School of Arts and Sciences

Rochester professor of economics Narayana Kocherlakota expects to be disappointed this week, as the Federal Reserve Open Market Committee has signaled that it will make no changes to an eight-year-old policy statement for meeting inflation and unemployment goals.

How do you convey a 91,000-square-foot castle with more than 160 rooms on the Ghana coast, back to Rochester, so at any time you could take a virtual tour as if you were really there? Or study the castle’s structure brick by brick?

Rochester scientists at the Laboratory for Laser Energetics and their colleagues in California and France have directly demonstrated for the first time how laser beams modify the conditions of a plasma.

Rochester’s newly formed cosmology group is at work to create the most detailed 3-D map of the universe ever seen.

Peter Christensen, an associate professor of art and art history at the University of Rochester, has a new role as a juror advising the United Nations in its work designating UNESCO World Heritage sites.

New Rochester research makes considerable progress towards understanding what triggers mothers with substance use disorders to treat their children harshly, and how parents and medical care providers can predict parenting difficulties.

Five graduate students from the University of Rochester Medical Center and one from the School of Arts and Sciences have been offered National Institutes of Health F31 fellowship grants to support their health-related research.

In a New York Times video op-ed, Lyle Jeremy Rubin, a history PhD candidate at the University of Rochester, and four other American veterans argue that the nation's longest war is not winnable.

Inspired by diving bell spiders and rafts of fire ants, Rochester researchers have created a metallic structure that is so water repellent, it refuses to sink—no matter how often it is forced into water or how much it is damaged.

Artist Allison Newsome recently approached Anne S. Meyer, an associate professor of biology, about incorporating Meyer’s sustainable, artificial nacre materials into a new art piece. The artificial nacre produced in her lab mimics natural nacre, also known as mother-of-pearl.