Years and years ago, when Karl Pohrt and I were launching the Reading the World program to enable independent bookstores to promote more literature in translation, we found out that May was officially World in Translation Month. This was a pretty happy coincidence, since we had already planned all of our activities to take place in May, and since people don’t celebrate this near enough.
In fact, after Reading the World morphed into the Best Translated Book Awards and whatnot, the concept of World in Translation month sort of faded to the background . . . Which is really too bad. May is the month for the PEN World Voices Festival, and the time when everyone gets out of school and has time to read something from another culture.
So, what I’d like to propose is that for World in Translation Month—and because our book sales for this fiscal year have been rather lagging—is that everyone reading this buy just one Open Letter title this month. But it from your local independent bookstore, from B&N, or Amazon—wherever you want. As a special incentive, we’re offering free shipping on all orders this month that are placed through our website.
And to be completely honest, there are two main reasons I’m personally asking all of you to do this. As you probably know, we don’t spend a lot of time on Three Percent pimping our own books. Instead, I’d rather talk about great works of international literature that are coming out from all over the place—I think that makes for a more interesting and valuable website. At the same time, I do have to try and sell as many Open Letter titles as possible, and for whatever reason—Borders closing, sluggish economy, etc.—this year hasn’t been our best. We do still have time to turn it around though, and literally, if all of the fans of Three Percent, the listeners to our podcast, the people who access our Translation Database, or the readers who follow the Best Translated Book Awards each purchase one single title of ours, we could end the year on a very high note.
Also, reading international lit during World in Translation Month should be mandatory for everyone.
Thanks in advance, and I apologize in advance for posting regular reminders about this. And please, if you support Open Letter and World in Translation Month, pass this post along to all of your FB/Twitter/RealLife friends.
A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .
The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .
In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .
Pascal Quignard’s __The Hatred of Music_ is the densest, most arcane, most complex book I’ve read in ages. It’s also a book that covers a topic so basic, so universal—almost primordial—that just about any reader will be perversely thrilled by. . .
In Gustave Flaubert’s Madame Bovary, Flaubert attempted to highlight the ordinary, tired, and often crass nature of common expressions by italicising them within the text. When Charles, Emma Bovary’s mediocre husband, expresses himself in a manner akin to that of. . .
Eliot Weinberger takes big strides across literary history in his genuinely breathtaking short work, 19 Ways of Looking at Wang Wei, tracking translations of a short ancient Chinese poem from the publication of Ezra Pound’s Cathay in 1915 to Gary. . .
Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .
The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .