Posts Tagged Graduate Program in Visual and Cultural Studies

A fall film series hosted by InVisible Culture, an electronic visual studies journal celebrating its 25th anniversary year at the University, and the George Eastman Museum, explores the power of looking.

During the mid-19th century, a series of grand hoaxes captured the American imagination: the Great Moon Hoax, the Cardiff Giant, and the fantastical creatures of P. T. Barnum. Joan Saab, an associate professor of art history and visual and cultural studies, examines the relationship between seeing and believing.

Multidisciplinary artist Christopher Knowles rehearses in Todd Theatre. The Sundance Kid is Beautiful presents Knowles’s work in a staged performance environment that incorporates many of his diverse approaches, including dance, sculpture, music, and poetry.

The University’s Humanities Project will present a solo performance of The Sundance Kid is Beautiful, a rarely shown work by visual artist Christopher Knowles. Knowles is often regarded as being an outsider whose work is explained through his autism.

Sir Sidney Poitier became a cultural icon in the 1950s as the first black actor to break racial barriers in film. But as art and art history professor Sharon Willis argues in her new book, his image on screen creates a false sense of equality that continues to appear in the popular media and remains damaging to race relations today.

Leading scholars, artists, and critics from around the world will gather at the Arsenal Institute for Film and Video Art in Berlin on August 28 to celebrate the work of Douglas Crimp, who turned 70 this month. Known for his work as an art critic, theorist, curator, and activist, his work was instrumental in the development of the field of queer studies.

A three-day film and lecture series looks at the work of female journalists, authors, and filmmakers working to bring attention to stories about motherhood in America, sex and sexuality, reproductive rights, and racial inequality.