moments of melancholy, Hrabal’s tale tends more towards the nostalgic than the languid or rueful. As the titular song “Harlequin’s Millions” plays unendingly throughout the castle grounds, melodic memories of the novel’s richly drawn characters unfurl as well. Harlequin’s Millions is an evocative tale of aging that effortlessly mingles the bitter and the sweet.<\/p>\n

Milena Michiko Fla\u0161ar ~ I Called Him Necktie<\/i><\/a><\/p>\n

<\/p>\n

A rhythmic, melodically paced novel of sorrow and rumination, I Called Him Necktie<\/em> (translated from the German by Sheila Dickie) is an unassuming literary gem. Written by Milena Michiko Fla\u0161ar, a young Japanese\/Austrian novelist, the story features two main characters (Taguchi, a 20-something hikikomori, and Ohara, a late middle-aged former businessman) each suffering from a self-imposed alienation and existential denial. As they slowly become acquainted with one another, these two vividly composed protagonists begin to open up and reveal all they’ve been unable to share with those closest to them. Taguchi and Ohara recount their respective hardships, disappointments, and losses, finding both solace and wisdom in each other’s perspective.<\/p>\n

Fla\u0161ar’s doleful tale explores the interconnectedness of lives and the reliance we have on others in times of need. The sentiment expressed in I Called Him Necktie<\/em> is genuine and tenderly portrayed. Never maudlin, even for an instant, Fla\u0161ar’s empathetic, compassionate story hums with sincerity and grace. The first of Fla\u0161ar’s works to appear in English translation, I Called Him Necktie<\/em> is an unforgettable novel that effortlessly plumbs the depths of human emotion \u2013 exposing a rich vein of mercy amidst the pervading malaise.<\/p>\n","protected":false},"excerpt":{"rendered":"

Jeremy Garber is the events coordinator for Powell\u2019s Books and also a freelance reviewer. Valeria Luiselli ~ Faces in the Crowd As sinuous and singular a novel as Valeria Luiselli’s Faces in the Crowd (los ingr\u00e1vidos) is (translated from the Spanish by Christina MacSweeney), it is all the more remarkable on account of it being […]<\/p>\n","protected":false},"author":186,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67476],"tags":[17326,52046,56766,56286,56256,58246,38636,57816,1646,57826,58236,56276],"class_list":["post-299676","post","type-post","status-publish","format-standard","hentry","category-best-translated-book-awards","tag-bohumil-hrabal","tag-btba-2014","tag-christina-macsweeney","tag-faces-in-the-crowd","tag-harlequins-millions","tag-i-called-him-a-necktie","tag-jeremy-garber","tag-milena-michiko-flasar","tag-review","tag-sheila-dickie","tag-stacey-knecht","tag-valeria-luiselli"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/299676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/186"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=299676"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/299676\/revisions"}],"predecessor-version":[{"id":317136,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/299676\/revisions\/317136"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=299676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=299676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=299676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}