{"id":301826,"date":"2015-07-20T14:00:00","date_gmt":"2015-07-20T14:00:00","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2015\/07\/20\/latest-review-pavane-for-a-dead-princess-by-park-min-gyu\/"},"modified":"2018-04-16T14:09:34","modified_gmt":"2018-04-16T14:09:34","slug":"latest-review-pavane-for-a-dead-princess-by-park-min-gyu","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2015\/07\/20\/latest-review-pavane-for-a-dead-princess-by-park-min-gyu\/","title":{"rendered":"Latest Review: "Pavane for a Dead Princess" by Park Min-Gyu"},"content":{"rendered":"

The latest addition<\/a> to our Reviews<\/a> section is by Christopher Iacono on Pavane for a Dead Princess<\/em> by Park Min-Gyu, translated by Amber Hyun Jung Kim, and published by Dalkey Archive Press.<\/p>\n

Here’s the beginning of Chris’s review:<\/p>\n

\n

In 1899, Maurice Ravel wrote \u201cPavane pour une infante d\u00e9funte\u201d (\u201cPavane for a Dead Princess\u201d) for solo piano (a decade later, he published an orchestral version). The piece wasn\u2019t written for a particular person; Ravel simply wanted to compose a pavane (a slow procession) that a princess would have danced to in the sixteenth and seventeenth centuries. Even though it\u2019s an elegant piece of music, Ravel has claimed that the title is meaningless: According to a story that appeared in the Rocky Mountain News<\/em> in 1970, he told someone, \u201cI simply liked the sound of those words and I put them there, c’est tout<\/em>.” <\/p>\n<\/blockquote>\n

\n

Korean novelist Park Min-Gyu was obviously inspired by Ravel\u2019s work, but he\u2019s not offering a strict interpretation of it. Unlike the French composer, Park writes about a time he lived in (the mid-1980s), a time when people in his country were beginning to get wealthier (thanks to the housing boom and the stock market), but didn\u2019t know what to do with their new wealth. It was also a time when women, regardless of whether they were beautiful or ugly, were exploited for business purposes. In fact, his novel looks at society\u2019s obsession with beauty by pairing a good-looking narrator with a love interest\u2014the \u201cprincess\u201d in this story\u2014who is \u201cextraordinarily ugly.\u201d The result is a haunting (albeit flawed) love story, as well as a commentary about our obsession with money and beauty. <\/p>\n<\/blockquote>\n

For the rest of the review, go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

The latest addition to our Reviews section is by Christopher Iacono on Pavane for a Dead Princess by Park Min-Gyu, translated by Amber Hyun Jung Kim, and published by Dalkey Archive Press. Here’s the beginning of Chris’s review: In 1899, Maurice Ravel wrote \u201cPavane pour une infante d\u00e9funte\u201d (\u201cPavane for a Dead Princess\u201d) for solo […]<\/p>\n","protected":false},"author":166,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67456],"tags":[61816,54156,17496,1196,61806,61796,1646],"class_list":["post-301826","post","type-post","status-publish","format-standard","hentry","category-book-review","tag-amber-hyun-jung-kim","tag-christopher-iacono","tag-dalkey-archive-press","tag-korean-literature","tag-park-min-gyu","tag-pavane-for-a-dead-princess","tag-review"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/301826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/166"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=301826"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/301826\/revisions"}],"predecessor-version":[{"id":309316,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/301826\/revisions\/309316"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=301826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=301826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=301826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}