Department of Art and Art History

Astra Zhang '18, a double major in electrical and computer engineering and in studio arts, and Ivan Suminski '18, a mechanical engineering major who is earning a dual degree in violin performance will share this year's Wells Award.

The Humanities Center has announced its slate of public lecture series speakers for this year’s theme of “memory and forgetting.”

Colleagues pay tribute to Elizabeth Cohen, an associate professor in the Department of Art and Art History and director of the University's Art New York program, who died in May.

Seniors final art projects are a culmination of study in contemporary visual art-making through practice, presentation, and analysis.

Students enrolled in a new course in Food Justice & Social Practice combine urban farming, food security, and socially engaged art.

Tommy Evans '99 has combined his eye for photography and his interest in politics into a journalism career that has led him to the post of London bureau chief at CNN International.

Peter Christensen’s book shows how the late 19th-early 20th century German-designed train stations, bridges, and other structures along the Ottoman Railway show the trademarks of imperialism and elements of emergent nationalism.

Susan Uselmann and Thomas Devaney were awarded “Enduring Questions” grants, which aim to help in “the development of a new course that demonstrates the enduring value of the Humanities by extending beyond traditional disciplinary boundaries.” Peter Christensen has received a Summer Stipend.

During the mid-19th century, a series of grand hoaxes captured the American imagination: the Great Moon Hoax, the Cardiff Giant, and the fantastical creatures of P. T. Barnum. Joan Saab, an associate professor of art history and visual and cultural studies, examines the relationship between seeing and believing.

Sir Sidney Poitier became a cultural icon in the 1950s as the first black actor to break racial barriers in film. But as art and art history professor Sharon Willis argues in her new book, his image on screen creates a false sense of equality that continues to appear in the popular media and remains damaging to race relations today.