{"id":341582,"date":"2018-10-08T13:53:26","date_gmt":"2018-10-08T17:53:26","guid":{"rendered":"http:\/\/www.rochester.edu\/newscenter\/?p=341582"},"modified":"2021-04-02T15:47:17","modified_gmt":"2021-04-02T19:47:17","slug":"rochester-premieres-recovered-landmark-opera-341582","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/newscenter\/rochester-premieres-recovered-landmark-opera-341582\/","title":{"rendered":"Rochester premieres recovered landmark opera"},"content":{"rendered":"<p>When audiences spill out of Broadway theaters, singing snatches of songs from <em>Hamilton\u00a0<\/em>and other popular shows, they\u2019re hearkening back to the 18th century. The 1762 English comic opera <em>Love in a Village\u00a0<\/em>introduced theater-goers to many conventions of modern musicals.<\/p>\n<p>\u201cIt was a major step toward what we think of as musical theater: songs in an accessible language, some of which can be sung apart from the production by untrained singers, and a show that partakes of a vernacular musical tradition,\u201d says Katherine Mannheimer, an associate professor of English who specializes in 18th-century British literature.<\/p>\n<div class=\"side-right\">\n<h3><strong><em>Love in a Village<\/em><\/strong><\/h3>\n<p>Friday, October 12, 7 p.m.<br \/>\nStrong Auditorium<br \/>\nOpen to the public<br \/>\n<a href=\"http:\/\/www.neasecs2018.org\/volunteer-2\">Tickets available online<\/a> and at the door.<\/p>\n<\/div>\n<p>Wildly popular from the time of its premiere,\u00a0<em>Love in a Village\u00a0<\/em>is a comedy of manners, telling the story of Rosetta and Thomas, who fall in love when\u2014both fleeing marriages planned by their fathers\u2014they disguise themselves as servants. It was performed in cities around the globe until the mid-19th century, when audiences\u2019 taste for the genre waned and <em>Love in a Village\u00a0<\/em>fell off the cultural map. But the opera will be revived on October 12 in Rochester, for a historic first performance since the 18th century of the full production with its original score.<\/p>\n<p>\u201cIt will be completely new for every single audience member\u2014and as old as the hills,\u201d says director Todd Gilman.<\/p>\n<p>A collaboration between Irish playwright Isaac Bickerstaff and composer Thomas Arne\u2014the most renowned English-born composer of the 18th century and the man who wrote the rousing melody for \u201cRule, Britannia,\u201d though his name is rarely connected with it now\u2014<em>Love in a Village\u00a0<\/em>was second only to John Gay\u2019s <em>Beggar\u2019s Opera\u00a0<\/em>as the most performed \u201cmainpiece\u201d on the London stage.<\/p>\n<p>Comic opera was a kind of retort to high-culture operas, which were lavishly mounted, vocally athletic, expensive to attend, and devoted to stories of mythic heroes and royalty. \u201cComic opera, in contrast, was about everyday people in everyday situations,\u201d says Mannheimer, and it mirrored themes that middle-class readers were exploring in novels, a genre that was emerging in the same period.<\/p>\n<p>Like so many more familiar musicals, <em>Love in a Village<\/em> is a \u201ccomedy play, a happy ending, and every two minutes or so, there\u2019s a song,\u201d says Gilman. \u201cForty-two songs, from ballads to fully composed opera arias.\u201d It was\u00a0England\u2019s first pastiche opera, melding music of different genres into one production.\u00a0&#8220;Almost half the songs were adapted from earlier works by Arne for the fashionable pleasure gardens of Vauxhall and Ranelagh,\u201d Gilman says. Arne wrote five original songs and included works by Italian composers and others. It was rumored at the time that King George III himself had contributed a song\u2014if he did, it\u2019s still unknown which song it is.<\/p>\n<div class=\"side-right\">\n<h3><strong><em>October is National Arts and Humanities Month<\/em><\/strong><\/h3>\n<p>Celebrating creativity, cultural inquiry, and the contributions of the arts and humanities to life in the United States throughout its history.<\/p>\n<p>The <a href=\"https:\/\/www.sas.rochester.edu\/mur\/\">Department of Music<\/a>, the <a href=\"https:\/\/www.esm.rochester.edu\/\">Eastman School of Music<\/a>, the <a href=\"https:\/\/www.esm.rochester.edu\/community\/\">Eastman Community Music School<\/a>, the <a href=\"http:\/\/www.sas.rochester.edu\/humanities\/\">Humanities Center<\/a>, the <a href=\"http:\/\/www.sas.rochester.edu\/PerformingArts\/\">Institute for the Performing Arts<\/a>, the <a href=\"https:\/\/www.rochester.edu\/popmusic\/\">Institute for Popular Music<\/a>, <a href=\"http:\/\/www.sas.rochester.edu\/theatre\/\">International Theatre Program<\/a>,\u00a0<a href=\"https:\/\/www.openletterbooks.org\/\">Open Letter Books<\/a>, the <a href=\"http:\/\/mag.rochester.edu\/\">Memorial Art Gallery<\/a>, and <a href=\"https:\/\/www.sageartcenter.com\/\">Sage Art Center\u00a0<\/a>are just some of the University\u2019s homes for humanistic exploration and arts education, exhibition, and performance.<\/p>\n<p>For information on some specific events this month, visit the University\u2019s <a href=\"https:\/\/events.rochester.edu\/calendar?event_types%5B%5D=97210\">arts and entertainment events\u00a0<\/a>calendar, the <a href=\"http:\/\/www.sas.rochester.edu\/humanities\/events\/index.html\">Humanities Center events\u00a0<\/a>calendar, and the <a href=\"http:\/\/www.rochester.edu\/Eastman\/calendar\/\">Eastman events\u00a0<\/a>calendar.<\/p>\n<\/div>\n<p>Now an English literature librarian at Yale and a leading authority on Arne, Gilman picked up the scent of the show in the 1990s, when he was a doctoral student at the University of Toronto, researching the development of English opera. Everywhere he looked, he saw references to Arne\u2019s importance, but Arne has been forever overshadowed by baroque musical giant George Frideric Handel, who spent much of his life in England and presided over its musical scene.<\/p>\n<p>When Handel died in 1759, Arne suddenly moved into the spotlight, commanding attention with the very popular comic-dramatic afterpiece <em>Thomas and Sally <\/em>(1760)<em>\u2014<\/em>also a collaboration with Bickerstaff<em>\u2014<\/em>and the opera <em>Artaxerxes\u00a0<\/em>(1762). When it opened later that year, <em>Love in a Village\u00a0<\/em>was the mainpiece performed onstage at Covent Garden<em>\u2014<\/em>with Drury Lane, playhouses for the middle classes rather than Italian opera<em>\u2014<\/em>for 40 nights, a record surpassed only by <em>The Beggar\u2019s Opera\u00a0<\/em>35 years before.<\/p>\n<p>Fires swept through London\u2019s theaters in the 19th century, and most musical theater scores from the period haven\u2019t survived. But composer Samuel Arnold, Arne\u2019s contemporary, kept the original manuscript of <em>Love in a Village\u00a0<\/em>in his personal library, and his collection eventually made its way to the Royal College of Music\u2019s library. Gilman stumbled across a reference to the manuscript\u2019s existence when he was doing dissertation research.<\/p>\n<p>\u201cIt\u2019s just not listed in the usual places,\u201d he says. \u201cIt\u2019s easy to miss.\u201d<\/p>\n<p>Gilman and friends quickly procured a copy, staging a stripped-down production in Toronto in 1993. Their student budget couldn\u2019t take full advantage of the score they now had. The 1763 keyboard and vocal score that was widely used in the opera\u2019s heyday gave no indication of the other instruments originally involved.<\/p>\n<p>\u201cIt\u2019s a very rich orchestral score,\u201d Gilman says, with parts for two French horns, two bassoons, two flutes, two oboes, and a full complement of strings. \u201cI decided that it would be my mission to get this right, if no one else did it.\u201d And to Gilman\u2019s amazement\u2014especially after the publication in New Zealand of a scholarly, edited edition of the full score in 2011\u2014no one ever did.<\/p>\n<p>The Rochester performance\u2014<a href=\"http:\/\/www.sas.rochester.edu\/humanities\/events\/humanities-projects.html\">one of this year\u2019s Humanities Projects<\/a>\u2014will be the first post-18th-century performance of the opera with its full score. \u201cWe\u2019re trying to make it as historically informed as possible,\u201d Mannheimer says. Stage sets will be painted flat surfaces, as they would have been in 18th-century productions; period instruments will provide the music; and between acts, the group Rochester Baroque Dancers will perform dances from the period.<\/p>\n<p>The production is offered in connection with the annual meeting (October 11 to 14) of the Northeast American Society for Eighteenth-Century Studies, a regional interdisciplinary association for the study of the history, literature, arts, and culture of the period. Panels and discussions at the conference, to be held on the Rochester campus, will augment the performance.<\/p>\n<p>In its day, <em>Love in a Village\u00a0<\/em>was performed more often than Shakespeare\u2019s tragedies and held the interest of audiences for longer than any of its comedy rivals from the period. \u201cOne of the things I\u2019m interested to see is to try to gain a better understanding of why that would have been, what about it would have made it such a runaway hit\u2014and to see whether those elements continue to appeal to us today or whether it\u2019s a window into a different set of tastes,\u201d says Mannheimer.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In its day, the comic opera <em>Love in a Village<\/em>\u00a0was performed more often than Shakespeare\u2019s tragedies. Now the Humanities Project brings it back, with the first performance since the 18th century of the full production with its original score. <\/p>\n","protected":false},"author":752,"featured_media":342612,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13092],"tags":[14,25132,14092],"class_list":["post-341582","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-arts","tag-events","tag-humanities-center","tag-humanities-project"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rochester premieres recovered landmark opera<\/title>\n<meta name=\"description\" content=\"Humanities Project brings back &quot;Love in a Village,&quot; with its first performance since the18th century of the full production and original score.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rochester.edu\/newscenter\/rochester-premieres-recovered-landmark-opera-341582\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rochester premieres recovered landmark opera\" \/>\n<meta property=\"og:description\" content=\"Humanities Project brings back &quot;Love in a Village,&quot; with its first performance since the18th century of the full production and original score.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rochester.edu\/newscenter\/rochester-premieres-recovered-landmark-opera-341582\/\" \/>\n<meta property=\"og:site_name\" content=\"News Center\" \/>\n<meta property=\"article:published_time\" content=\"2018-10-08T17:53:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-04-02T19:47:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.rochester.edu\/newscenter\/wp-content\/uploads\/2018\/10\/fea-scene-from-Love-in-a-Village.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Kathleen McGarvey\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Kathleen McGarvey\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/rochester-premieres-recovered-landmark-opera-341582\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/rochester-premieres-recovered-landmark-opera-341582\\\/\"},\"author\":{\"name\":\"Kathleen McGarvey\",\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/#\\\/schema\\\/person\\\/442b2a3bb25330f6067579b6ae13adbb\"},\"headline\":\"Rochester premieres recovered landmark opera\",\"datePublished\":\"2018-10-08T17:53:26+00:00\",\"dateModified\":\"2021-04-02T19:47:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/rochester-premieres-recovered-landmark-opera-341582\\\/\"},\"wordCount\":1171,\"image\":{\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/rochester-premieres-recovered-landmark-opera-341582\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/wp-content\\\/uploads\\\/2018\\\/10\\\/fea-scene-from-Love-in-a-Village.jpg\",\"keywords\":[\"events\",\"Humanities Center\",\"Humanities Project\"],\"articleSection\":[\"The Arts\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/rochester-premieres-recovered-landmark-opera-341582\\\/\",\"url\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/rochester-premieres-recovered-landmark-opera-341582\\\/\",\"name\":\"Rochester premieres recovered landmark opera\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/rochester-premieres-recovered-landmark-opera-341582\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/rochester-premieres-recovered-landmark-opera-341582\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/wp-content\\\/uploads\\\/2018\\\/10\\\/fea-scene-from-Love-in-a-Village.jpg\",\"datePublished\":\"2018-10-08T17:53:26+00:00\",\"dateModified\":\"2021-04-02T19:47:17+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/#\\\/schema\\\/person\\\/442b2a3bb25330f6067579b6ae13adbb\"},\"description\":\"Humanities Project brings back \\\"Love in a Village,\\\" with its first performance since the18th century of the full production and original score.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/rochester-premieres-recovered-landmark-opera-341582\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/rochester-premieres-recovered-landmark-opera-341582\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/rochester-premieres-recovered-landmark-opera-341582\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/wp-content\\\/uploads\\\/2018\\\/10\\\/fea-scene-from-Love-in-a-Village.jpg\",\"contentUrl\":\"https:\\\/\\\/www.rochester.edu\\\/newscenter\\\/wp-content\\\/uploads\\\/2018\\\/10\\\/fea-scene-from-Love-in-a-Village.jpg\",\"width\":1000,\"height\":600,\"caption\":\"A 1767 painting of a \\\"Scene from 'Love in a Village'\\\" by Johan Zoffany. 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