{"id":187782,"date":"2016-10-07T16:01:23","date_gmt":"2016-10-07T20:01:23","guid":{"rendered":"http:\/\/www.rochester.edu\/newscenter\/?p=187782"},"modified":"2016-11-30T14:25:58","modified_gmt":"2016-11-30T19:25:58","slug":"character-studies-students-take-the-stage-in-red-ryder","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/newscenter\/character-studies-students-take-the-stage-in-red-ryder\/","title":{"rendered":"Character studies: Students take the stage in Red Ryder<\/em>"},"content":{"rendered":"

The International Theatre Program at Todd Union\u00a0has launched its season-opening production, the psychological\u00a0thriller When You Comin\u2019 Back, Red Ryder?<\/em><\/p>\n

With a cast of University students, the story\u00a0unfolds in a \u201970s diner (think red vinyl, malt shakes, and big hair) staffed by a medley of characters, each a bit down on their luck. The curtains open on what appears will be just\u00a0another day in small-town America, until\u00a0strangers stumble\u00a0into the local diner.\u00a0Teddy, a Vietnam War vet, has a troubled past, a chip on his shoulder, and a\u00a0hippie girlfriend, Cheryl, who is along\u00a0for the ride. Stephen (Red) Ryder is a disenchanted short-order cook with big dreams. Throw in some bourgeois na\u00efvet\u00e9, a good-humored gas station attendant, fugitives on the run,\u00a0and\u00a0things\u00a0get interesting.<\/p>\n

Welcome to Foster\u2019s Diner, a little joint forgotten by all but a few sorry souls. It may not be much to look at but it sure has character. Well, characters. <\/em>Let’s meet a few of the Rochester students who bring those characters to life.<\/p>\n

Ian von Fange \u201917, as Steven (Red) Ryder<\/span><\/strong><\/p>\n

Ian von Fange plays the role of \u00a0Steven (Red) Ryder, the cook at Foster\u2019s and a character whose proclaimed wanderlust isn\u2019t convincing anyone. Steven is a closed-off guy who\u00a0has put up a lot of barriers between himself and the other characters. \u00a0If von Fange could give Steven one piece of advice it would be to accept help when it\u2019s offered. \u201cThere\u2019s no honor being lost,\u201d von Fange says. \u201cThere\u2019s no dignity being lost. To honestly say \u2018I need your help\u2019 and \u2018thank you for your help.\u2019\u201d<\/p>\n

Von Fange is a senior majoring in creative writing. He hopes to move to New York City after graduation to get a gig in publishing. He\u2019s been acting for almost 12\u00a0years, and has acted professionally\u00a0at theaters in his hometown of Kansas City, Missouri. This is his eighth production at the University.<\/p>\n

The most significant difference between Todd productions and some of his high school\u2019s productions, he says, is the level of professionalism and the quality of the production. Most of the directors are hired from professional off-Broadway and\u00a0international theater companies. Von Fange says they expose students to a high standard of performance as well as an intensive work schedule. How intense? About four\u00a0nights a week, from 7 to 11\u00a0p.m,\u00a0and on the weekends\u00a0are 9 hour days. For those of you doing the math that\u2019s 34 hours a week.<\/p>\n

Von Fange spends his free time writing poetry and maintaining a\u00a0blog. He is also a drummer and has performed with several local bands around Rochester.<\/p>\n

Theodore (Teddy) Rycroft \u201918, as Teddy<\/span><\/strong><\/p>\n

Teddy Rycroft shares his character\u2019s first name but not much else. The character Teddy, like Red, is also a war veteran recently returned from Vietnam. \u00a0Teddy, though,\u00a0suffers from post-traumatic stress disorder. He is a violent and manipulative man who\u00a0seems to take pleasure in disrupting the lives of the others. \u201cI like to think I\u2019m not any of those things,\u201d Rycroft says in good humor. He says that because their dispositions are so different it can be challenging to play a character that cruel. However, it\u2019s also a multifaceted role because the\u00a0character uncovers ugly truths others don\u2019t want to\u2014but need to\u2014hear. When asked what advice he would give to the other\u00a0“Teddy,” Rycroft says he\u2019d probably give him a hug.<\/p>\n

Rycroft\u2019s first Todd production was last fall\u2019s Under Milkwood<\/em> where he played multiple characters. He says it\u2019s a new challenge to now play only one character because there are \u201ca whole myriad of intentions that happen moment to moment.\u201d At the same time, he says, it\u2019s more rewarding because he is able focus on a single person\u2019s development. He says the\u00a0heavy rehearsal schedule\u00a0is “a lot, but I knew that going into it.\u201d His mantra\u00a0on time management is\u00a0“discipline is the key to freedom,” and he suggests that stressed students acknowledge a tier of priorities: food, sleep, and exercise.<\/p>\n

Rycroft is a junior majoring in linguistics. He\u2019s from Washington, D.C., and has been acting on-and-off since middle school. In addition to the Todd productions, Rycroft is deeply\u00a0invested in songwriting and music production, which he does at studios off campus. His goal is to make a livable income solely from his music production within\u00a0five years of graduation.<\/p>\n

Andria Rabenold \u201918, as Cheryl<\/span><\/strong><\/p>\n

Andria Rabenold plays Cheryl, Teddy\u2019s girlfriend. Cheryl spends most of the play\u00a0seated at a diner booth, observing while the action unfolds around her. Sound easy? Not so much, Rabenold says. Although Cheryl is not doing<\/em> she is constantly reacting<\/em>, and that\u00a0demands vigilant concentration from Rabenold. \u201cIt\u2019s a challenge to stay present and focused throughout the entire thing and to be 100\u00a0percent in the moment even when I\u2019m not directly involved,\u201d she says.<\/p>\n

Additionally, Rabenold expresses her frustration with her character\u2019s meek and quiet disposition. This presents its own internal struggle as Rabenold, who considers herself a very bold and outspoken individual, must allow her character to get pushed around on stage. \u201cShe never gets a chance to really stand up for herself,\u201d Rabenold says. Her advice to Cheryl is that \u201cindependence is really valuable, and you can\u2019t rely on other people for happiness and stability your whole life.\u201d<\/p>\n

Off stage, Rabenold channels her outgoing personality into many campus pursuits. This year she is a senator in SA government, chair of the academic affairs committee, and member of Kappa Alpha Theta. She also performs in a ballet group, and is involved in Toop, the student-run theater performance group. With all those\u00a0activities it\u2019s a wonder she makes it to rehearsal. \u201cThe key is that I keep everything in Google calendar,\u201d she says. Her calendar is\u00a0color-coded and when she\u2019s really busy she blocks out times specifically to study and eat.<\/p>\n

Rabenold is a junior\u00a0majoring in math and political science. She\u2019s from Saratoga Springs, New York,\u00a0and has been acting for nearly 10 years. In high school, she performed mostly in musical theater and didn\u2019t get involved in plays until college. She says that although her love for musicals is still strong, she has come to prefer plays because they\u2019re more human and understated. This is her fourth performance at Todd Union.<\/p>\n

Jacqueline Tran \u201917, as Clark<\/span><\/strong><\/p>\n

Jacqueline Tran is making her theatrical debut as the strict and overbearing diner owner known as Clark. Tran is tasked with creating a fictional backstory for her character, as very little information is provided by the script or the playwright. Although Red Ryder<\/em>\u00a0is Tran\u2019s very first play, she has been taking acting lessons for three years. When asked why she finds acting so rewarding Tran says, \u201cIt makes you become aware of the nuances in human nature we would easily pass by.\u201d<\/p>\n

Tran is senior\u00a0majoring in anthropology and is from Brooklyn, New York. When she\u2019s not rehearsing, Tran takes violin lessons at the Eastman School of Music and is involved with College Feminists. She also plans to join SATSANG, a meditation club, once Red Ryder<\/em> has finished. She finds time by keeping a flexible schedule and doing school work whenever there\u2019s a spare moment.<\/p>\n

When You Comin\u2019 Back Red Ryder?<\/em>\u00a0won an Obie Award for Distinguished Play in 1974.<\/p>\n

With its debut on October 6, the production of When you Comin\u2019 Back, Red Ryder?<\/em>\u00a0runs from\u00a0Wednesday, October 12 to Saturday, October 15, at 7 p.m. All performances take place in Todd Theater on the River Campus. Tickets are $8 for University of Rochester students, $12 for alumni, faculty, staff, and for seniors (65+), and $15 for the general public. The series is recommended for adult audiences only.<\/p>\n

Tickets may be purchased online at www.rochester.edu\/theatre<\/a><\/strong>, or by calling the box office at (585) 275-4088.\u00a0 Tickets may also be purchased up to an hour before each performance at the box office.<\/p>\n","protected":false},"excerpt":{"rendered":"

Welcome to Foster\u2019s Diner, a little joint forgotten by all but a few sorry souls. It may not be much too look at but it sure has… character. 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