Although the announcement of the 2013 Best Translated Book Award winners is only a couple of months old, it’s already time to start thinking about next year’s award.
First up—announcing the fiction jury and the deadline for fiction submissions. Easy bit first: As with years previous, to submit a title for the award, you, the publisher/author/translator simply have to send a copy to each of the nine judges (and myself for record keeping) by November 30th, 2013.
Although most judges prefer hard copies, if you’d rather send a PDF, mobi, or ePub file, that’s perfectly acceptable, and the emails for all of the judges are contained in the PDF below.
All books published between January 1, 2013 and December 31, 2013 are eligible.1
I’ll have information about the dates for announcing the longlist, shortlist, and winners in the not too distant future, but for now, if you’re a publisher/author/translator, you should start flooding the doorsteps of these judges.
The nine judges for the 2014 BTBA for Fiction are:
George Carroll, West Coast sales rep and soccer editor for Shelf Awareness;
Monica Carter, author, former bookseller, and editor of Salonica;
Sarah Gerard, bookseller at McNally Jackson;
Elizabeth Harris translator from the Italian and associate professor at the University of North Dakota;
Stephen Sparks, bookseller at Green Apple Books; and
Jenn Witte, bookseller at Skylight Books.
Really excited about this year’s jury. And we’re making some changes to the process this year. A lot of behind the scenes things, but a couple things that will be made visible to the general public. I’ll update you on these as soon as I get back from Brazil.
For now though, start sending along all eligible titles. Here’s a small label sheet with everyone’s address, and here’s a bigger one with physical and email addresses.
1 Worth noting that every book published in translation and distributed in the U.S. in 2013 can be selected by the jury regardless of whether or not that book was mailed to all of the judges. Obviously, the odds of a book being selected for the longlist are increased exponentially if the judges don’t have to try and hunt down a copy . . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .
Floating around the internet amid the hoopla of a new Haruki Murakami release, you may have come across a certain Murakami Bingo courtesy of Grant Snider. It is exactly what it sounds like, and it’s funny because it’s true,. . .
The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .
One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .
In the London of Hédi Kaddour’s Little Grey Lies, translated by Teresa Lavender Fagan, peace has settled, but the tensions, fears, and anger of the Great War remain, even if tucked away behind stories and lies. Directly ahead, as those. . .