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Like millions of people around the world, John Frazee ’75M (MD) is holding his breath that the Guatemalan conjoined twins separated last summer will go on to live healthy lives. Frazee, the director of the UCLA Medical School’s neuroendoscopy program and clinical professor of neurosurgery, was the lead vascular surgeon for a team of 10 anesthesiologists and as many as 10 other doctors, that worked for 22 hours last August to separate Maria Teresa and Maria de Jesus Quiej Alvarez. The twins’ condition—they had separate brains but shared a skull and several vital blood vessels—is very rare, with about 30 such cases reported since 1928, Frazee says. During one tense moment early in the operation, surgeons had to test whether the blood vessels could be separated and the blood flow redirected back into each twin. If the blood did not flow properly, swelling in the brain and a potentially fatal stroke could occur. "It actually went perfectly," Frazee says. All the surgeons involved donated their time and services for the twins, who physicians say would likely not survive without being separated. Frazee says that desire to help was stressed at the School of Medicine and Dentistry, helping to persuade him to leave Oregon for Rochester for a medical degree. "It was a school that was truly interested in teaching you to be a good physician," he says. "I truly feel I got a better background than most people do." History buffs may not recall the Marx Brothers’ first airplane flight, Franklin Eleanor Roosevelt’s presidency of the United States, or Malcolm X’s famous "If I Had a Hammer" speech. But such pivotal moments are a few of the goofs and blunders that make up a history of the world as compiled by Anders Henriksson ’71 in Non Campus Mentis. Culled from years of grading students’ papers and gathered from examples supplied by other college professors, the book has proved a hit in academic circles. "I think it’s deep in human nature to make mistakes," says the former double major in history and Russian. "We all do it. It’s just a matter of laughing at the human condition. It’s interesting to see how people react when they’re under stress." Henriksson, a history professor at Shepherd College in West Virginia, notes that the point of the book is not to make fun of students, and he maintains their anonymity throughout. Students have always done this," Henriksson says. "If it says anything about us as a society, I think it’s that we’re a culture that doesn’t put a lot of emphasis on understanding the past as a necessary tool to understand where we are today."
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Musician Warren Zanes ’99 (MA) may be getting his doctorate from the University’s graduate program in visual and culture studies, but don’t expect his intellectual theories to carry over into his music. He describes his songs as just catchy pop music.
"I’m not necessarily breaking new ground," says the former guitarist and singer of the Boston-based band the Del Fuegos. "But I’m sifting through old stuff, finding what means something to me, and putting it all together in a way that I enjoy."
Zanes agrees that the life of a rock musician seems opposed to a more studious career, but he’s the second musician from the popular ’80s underground band to switch his focus from right brain to left. Bassist Tom Lloyd has his Ph.D. in rocket science from Cal Tech.
Since the Del Fuegos broke up, Zanes’s scholarly pursuits have been his emphasis, but now he is again focusing on the music. He has a new album called Memory Girls—his first solo work—that was produced by the production team of the Dust Brothers, and he’s shopping it around to labels after the Dust Brothers’ Disney-backed label dissolved.
Zanes describes his two worlds—music and academia—as "carefully orchestrated schizophrenia."
"I’m trying to maintain a connection to both worlds," he says. "But that said, music is on the front burner for a bit, and the academic world is having to go on the back burner."
The songs are more melodious, hook-based pop tunes than the jam-rock of the Del Fuegos. They are, however, a far cry from his doctoral thesis about the cultural phenomenon of new regionalism."The academic pursuits are more cerebral, while my music is more emotional," he says.
Challenging himself intellectually has been a big part of growing up, Zanes says, and he feels it has gone a long way toward improving his music as well.
"When I was in the Del Fuegos, I was just a teenager," he says. "It wasn’t a big thinking project—more like going out and making mistakes, making chaos out of my life. When I came to the University, it was a chance to sort through that chaos. Now I’m ready to focus on music again."
When Harrington (Kit) Crissey Jr. ’66 found a neatly handwritten piece of music in the personal library of a former Eastman professor, his first thought was to share his discovery with the world.
After checking the work’s authenticity, he discovered with surprise that he had found an unpublished work by the 19th-century cornet virtuoso, band director, and composer William Paris Chambers.
"It was very exciting to me," says the former River Campus music major and amateur musician. "It was very pleasing that my interest in bands from research standpoints was bearing some interesting fruit."
Crissey discovered the Chambers work—a solo for B-flat cornet with piano titled American National Fantasie—in a portion of the music library given to him by former horn professor Milan Yancich.
A turn-of-the-century cornet player and bandmaster, Chambers is best known for his marches Chicago Tribune, The Boys of the Old Brigade, and Hostrauser’s March. Crissey first heard Chicago Tribune performed by the Eastman Wind Ensemble as a student at Rochester.
Crissey has begun the process to have the newly discovered work copyrighted. Meanwhile, he passed it on to Eastman alumnus Loren Geiger ’68E, ’70E (MM) to make a band arrangement of the work.
"I just want to hear it performed," Crissey says, noting that he doesn’t want to make money on the work but does hope to protect it. "It’s an ideal work for its memorial value and patriotic tunes.
"My view is that this music is alive, and it’s meant to be played."
He credits a performance by the Eastman Wind Ensemble with encouraging him to enroll at Rochester.
"I never planned to major in music, but hearing the Eastman group, I was floored," Crissey says. "I knew I had to come to Rochester to hear these people. I never lost that love of music, and I’m happy to be able to do my part to get it heard."
Myles Brand ’67 (PhD), the president of Indiana University who found himself in the national news two years ago when he fired legendary basketball coach Bobby Knight, has been named the new president of the National Collegiate Athletic Association.
Brand, who earned his doctorate in philosophy, is the fourth chief executive of the group that oversees college athletics.
"I think it’s an important statement that (the NCAA’s executive committee) chose a college president, a sitting college president," he told The Chronicle of Higher Education after the announcement of his appointment. "The statement is that intercollegiate athletics is integral to higher education and the success of higher education."
Brand, who also has served as president of the University of Oregon, fired Knight in September 2000 after the coach failed to comply with a "zero tolerance" conduct code.
Before leading Indiana, Brand held academic and administrative posts at Ohio State University, the University of Arizona, and the University of Pittsburgh.
Donald (D. A.) Henderson ’54M (MD), ’77M (HNR) was awarded the Presi- dential Medal of Freedom for his role in eradicating smallpox. In a July ceremony President Bush described the scientist who crafted the World Health Organization’s plan to wipe out smallpox as "a great general in mankind’s war against disease." Henderson was called into service again in 2001 as the first director of the Office of Public Health Preparedness in the days after September 11.
Catherine Compton-Lilly ’99W (EdD), a first-grade teacher and reading specialist in the Rochester City School District, received a $50,000 grant to study literacy in urban families. As one of only 29 educators nationwide who received the National Academy of Education/Spencer Postdoctoral Fellowship, she plans to select 10 parents at a local adult learning center and observe how reading fits into their lives and the lives of their children. Her earlier research on children and reading, titled Reading Families: The Literate Lives of Urban Children, was scheduled for publication last fall.
William Warfield ’42E, ’88E (HNR), best known for his commanding bass-baritone voice that made songs such as "Old Man River" from the musical Show Boat famous, died August 25 in Chicago at the age of 82. Among the major black opera singers of his generation, Warfield received a Grammy Award in 1983 for best spoken-word recording for A Lincoln Portrait, in which he narrated Aaron Copland’s work accompanied by the Eastman Philharmonia.
In addition to his many television and film appearances, he toured widely with then wife Leontyne Price in Porgy and Bess and sold out Carnegie Hall in 1975 in a concert that celebrated the 25th anniversary of his New York debut. He devoted much of his time since to teaching at Northwestern University and performing oratorios and concert presentations of staples from musicals such as Show Boat and Porgy and Bess.
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