At the Memorial Art Gallery, an extended Centennial Sculpture Park graces the museum’s west side.

Economist Elena Prager and coauthors have documented the disproportionate, negative effect of SNAP work requirements on homeless recipients.

In a senior project, graduating dual degree student Mae Cooke integrates their studies of harp and studio arts.

In Stephen Schottenfeld’s This Room Is Made of Noise, a down-on-his-luck handyman befriends an elderly widow of means. What’s a reader to think?

Scholar Anna Rosensweig explains how early modern resistance theory is inspiring far-right individuals to defy local, state, and federal laws.

The Mellon Foundation has renewed its support for the Rochester Education Justice Initiative with an additional three-year, $1 million grant.

Musicologist Cory Hunter identifies a notable contemporary shift in the century-old musical form.

A partnership between City of Rochester schools and the Memorial Art Gallery leads to innovation in arts education and furthers the museum’s mission to serve the Greater Rochester community.

The Gateways Orchestra, which appeared as part of the 2021–22 season, was the first all-Black classical symphony orchestra presented by Carnegie Hall in its history.

When the Eastman Wind Ensemble was founded at the Eastman School of Music in 1952, it launched a movement in wind music.