{"id":303746,"date":"2016-03-25T19:35:00","date_gmt":"2016-03-25T19:35:00","guid":{"rendered":"http:\/\/www.wdev.rochester.edu\/College\/translation\/threepercent-dev\/2016\/03\/25\/nowhere-to-be-found\/"},"modified":"2018-04-16T14:57:25","modified_gmt":"2018-04-16T14:57:25","slug":"nowhere-to-be-found","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/2016\/03\/25\/nowhere-to-be-found\/","title":{"rendered":"Nowhere to Be Found"},"content":{"rendered":"

It\u2019s been almost a year since the publication of Nowhere to Be Found<\/em> by Bae Suah, but despite being included on the 2015 PEN<\/span> Translation award longlist, and some pretty vocal support from key indie presses, the book has been widely overlooked. I\u2019ve found this to be largely because Nowhere to Be Found<\/em> is published by AmazonCrossing. <\/p>\n

If you\u2019ve overlooked Bae Suah out of some desire to punish Amazon, or because of a general indifference to the AmazonCrossing imprint, you\u2019re only doing yourself a disservice. With three upcoming books translated into English\u2014_A Greater Music_, The Owls\u2019 Absence<\/em>, and _Recitation_\u2014Bae Suah will continue to establish herself as one of the hottest voices coming out of South Korea. list: Books from Korea named her as \u201cone of the most risk-taking, experimental writers active in Korea\u201d\u2014and with the fiction that is coming out of South Korea right now (see: Han Kang and others), that is high praise.<\/p>\n

Nowhere to Be Found<\/em> follows a nameless narrator\u2019s search not for meaning, but for meaninglessness, in contemporary South Korea. Bae Suah\u2019s young narrator describes her empty existence as she travels through life, barely moved by the disintegrated state of her family and her own poverty and loneliness. Translator Sora Kim-Russell describes it as \u201ca road novel turned inside out, a story of a woman\u2019s journey out of and into desire told as only Bae Suah could tell it.\u201d Blurred descriptions of a life full of trivial banalities are thrown against dark, sadomasochistic sex scenes:<\/p>\n

\n

Rain falls inside the dark, abandoned house. It streams down the walls of the kitchen and front door like a waterfall. Burn me. Pour gasoline over me and set my body on fire. Burn me at the stake like a witch. Wrap me in garbage bags and toss me in the incinerator. I\u2019ll turn into dioxin and make my way into your lungs. Stroke my face lightly with a razor blade and suck the blood that comes seeping out. Lap it up like a cat. I want to be covered in blood. I\u2019ll cry out in the end and weep for fear of leaving this world without ever once discovering the me inside me, the ugly something inside me. But then I see her: another me passing by like a landscape of inanimate objects outside the window of the empty house quietly collapsing in the rain.<\/p>\n<\/blockquote>\n

The abrupt shifts are disorienting and unsettling, something Suah is known for. She breaks boundaries, constantly, between recollection and memory, facts and fiction. The writing itself, brilliantly translated by Kim-Russell, is reminiscent of Sebald (who Suah translates into Korean) but the style remains her own: sharp, gorgeous, and tight.<\/p>\n","protected":false},"excerpt":{"rendered":"

It\u2019s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has been widely overlooked. I\u2019ve found this to be largely because Nowhere to Be Found is published […]<\/p>\n","protected":false},"author":166,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67486],"tags":[],"class_list":["post-303746","post","type-post","status-publish","format-standard","hentry","category-articles"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/303746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/users\/166"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/comments?post=303746"}],"version-history":[{"count":1,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/303746\/revisions"}],"predecessor-version":[{"id":333266,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/posts\/303746\/revisions\/333266"}],"wp:attachment":[{"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/media?parent=303746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/categories?post=303746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rochester.edu\/College\/translation\/threepercent\/wp-json\/wp\/v2\/tags?post=303746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}