{"id":46132,"date":"2014-04-11T18:18:18","date_gmt":"2014-04-11T22:18:18","guid":{"rendered":"http:\/\/www.rochester.edu\/newscenter\/?p=46132"},"modified":"2017-05-17T17:16:39","modified_gmt":"2017-05-17T21:16:39","slug":"love-hurts-devotion-and-deviance-face-off-in-madame-de-sade","status":"publish","type":"post","link":"https:\/\/www.rochester.edu\/newscenter\/love-hurts-devotion-and-deviance-face-off-in-madame-de-sade\/","title":{"rendered":"Devotion, deviance face off in &#8216;Madame de Sade&#8217;"},"content":{"rendered":"<p>As a deeply reviled and controversial figure in history, the aristocrat and writer Marquis de Sade fascinated, repelled, and tested the limits of 18th century French decency. But was the man a myth or a monster? On Thursday, April 24, the University of Rochester&#8217;s International Theatre Program presents the rarely performed\u00a0<i>Madame de Sade<\/i>, a work that explores complex and deeply disquieting questions about the nature of suffering and belief.<\/p>\n<p>&#8220;What&#8217;s particularly fascinating about the play is that de Sade is seen exclusively through the eyes of women\u2014specifically his wife, mother-in-law, and sister-in-law,&#8221; remarks Nigel Maister, the production&#8217;s director and the Russell and Ruth Peck Artistic Director of the International Theatre Program. &#8220;The playwright dwells not on de Sade&#8217;s debauchery, but rather on his work&#8217;s philosophical ramifications.&#8221;<\/p>\n<p>Written by Yukio Mishima,\u00a0<i>Madame de Sade<\/i>\u00a0examines themes of sexuality, death, and political change that controversial actor writer and novelist embraced in both his personal life and body of work. As one of the most celebrated and prolific post-war Japanese writers, Mishima was nominated three times for the Nobel Prize in Literature. He died in 1970 at the age of 45 in a public ritual suicide after a failed attempt to inspire a coup d&#8217;\u00e9tat.<\/p>\n<div>\n<figure id=\"attachment_46152\" aria-describedby=\"caption-attachment-46152\" style=\"width: 375px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-46152\" src=\"https:\/\/www.rochester.edu\/newscenter\/wp-content\/uploads\/2014\/04\/madame_de_sade1.jpg\" alt=\"(L-R): Makia Green '14, Sarah Kingsley '17, Kathryn Loveless '15, Halle Burns '16, and Evelyn Hernandez '15.\" width=\"375\" height=\"259\" \/><figcaption id=\"caption-attachment-46152\" class=\"wp-caption-text\">(L-R): Makia Green &#8217;14, Sarah Kingsley &#8217;17, Kathryn Loveless &#8217;15,<br \/>Halle Burns &#8217;16, and Evelyn Hernandez &#8217;15.<\/figcaption><\/figure>\n<\/div>\n<p>The play is based on the life of Donatien Alphonse Francois the Marquis de Sade who was incarcerated for most of his adult life due to his sexual activities and assorted deviations from the perceived sexual norm. Kept on the defensive by his mother-in-law, who worked tirelessly to keep him behind bars to protect both her daughter and family, de Sade took to writing novels, pamphlets, political tracts, and plays\u2014each more scandalous, sexually explicit, and violent than the next. His body of work was rediscovered in the early 20th century (it had been\u2014and in many places continues to be\u2014subject to banning and censure.)<\/p>\n<p><i>Madame de Sade<\/i>\u00a0is directed by Maister, who has led the International Theatre Program since 2002. Born in South Africa, he has trained as an actor and director and has a master of fine arts from Carnegie Mellon University. Maister is the recipient of numerous awards and a founding member and resident theater director of the music group\u00a0<a href=\"http:\/\/www.alarmwillsound.com\/\">Alarm Will Sound<\/a>. His work has been seen at the Lincoln Center Festival, Carnegie Hall, NY&#8217;s River to River Festival, and the Holland Festival. His newest work is set to premiere at the Metropolitan Museum of Art in summer 2014.<\/p>\n<p>Set design is by Marsha Ginsberg, whose award-winning work specializes in new plays and opera. Her previous Rochester credits include\u00a0<i>The Puzzle Locker<\/i>,\u00a0<i>The Lower Depths<\/i>,\u00a0<i>Featuring Loretta<\/i>, and\u00a0<i>Adding Machine: a musical<\/i>. Costume design is by Tilly Grimes, co-artistic director of the theater company SavageCharm. Her previous Rochester credits include\u00a0<i>The Rochester Plays<\/i>\u00a0and\u00a0<i>Cinderella<\/i>. Lighting is designed by Thomas Dunn, whose previous Todd Theater productions include\u00a0<i>The Illusion<\/i>,\u00a0<i>The Hairy Dutchman<\/i>,\u00a0<i>King Lear<\/i>, and\u00a0<i>Killer Joe<\/i>. Sound design and original music is by Obadiah Eaves, whose work has been seen on- and off-Broadway in works by David Mamet, Woody Allen, Eric Bogosian, Ethan Coen, and Suzan-Lori Parks.<\/p>\n<p><i>Madame de Sade<\/i>\u00a0runs Thursday, April 24 through Saturday, April 26, and Wednesday, April 30 through Saturday, May 3. All shows begin at 8 p.m., except for a matin\u00e9e performance on Sunday, April 27 at 3 p.m. and a performance on Saturday, May 3 at 6 p.m. Tickets are $7 for UR students; $10 for UR alumni, faculty and staff, and for seniors (55+); and $13 for the general public. All performances take place in Todd Theater, located in the Todd Union building on the River Campus. Tickets can be purchased online at\u00a0<a href=\"http:\/\/www.rochester.edu\/theatre\">www.rochester.edu\/theatre<\/a>, or by calling <span class=\"skype_c2c_print_container\">585.275.4088<\/span><span class=\"skype_c2c_container\" dir=\"ltr\" tabindex=\"-1\"><span class=\"skype_c2c_highlighting_inactive_common\" dir=\"ltr\"><span class=\"skype_c2c_textarea_span\"><img decoding=\"async\" class=\"skype_c2c_logo_img\" src=\"resource:\/\/skype_ff_extension-at-jetpack\/skype_ff_extension\/data\/call_skype_logo.png\" alt=\"\" \/><span class=\"skype_c2c_text_span\">585.275.4088<\/span><\/span><\/span><\/span>. Tickets may also be purchased up to an hour before each performance at the box office.<\/p>\n<div id=\"skype_c2c_menu_container\" class=\"skype_c2c_menu_container\" style=\"display: none;\">\n<div class=\"skype_c2c_menu_click2call\"><a id=\"skype_c2c_menu_click2call_action\" class=\"skype_c2c_menu_click2call_action\"><\/a>Call<\/div>\n<div class=\"skype_c2c_menu_click2sms\"><a id=\"skype_c2c_menu_click2sms_action\" class=\"skype_c2c_menu_click2sms_action\"><\/a>Send SMS<\/div>\n<div class=\"skype_c2c_menu_add2skype\"><a id=\"skype_c2c_menu_add2skype_text\" class=\"skype_c2c_menu_add2skype_text\"><\/a>Add to Skype<\/div>\n<div class=\"skype_c2c_menu_toll_info\"><span class=\"skype_c2c_menu_toll_callcredit\">You&#8217;ll need Skype Credit<\/span><span class=\"skype_c2c_menu_toll_free\">Free via Skype<\/span><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>On Thursday, April 24, the International Theatre Program presents the rarely performed <em>Madame de Sade<\/em>, a work that explores deeply disquieting questions about the nature of suffering and belief.<\/p>\n","protected":false},"author":36,"featured_media":46142,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13092],"tags":[20542,14,9576,4926,4096,16072],"class_list":["post-46132","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-arts","tag-department-of-english","tag-events","tag-humanities","tag-international-theatre-program","tag-nigel-maister","tag-school-of-arts-and-sciences"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Devotion, deviance face off in &#039;Madame de Sade&#039;<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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