Life is Short and Desire Endless
The endearingly (and intentionally) peculiar tone of Patrick Lapeyre’s Life is Short and Desire Endless complements the subject matter of the novel very well. Nora Neville, a flighty and immature young woman, flits manically between two men (Murphy Blomdale, a successful American businessman in London and a married French ...
>
Latest Review: "Life is Short and Desire Endless" by Peter Lapeyre
The latest review to our Reviews Section is a piece by me— Aleksandra Fazlipour — on Peter Lapeyre’s Life is Short and Desire Endless, which is available from Random House. Here’s a bit of my review: The endearingly (and intentionally) peculiar tone of Patrick Lapeyre’s Life is Short and ...
>
In the Train
You know those niche documentaries about people who are really into some specialized hobby or interest—old-school arcade games, typography, central Asian throat singing? The ones that make you think: wow, these people are so kooky, they make me seem normal! and yet at the same time you can almost, in a way, see where ...
>
Latest Review: "In the Train" by Christian Oster
The latest addition to our Reviews Section is a piece by Emily Davis on Christian Oster’s In the Train, which is translated from the French by Adriana Hunter and available from the stylish Object Press. Emily Davis is a grad student in Literary Translation here at the University of Rochester, and is currently working ...
>
The Year in Translations (So Far): "In the Train" by Christian Oster
Earlier this week I was on the Wisconsin Public Radio show Here On Earth to make some international literature summer reading recommendations. We weren’t able to cover the full list of books I came up with, so I thought I’d post about them one-by-one over the next couple weeks with additional info, why these ...
>
The Unforeseen
In Small Worlds, Warren Motte categorizes Christian Oster as a “minimalist,” placing him in a group with other young French writers such as Jean Echenoz, Jean-Philippe Toussaint, Marie Redonnet, and Eric Chevillard, who “exploit the principle of formal economy in their writing.” Each does so it his/her ...
>