This week’s podcast is the first one Tom and I have recorded in almost a month. So after a bit of catching up, we talked about David Bellos’s new translation of Simenon’s Pietr the Latvian, the difficulties of translating “I love you” and all the swears into Japanese, and this list of “The 20 Best Books in Translation You’ve Never Read.” As necessary, we also talked about the baseball playoffs and this cute flowchart.
Since Tom can’t post here, I just want to have the final word on our discussion of the list of translations that Stephen Sparks and I put together. First off, we didn’t give it this bombastic of a title, but whatever. We did put some time into coming up with twenty books that we love and that readers of international literature may not have heard of. As readers of heaploads of translated books, we had hundreds of titles to choose from. Every list is incomplete and flawed, but Tom’s accusation that this is “intentionally esoteric” is totally off-point. It is a symptom of today’s culture though, where if someone knows more about some topic that someone else, they are dismissed. Not to get all J-Franz about the kids these days and their Twitterversing, but there’s a reason why stupid websites like Flavorwire are popular—they replace genuine knowledge with listicles that make the common reader feel good about themselves. “Hey, I’ve read 20 of the 25 lists on the “Greatest List of Lists Created by Flavorwire” list! I’m gonna tweet this.” Sorry, Tom and whomever, for trying to share a bit of the lifelong research I’ve done on international literature. Next time someone wants to know about translated books, I’ll just search the “translationsIreadinHighSchool” hashtag and call it a day.
This week’s music is Rolling Waves by The Naked and Famous.
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .